I feel like I should say, "Romani" is pronounced Ro-maw-nee, not romany. Just letting you know :3

"Hellfire isn't about Frollo's power, it's about his weakness." So glad I clicked on this video.

If you ask me, Bruno not being a villain actually makes "We Don't Talk About Bruno" MORE of a villain song, not less of one. Because it's the family trying to justify why they disowned and ostracized a family member who they found inconvenient. So it's not BRUNO'S villain song, it's the FAMILY'S villain song.

Somehow Disney went from this to "I let you live here for free and don't even charge you rent"

As a Catholic, Hellfire really understands the Catholic view on sin and mercy.

I'm genuinely surprised they didn't include "be prepared" on that list. Hell, even something like "Mother Knows Best" would probably fit better on there than some.

Hellfire is hands down the BEST villain song. It’s dark, it points out the issues of the church back then and current, and it truly encapsulates the story Victor Hugo had written from the original story. The only other villain song I love this much is In the Dark of the Night from Anastasia, another movie that does not get the attention it deserves.

That quote of Frollo being terrifying because he is real has never rung truer to me. I think every woman who has seen this movie can relate to the genuine fear and disgust I felt towards Frollo the second he started lusting over her. And, considering this film is made mostly by men in the 90s, it is surprising that they made a near perfect portrayal of a predator. It explains his thought-process to justify it, we have a look into his mind and literally *see* his massive cognitive dissonance, but the film doesn't excuse him. In fact, it mercilessly punishes him for his terrible actions. It feels good to have a reminder that art isn't just entertainment. When done well enough, it can go this deep into someone's mind and soul.

a fun point: Frollo's room does not need a fireplace that big Allow me to explain - A room of that size, made of stone, can be insulated in various ways - the most common method, used liberally throughout castles and large dwellings, was to cover everything in rugs and tapestries. Aside from looking pretty, the point of these was to form a buffer between the cold surface of stone and the air around it, drastically reducing the rate of heat loss, and making for some much more comfortable walking besides. Frollo has chosen to keep the room almost totally bare, with just the fireplace at the far end, and a MASSIVE OPEN BALCONY DOOR. That door is enough to give any builder a heart attack, but more on that in a moment. In order to heat a room of that size, consistently, for long enough to maintain a livable temperature whenever such a thing is required, Frollo would be burning his way through up to a METRIC TON of dried oak, per WEEK. His piety and humility is artifice - the money required to keep up the sham is probably enough to feed half of Paris, and yet he uses it all on _looking_ poorer than the nobles of the country who at least have a touch more sense. His balcony door exacerbates the problem. The middle ages, at the time HOND is set, had yet to invent the double-glazed window, which means that any tiny gaps in the Lead sealing of those huge windows would let in wind. Any gap between the windows themselves? wind. Any porous materials, surfaces, connections, holes in the glass, chips in the wood, etc? wind. This makes keeping a consistent heat even more unbearably difficult, as it's being sapped away at _record pace._ A fuel consumption of 1000kg wood p/wk is CHILD'S PLAY when we're factoring in the multitude ways that heat can escape that bloody hall. A conservative estimate would place Frollo's yearly consumption at around 50 *whole trees* per annum. My brother in Christ that's enough to build half a village, and then some.

Frollo full on attempts to SA Esmerelda in the stage version of this show. It makes Hellfire far scarier. Since it's a very hard song to pull off with the same intensity on stage. And - spoiler alert - when she is dead and Frollo says to Quasimodo ( who has finally seen the light about his horrible master and is done with his s***) "you don't want to do this" ... you quail in horror AND cheer when the statues of saints move in and hiss "Yes you do!" Before Quasimodo full on murks him by THROWING him to his death.

the single most disturbing thing about Frollo is how EVERYTHING he does is justified in his own eyes. He, by his admission, can do no wrong, no matter how depraved or violent his actions are

Another cool thing, the Latin "my fault, my fault, my most grevious fault" is actually from the traditional catholic Latin mass!

