Such a gentleman. Look at his posture. Magnificent.

Thanks, best tutorial I have seen on the viennese waltz! Very thorough and easy to follow

Still can learn from the older video, dancing's the same yesterday and can even be better

They disect and analyze the natural turn in Viennese waltz and explain each part carefully and in detail so that we understand fully how we should do the forward 1-2-3 and backward 1-2-3 correctly. It is not only the steps, but also the correctly positioned body frame and posture. And they also show how our body and arms swing up in forward 1-2-3 (with full energy) and swings down in backward 1-2-3 (with less energy). My God.. I thought I knew how to waltz. I didn't. Now, I know how I should do. Mind you. This is only the beginners' steps.. I must try with my wife and see if we can follow the correct way to dance Viennese waltz.

Spectacular instruction and you were very easy to understand and follow!

They really explain the dance very well and it gives you the drive to takes you on the dance floor.well thanks for you great lesson.

Thank you for breaking it and providing a clear explanation of the steps.

Awesome video. Great demonstration. Helped me a lot to understand the turns.Thanks for the video and good job done by performers.

thank you, I really like her dress, looks nice

Describe it perfectly. I’m working on it. Thank you very much for sharing with us.

Excellent demonstration and teaching techniques . Your instructions on Viennese Natural Turn is very helpful for beginners. It is great if you mention a little bit about dancers connection and posture. Many thanks.

perfect technique! concise instructions. wonderful

I'm at the beginning point of putting together a Viennese Waltz performance/demonstration for our cities social (Ballroom Style) dance that they have once per month in our large community hall. Although my partner and I have not set a actual date for the performance yet, after watching this and other videos that show properly executed body actions that can be used in the Viennese Waltz or the slow Waltz, it will only make our dance look and feel so much better (I especially liked the power up in the first three steps and cool down a bit in the final 3 steps of the natural turn)......Very helpful. Anyhow, I want to thank the folks that put this little video together because it allows me see (in detail) how to use these body actions to spice up our dance. Thank you very much and keep them coming if you can:)

Great understandable way to teach...great guys..thankyou

great instructional video!

Thầy cô hướng dẫn rất đẹp và chi tiết dễ học ❤

Thanks for this wonderful lecture! the following is just my notes: Swing hip actively is a must for man and lady in forward step. L hand (and head and the whole body) is extreamly important in forward swing of Natural turn--CBM, it draws back and swing underneath the lday--down then up like thowing a ball. Keep the L elbow forward, don't think of turn, the feet(ball) swival at the end of swing because of the man (or lady) stays in fix point and turning in inside of the turn.

Wow, super, thank you very much! Greetings from Munich/Germany

So graceful

fantastic demonstration. i thank you very much. abosulteky useful

hello FRIEND GOOD AFTERNOON THANK you.for.great.Dance

This is awesome.

I like it all, great great.

I have just started studying Viennese and I found this video very helpful. Thank you for providing it.

Cảm ơn thày cô hướng dẫn rất chi tiết

Thank you so much.

I would like to see the reverse turn in Viennese turn

Thkq v much teacher👍

Very nice presentation ; how many years it took to give a beautiful presentation Thx

12:07 He's so silly god damn it Victor we're trying to be serious here

+dancevisionlasvegas *Thanks for this primer on the Viennese turns.* One situation from the Romantic era that would require absolute coordination across multiple couples is a racetrack pattern around a raised central stage for a piece that uses English waltz tempo for the intro and accelerates to Viennese for, essentially the balance of the movement: *VALSE DES FLEURS, Op. 71 No. 13 / de CASSE-NOISETTE: BALLET-FEÉRIE* (Pjotr Il'ich Chaikovskiy) P. Jürgenſon, VOIS alternately citable as: *МАМАША ГИГОНЬ (ЖИГОНЬ) И ПАЯЦЫ, Ч. 14 С. 3,3,6 / в ЩЕЛКУНЧИК: ВАЛЕТ-ФЕЕРИЯ* (Чайковский Пётр Ильич) П. И. Юргенсон, ВОИС Two columns of waltzers with alternating natural and reverse turns on the racetrack would give the impression of meshed gears; a theatrical-dance set separate from the waltzers (e.g. consistent with the source Ballet) could be enacted on the stage this scenario.

Should the 123 steps be evenly timed? They are excellent dancers, but at 20:10 etc it seems their step 2 takes only 1/3 of one beat - they treat it like a chasse. Is that how Viennese Waltz should be? (I know regular a.k.a. slow waltz more than Viennese.) I'm not trying to point out flaws - I'm trying to understand if I should aim for equally-timed steps (as I presume), or if it's okay to dance with this chasse-like timing. Would I still be effectively connecting with the music?

but can this tutorial also be used with the Kaiser Walzer?

What are the names of these beautiful performers? I see that lady is speaking with a Slavic accent - Russian?

Mình giọ là van nhanh

Dancekingo72o

Ugly noise at the beginning

(Was was c