I have been playing guitar for almost 40 years and Jerry is one of the very best IMO . He has played for so many other artists but my favourite era is when he played in Fotheringay with Sandy Denny .

Jerry also loved richard thompson and one day we were talking guitars and Lenny Breau came up . I ended up sending Jerry Live at Shelly’ manhole which he loved. I saw Lenny many dozens of times in Toronto in the early 70’s . Genius

@@martydibergi5228 Richard Thompson is also one of my favourite players/ writers. Talking of Lenny Breau, there is a wonderful instrumental by Danny Gatton titled 'One for Lenny' which Danny dedicated to Lenny Breau !

I know im asking the wrong place but does someone know a tool to get back into an Instagram account..? I somehow forgot the password. I would appreciate any assistance you can give me

@Maverick Pierce instablaster :)

@Kendall Creed Thanks so much for your reply. I got to the site on google and I'm in the hacking process atm. Takes a while so I will reply here later with my results.

@Kendall Creed it did the trick and I actually got access to my account again. I'm so happy:D Thanks so much you saved my account :D

@Maverick Pierce glad I could help :D

+Brian J hahaha, thanks Brian :)

lol.

you're partially right. when doing bends on a floating bridge, like an Ibanez, I have to hold the bar to stop the bridge moving. that helps remove the out of tune issue. as for the saddles on a tele. bollocks, mate. all the pickups do is convert the string vibration into noise. the pickups don't give a fuck what material the bridge is made of. any audible to you difference, directly to you, bridge material makes, is just that. it doesn't translate/transfer via electromagnetic response. you have to remember a string is sat between two points. that tone wood thing is bullshit too.

Meow woeM : When I was a much younger guitarist, and when they first came out around 1980, I had two Floyd-Rose vibrato assemblies on Warmouth parts guitars. I also, at one point, had something called a Trem-Setter (Stew-Mac, around $20) which counteracted that tendency to drop in pitch when bending. It probably worked ok, but it was such a pain. String breaks were problematic and it destroyed the tone of the guitar. I since then learned how to set up a Strat with a stock arm and block, and I use it with locking tuners (but no locking nut). - Now onto the subject of bridges and tone woods: I’ve been listening to these debates for about 50 years; I’ll assume that’s longer than you, and that’s no dis. This goes on in the drum world (maple, birch, etc.), - and in the tube amp world (tubes vs. transistors vs. digital modelling, and resistors like carbon, carbon comp, metal film, etc.- and caps (polypropalene, polystyrene, silver mica, ceramic, etc - and tubes etc., etc., etc,) - and in the recording world ... and in pretty much every area of music. You don’t think there’s a sound difference between brass, steel, wood, bone, etc.? If a bridge or nut is not slotted properly, you know that can cause a nasty sound. Why wouldn’t the material also contribute to the tone? Watch some Warmouth KZfaq videos where they compare various woods. I have ... I don’t think any of it is bogus (other than say “oxygen-free cables” and that kind of thing). But metals, woods, components of all kinds definitely each make a small contribution to your overall sound. Change one resistor in a tube amp to metal film, and you won’t even notice it. Change them all, and you will sterilize the amp. Builders don’t advertise carbon comp. resistors for no reason. Those in the know want them. Same with the one steel saddle on my Tele bridge, it’s just a little brighter than the brass. And listen to Tele guys talk about Glendale vs. Callahan bridges ... those things can totally change how a Tele sounds. Just keep an open mind, ok? Don’t get played, but be receptive. Let your ears decide.

Thanks Andrew, yes of course- it's an Ibanez S5570Q RBB and I plugged into a Laney IRT Pulse on the cleanest setting..which was connected to the recording software via USB :)

+Brian J Hi Brian, no it's not locked but I know what you mean. I tend to try and naturally compensate when playing on guitars with a Floyd. It's a totally different experience to a Tele that's for sure! :)

@@LeeWrathe Tele is my favorite for country twang

Not harder to do just screws up the bn pitch of the other strings when one is being bent. Floating bridges are definitely not ideal for pedal steel

+Bigtombowski what do you mean?

+Noel Gallagher thanks matey :)

Lee Wrathe You still haven't answered my question :P. What model Ibanez is that?

+Noel Gallagher sorry! Yes, it's an Ibanez Prestige S5570Q-RBB

+Lee Wrathe Nice! Thanks! That is one gorgeous axe. Might be my obsession with sunburst finishes talking. :)

Rodney Evans I was wondering the same, I'm so old it looks like a S540 to me.

Ibanez S series. Probably 2 grand. Absolutely awesome!

Agree, sounds like shit, no hybred picking either

This video has nothing to do with real country playing.

He did some hybrid picking , and I’m a huge tele fan, but it doesn’t mean u have to use one when u play county. I like the fact he uses what he likes and his tone was solid even if u prefer a tele, which I do but he has really good tone and gave a great lesson.

Well hybrid without a flat pick , which technically may not be text book hybrid, but u can definitely draw from the examples he gives by using hybrid. Good lesson.