“He throws it back on the virgin mary during his prayer” is CRAZY phrasing when you remember what throwing it back means in modern day

Love how this almost 4 minutes masterpiece can be dissected in a 50 minutes video, and it feels like we've not even yet delved half-ways about it. I seriously think I could watch a 2 to 4 hours essay dissecting this song. That's how much it's a masterpiece

Something that I have personally never heard anyone else comment on is when Esmeralda appears within the flames for a second time, you can hear the rattling of her tambourine. BUT that tambourine sound can also be hear as the shake of a rattle snakes tail (which snakes have huge biblical symbolism for sin). Just thought it was neat

I always thought it noteworthy that Quasi is almost certainly the adopted son of the Gypsy woman. Her husband seems nowhere near as fond of the babe, and of course Quasi looks nothing like either of them, having recessive traits (ginger hair and green eyes, the rarest and most recessive colours possible), as well as pale skin. I always thought this a clever inversion of the old racist trope of Gypsies stealing babies (something that is unfortunately a part of the original novel) - in this case, I believe Quasimodo’s mother rescued and adopted him, saving him from death twice. It makes her actions even more noble, and Frollo even more wicked as Quasi’s second adoptive parent. It makes Quasimodo even more tragic, as well.

As a choral performer, The Bells of Notre Dame is not just the best opening number for an animated film and Disney movie, it is a musically complex piece of work. Kyrie Eleison is one of the motifs throughout that work, which means “Lord, have mercy”. A frequent phrase we see in choral works, and I was pleased Menken included this, especially with the overarching theme of judgment. It’s seriously brilliant. So beyond underrated.

the fact that the list didn't have "Be Prepared" is an immediate red flag for me lol

(Idk if you said it) I just realized that in the start of the song, Frollo, while pleading for heavenly mercy, is directly blaming God for his sinfull desires. He is in a way accusing God to have purpousely created Satan more powerful than men, just to tempt him, while he believes himself to be Gods righteous and virtueous servant worthy of all heavenly mercy. Although being tormented by the fear of divine punishment, Frollo is essentially putting himself above God by thinking himself worthy of the exempt of human desire and temptation. It's not my fault (mea culpa) If in God's plan (mea culpa) He made the Devil so much stronger than a man (mea maxima culpa) The echoes surrounding him is the voice of God trying to push through his state of Narcissim.

fun little detail many people miss, during the opening number Bells of Notre Dame, when Frollo is chasing the woman through the streets of Paris, the chorus we hear in the background is singing the Dies Irae. It's an old Latin chant/song that in more recent history has been used in movie scores to symbolize death/dying. So while we are watching this high-tense chase scene, the score is literally screaming at us that someone will die soon, which we see happening to the women and almost to Quasimodo before the Archdeacon steps in. It's been a while since I've seen the movie so I don't remember if it appears anywhere else in the movie but that moment in particular always has stood out to me. Anyway, this has always been my favourite Disney movie, if not first than definitely top 5. Hellfire has always held my number 1 spot for Disney Villain Songs and I have literally argued with a friend for 20+ minutes if Hellfire or Friends on the Other Side was better. (we never agreed on an answer. They're both great songs but Hellfire tops FOTOS for me).

"Mea culpa" is also a legal term, for him to be a judge, the whole song is constructed well.

The moment towards the end of Hellfire where Frollo says" God have mercy on her" always makes me tear up a little. Because its like he is having a small moment of clarity where he realizes just how vile he is being and is remorseful before his pride, wrath and lust completely bury that. It also hits me because if he/Frollo would have mercy on Esmeralda God wouldnt need to.

