Alice Julien-Laferrière, violin Domen Marinčič, harpsichord From a concert in Ljubljana on 15 November 2016 HARMONIA CONCERTANS - Early music on New Square
Пікірлер: 33
@scharnhorstkaisarbeethoven Жыл бұрын
The piece , the violinist , the audience and the place all belong to the heavens
@giorgiolamborghini8134 жыл бұрын
La sonata è stupenda e l'esecuzione è perfetta.
@andyhammers1858 Жыл бұрын
Deliziosa e fantasiosa questa sonata...da applausi gli interpreti...
@lucapurchiaroni64875 жыл бұрын
Very well played, congratulations to you both
@victorlloyd52716 ай бұрын
What a gorgeous piece of music -- and how beautifully done!! Thank you.
@antonpankin69552 жыл бұрын
Bravissimo!
@TASSOS19655 жыл бұрын
Fantastic!
@FilipVermeulen655 жыл бұрын
Little is known about he life of composer and chamber musician Dario Castello (b. ar. 1590 - d. before 1658), a minor though significant figure on the musical scene of the 17th century. His recorded musical activity seems to have been centered in Venice. Some biographical references to Dario Castello appear in the title pages and dedications of the composer’s two volumes of ‘Sonate concertate’, published in Venice in 1621 and 1629 respectively. Several editions of Castello’s popular yet technically demanding and musically adventurous sonata anthologies were made, with Book I reprinted in Venice and Antwerp as late as 1658. Two editions of Book I describe the composer as ‘Capo di Compagnia de Musichi d’Instrumenti da fiato in Venetia’, leader of a Venetian company of 'piffari', while the Book II dedications announce that he was also a musician at San Marco. Since Monteverdi was 'maestro di cappella' at San Marco during Castello's period of service, it is not surprising that Castello's music shows the influence of this great Italian master, particularly in the use of the so-called 'stile concitato' or agitated style, with effects such as having rapid repeated notes and extended trills as symbols of bellicose agitation or anger. It also divulged other characteristics typical of the day, notably the deft use of contrasting tempos and other colorful features associated with the 'stile moderno'. His works were typically scored for sackbuts, cornetti, violins, and dulcians. Sources: www.arkivmusic.com/classical/Name/Dario-Castello/C... www.hyperion-records.co.uk/c.asp?c=C976 it.wikipedia.org/wiki/Dario_Castello en.wikipedia.org/wiki/Dario_Castello en.wikipedia.org/wiki/Stile_concitato
@nobodyinabody2 жыл бұрын
thx
@antonpankin69552 жыл бұрын
Perfectly!👏👏👏
@w.stephani3083 Жыл бұрын
Wunderschön!
@JoseluisClaresValverde Жыл бұрын
IMPECABLE...¡¡¡¡¡¡¡¡¡¡¡¡
@inekeevink38845 жыл бұрын
Perfect violin
@ribeca1007 жыл бұрын
Ottima interpretazione dal vivo!
@hunterharris48696 жыл бұрын
This is so good!
@MrLuridan4 жыл бұрын
Wish there was another camera so we could see her face. Great performance.
@lucaslageguida35713 жыл бұрын
Lindo !!!
@jeanbeldame64574 жыл бұрын
Très belle interprétation et en prime la violoniste est une beauté
@antonpankin69552 жыл бұрын
👍👍👍
@johdrydaniels7 жыл бұрын
Bravii
@danielturban69775 жыл бұрын
qu'est ce qu'il " sonne" bien ce violon! BRAVO!!!
@emilienhartmann53043 жыл бұрын
Oui c’est vrai
@dedwards70697 ай бұрын
Lovely liquid phrasing
@alandana3 жыл бұрын
Very fine! Alan
@davehshs6515 жыл бұрын
Very well played.
@enganchadaalaciencia Жыл бұрын
What is the name of the great violinist??????
@jsot19884 жыл бұрын
@lucabrandolini35474 жыл бұрын
Well interpreted ! But I was asking myself if this sonata sounds not better with a sopran recorder ?
@lawrencebryan54673 жыл бұрын
I played recorder fairly decently for over 50 years and have found few sonatas that sound best on a recorder. Sorry I didn't take up another instrument.
@wallypituello2 жыл бұрын
sempre meglio il violino ;-)
@lucabrandolini35472 жыл бұрын
@@wallypituello kzfaq.info/get/bejne/iqenobp5lc7Hl6c.html : Maurice Steger's is one of the best recorder version; sarei curioso di sapere cosa ne pensi ;)
@wallypituello2 жыл бұрын
@@lucabrandolini3547 me la sento e poi ti dico ;-)