Thanks, I know. It crept on there via the capture software, found it too late. Doesn’t seem loud enough to warrant a complete takedown and re-render

@@adamsteelproducer yeah happened to me when streaming it's a pain when you hear it but hey it's not worth the time at the end of the day the review and content are good so no worries 👍 thx for all the reaper content does help a lot when in need 👌

I was hearing that too! Ironic since I was using my S2V's to watch this review hehe.

@@behemothinferno LUL when irony strikes you :)

that is my goal to get hedd type 07s , the problem is no way I can order In Canada ;(

Thanks! The NS10 clones are the SN10s from Studiospares. They sound horrible exactly like they should 😅

Hi Musictron, that's unfortunate to hear. What keeps you from using the A5X + Sub? If there is anything we can assist you in considering your current setup and the ADAM Audio S2V, we're very happy to help. Have a great day. Greetings from Berlin.

In which way did u teared :) in the good way or bad way because u lost your hs8?

Hi Deo Favente, that's really unfortunate to hear. Did you take advantage of our extended warranty to let them get repaired? You can register your A7Xs and get up to 5 years of warranty. Feel free to reach out to our support team. We're happy to help you getting these A7Xs running again. Have a great day!

Still to be released, waiting on new software to come out of beta

They are not designed by Roland Stenz. Stenz left Adam way before these speakers were designed.

The A7x's are pretty good, I've really liked them and used them for almost 10 years, the S2Vs are definitely better, I switched about a month ago. The biggest difference I notice is the high end seems even more open and clear and the low end has more punch compared to the A7X's. To a degree your right, at lower volume levels there is less of an improvement but once you start going up to higher levels the difference is a lot more. I normally mix in the 65-80db range and the difference there is substantial. Down around 40-50db its a lot less. The think to keep in mind is that depending on the style of the music you may have to have to volume up a bit. EDM and bass heavy stuff needs a little bit of volume to drive the low end, if your mixing at a low level it doesn't work out well. I'm not sure what the difference is above 81db as I pretty much never go louder than that. My take is if your doing pro or semi-pro work and have a treated room its worth the upgrade. Less so if that's not the case. I'd also recommend a sub even with the S2V's unless your doing music that doesn't have much bass content. But for things like pop, rock, edm, hip hop, etc I consider the sub a must and its worth the time to properly calibrate the sub as well.

It is what it is, don’t forget that’s a measurement of the speakers from around 1-2 meters away in my room, not a pure representation of the speaker in a vacuum

@@adamsteelproducer Considering that Adam’s own anechoic measurement data shows a deeper low end extension than the sonarworks data that was measured in a 6 boundary room, one would predict that you would get a gain in low end extension and not a reduction.

But that’s not how physics works, all other things being equal you don’t get more out of a fixed system.... you only get that in room modes, otherwise absorption due to high mass objects and power drop off due to inverse square law apply

@@adamsteelproducer Are you telling me you have dead bodies hanging behind the curtain? P.S. That is a joke. Are you saying you have eliminated all room modes in low frequency spectrum?

It certainly seems that way, I’ve got issues up at 100ish hertz, but since the studio is surrounded on 3 sides by 100 feet of bedrock, the walls don’t seem to cause much issue down there. It’s not perfect here, but sub is definitely not the biggest issue! (And don’t worry about the bodies, they’re just on loan)