You know you’re watching a good KZfaqr when you literally actually genuinely fist pump and say “YUSS!” In 2023 upon seeing them upload a video about a topic you like

fun lil story. i was in handbells in grade school. our music teacher left partway through a year. it was a devastating loss. a sub stepped in for a while. then, our new leader arrived. I'll call her M.S. MS came in and endeared herself to us discombobulated children and unified us. by the end of the year, we were rallied to her. If I'm remembering correctly, this story happened within her first year at our school. if not, it was within the second. she listened to what we liked and taught us some Disney songs. we preformed bells of Notre Dame for our school. then against a few other schools. then at a regional... and if I'm recalling correctly, we went all the way to the state level. We. Won. grade-schoolers won at a massive contest with none other than a handbell cover of The Bells of Notre Dame. It has a very special place in my heart

I love how you explained how frollo is so terrifying because he’s so real. he’s the type of monster that can exist, unlike magical creatures, or magicians of death, frollo is a human being that craves disgusting humanly desires. That’s why he’s so scary.

I'm a simple woman. I see an hour long video essay about my favorite Disney song from my favorite Disney animation sequence from my favorite Disney movie, I click.

Hellfire I’ve heard as one of if not THE best Disney songs ever made. The fact that a top 100 list did not include it must absolutely be on purpose I honestly always love video essays on Hunchback and Hellfire. There’s so many little details everyone picks up and it’s just amazing to see. Thanks for making and sharing this!

What sent shivers down my spine is when I realized that a portion of the Confiteor is used by the hooded red figures. I confess to almighty God and to you, my brothers [and sisters], that I have greatly sinned, in my thoughts and in my words, in what I have done and in what I have failed to do, through *my fault*, through *my fault*, through *my most grievous fault*; therefore I ask blessed Mary ever-Virgin, all the Angels and Saints, and you, my brothers [and sisters], to pray for me to the Lord our God. The level of detail in this piece is amazing

It's a testament to Stephen Schwartz's talent (and range) that he's able to write lyrics for Hellfire, while also having composed music for the likes of Wicked around the same time, The Prince of Egypt, and Pooh's Grand Adventure. I know he's not the most-employed composer/lyricist ever but gosh darn if he isn't underrated! Good on you for giving the whole creative team a shout out, they all deserve it.

In my opinion the way "sin" is drowned out by the score just enhances Frollo's fear of being sinful like the lowly commoners

Villain songs are as IMPORTANT as the 'Hero' songs. You make the point so clear in this video!! For me they're the ones that stick as much as the songs sung by the protag, maybe even more (like Hellfire and Poor Unfortunate Souls). To not include them and sometimes ignore them, is just disrespectful to everyone who influences the creation of a villain song

I remember hearing that Tony Jay was absolutely exhausted and almost lost his voice doing that epic last part of the song. An absolute legend!

A near hour long analysis of the greatest Disney song ever? Has Christmas come early?

25:00 another fun fact, the latin chanting of mea culpa, mea culpa, mea maxima culpa is another catholic chant that's called the penetential act where the person chanting it acknowledges their faults and sin during the mass and asks for forgiveness

As an honourable mention I just want to mention the French version of this song. Absolute masterpiece, breathtaking performance by voice actor Jean Piat and the lyrics are honestly crazy. For "destroy Esmeralda, and let her feel the fires of hell", for example, the french version goes: détruis Esmeralda, qu'un rideau de feu soit son linceul" - destroy Esmeralda, that a curtain of fire shall be her funeral veil. Or "quelle brûlure, quelle torture, les flammes de sa chevelure dévorent mon cœur d'obscènes flétrissures" - what burning, what torture, the flames of her wallowing hair devour my heart with obscene wilting/rotting... okay, I'm a bad translator, but you get the point: whoever wrote these French lyrics 1000% understood the assignment.

I will admit, "I had trouble with the fireplace" made me laugh.

14:48 Yes!! Heaven's Light IS essential. It's meant to be a juxtaposition of the two natures. The monster (Frollo) and the man (Quasi.)

44:29 I actually have to disagree with you here. They did not drown out the word "sin" but instead emphasized it by having the chorus come out clearly saying "SIN" as he says it. It's one of the most stand-out words in the line, it's got a big OOMPH that makes you pay attention to it. They were not even trying to hide the word in the music, rather they used it to lead up into the hooded court's chorus, as both a declaration and an accusation. They may have been squeamish about it, but they did not conceal it.

Fun fact, because I think this film's first shot in Hellfire captures it the best I've ever seen: the bridge between the Ile de la Cite (where Notre Dame and the Palais de Justice both are) and the North bank is where Javert commits suicide in Les Miserables-- specifically, on the road towards the justice building, he stops and looks out from the bridge towards the Justice Building and Notre Dame. He is unable to move past this point, because moving forward-- towards man's justice-- would mean he has to decide between going to the justice building or going to Notre Dame. There is only one other road after the bridge that would take him back to Notre Dame (towards god), which Hugo describes as "Reddened" by a streetlight. Caught between a staunch belief that god's law and man's are the same, and forced to confront a situation where man's law is directly opposed (like the Notre Dame and Palais de Justice), he cannot decide-- so he jumps. In contrast, Frolo looks out from the Palais de Justice towards Notre Dame and believes the same thing-- that his laws, man's laws, are the same as god's laws. But unlike Javert, he has direct power to control those laws and who they harm, and does not feel the same moral issues that Javert feels. He sits inside the Palais de Justice and looks out at Notre Dame, believing himself in many ways to be a god, if one lesser than God, capital. He sits inside the justice building, directly facing the seat of God, and believes himself to be in communication with that God wants-- that his thoughts and God's are the same. In Hellfire, he is confronted by the same situation-- he's facing a situation where he is clearly and unjustifiably wrong, but unlike Javert (who decides only to not decide), he decides that he IS still right, and that his pain comes from the fact that he isn't removing his temptation the way god 'would want him to'. This surely isn't how Hugo writes it in the book, but I think whomever made that decision understood a lot of Hugo's impulses and the ways in which Hugo writes the city of Paris as a thing that is living and in direct communication with his characters.

i always interpreted the fire pulling Frollo as him being pulled further into his desire - and thus, his damnation. everything about the Hellfire sequence is so powerful. my favorite line delivery in the song is probably the trembling in Tony Jay's voice in "God have mercy on *me*." Always sends shivers down my spine

Frollo's song doesn't end with him at his most powerful, he ends at his most dangerous.

35:45 Just a tiny correction, "Κύριε Ελέησον" is Greek. Lord have mercy on us. It's a very common phrase used in hymns of the Orthodox church even today. Loved the video, Hellfire is THE best Disney song of all time.

The dies irae throughout the entirety of the movie is so clever. It’s a constant memento mori, reminding all the characters that they will someday be judged by their actions: dark when warning Frollo of his sacrilege, bright when praising Quasimodo’s empathy. This movie is SO rich. …but then there’s the gargoyles. Every time they’re on screen is like you’ve been sitting at a beautiful evensong, and then someone smacks you in the face with a fish.

Best villain song ever made (followed by Scar's). Loved this breakdown.

Another issue about Disney's recent villains being surprise villains: villain songs are slowly disappearing since they would reveal everything and thus we cannot get bangers that explore their inner world :/

Hunchback is incredible because as you said, it could actually happen. Hellfire is absolutely a goodbump-inducing hauntingly beautiful masterpiece. I'm not surprised today's version of Disney is hesitant about it, but I agree, that you cannot remake the movie without the song. I hope Disney is learning that lesson with their recent major flops.

King Louie's song I wanna be like you, is such a bop, you wouldn't think it's a villain song, until you hear the part where he says "Give me the power, of man's red flower, so I can be more like you." He knows how powerful this thing is, & wants it for himself to be even more powerful.

The Hunchback of Notre Dame is by far my favorite Disney movie of all time. Not only did it have incredible music and a great story, but it's one of the, if not the ONLY, positive depiction of a gypsy I ever saw growing up. I'm Roma, my family is Roma, and my grandparents travelled the world escaping persecution, just to find it everywhere they went, even outside of Czechia. I always wanted to grow up to be like Esmerelda, and I'm so greatful for all the artists who made this movie a reality for me as a child. Thank you for this video :)

The Bells of Notre Dame could honestly rival Deliver Us

The Hunchback of Notre Dame is one of those movies where it didn't grab my interest as a kid cause I could tell the movie was overall darker than a lot of other films, but it gained my interest as an adult due to that very same reason. I have a lot of reasons for why I absolutely love Hellfire, but I think my main one is that it's real. It doesn't shy away from showing all the ugliness that Frollo displays on screen. This isn't some typical Disney villain song, this is Frollo giving into temptation. An everyday man who is just like everyone else admitting that he'd rather be evil than ever admit he has problems. Knowing how Disney is with their remakes, I don't ever wanna see the day a remake of this movie exists and it doesn't have Hellfire in it. It's not the same without it.

The fact that the monks are singing the Confiteor in the background indicates that Frollo has skipped Mass for this song.

I love this song because the amount of emotion displayed in it, the rage, the desperation, the fear. It’s already a good movie, but this is just a beautiful representation of the effects of human humans

Other villain songs: I am a powerful genius. Allow me to explain not just my motivation but my plan for world domination. The protagonist never stood a chance. Frollo's villain song: WHY MY P P HARD

I really appreciate how well spoken you are. I’m not much of a Disney guy myself but I still found this really engaging because of how clearly passionate and well researched you come off about this movie and this song

37:40 great observation! Most villain songs end with the villain feeling powerful, in fact so powerful they laugh manically. Scar laughs at the end of Be Prepared, Zira laughs at the end of My Lullaby, Dr Facilier laughs at the end of Friends of the Other Side & Jafar laughs at the end of Prince Ali reprise. But Frollo ends his Hellfire song fainting to the floor in the shape if a cross

This and Mother Knows Best are my favorite villain songs

I do wish La Esmerelda was mentioned, since it's arguably much more a source for Disney than the original book ever was, or the actual stage adaptation of Disney's Hunchback, which delves more into how each of the three male leads view Esmerelda (Quasi and Frollo assuming idealistically opposite extremes, seeing her an an angel and devil respectively, while Phoebus takes a more worldly stance, remarking on her dancing instead of adopting a religious stereotype). Of the three, Phoebus is the only one who understands Esmerelda as a mortal woman, as capable of virtue or sin as himself. Both he and Frollo are attracted to her, but unlike Frollo, Phoebus accepts his own responsibility for those feelings, cares about Esmerelda's consent, and doesn't view lust/desire as evil. But otherwise, love me some longform musical content, and both Tony Jay and Patrick Page bring so much depth and emotion to a truly despicable villain. I understand this video was specifically about the film version of the song, and Tony Jay's is certainly the version I'm most nostalgic for, but wanted to mention the others since so many are less aware of them than the Disney film or the book

I just realized another thing. Before Frolo is washed in shadow and is laid unconscious in an upside down cross. While yes the shadows of the robes wash over him first, he faced toward the fireplace. Faced towards the red while a deep royal blue is behind him. Red usually seeming more evil and menacing while blue usually indicating more good and calm.

i unironically adore this song and it’s one of about 10 disney songs i ever listen to as an adult. it’s so real.

Tony Jay was a master at his craft, RIP

I just heard "This is the Thanks I Get" for the first time and I desperately needed to watch something about a Disney song I actually like. This video was a lifesaver! God, Disney truly died a gruesome death leaving some lecherous ghoul standing in its place

Hellfire is probably the only Disney song that just wont ever fail to give me chills, both in English and German it's just epic

Hey, I'm a new subscriber but fell for how you're analyzing beloved movies of my childhood. Just a small note I wanted to add: "Kyrie eleison" is not Latin but Greek, it translates to "Lord have mercy" (as you correctly said) it's used by both Catholic and Orthodox priests during prayers.

This song makes me wonder why we can’t have good Disney villain songs like this anymore…looking at you this is the thanks I get…

My favorite kind of villains are those that had every chance to do the right thing, every reason to do the right thing, and simply don't for one reason or another. It makes the character more tragic even if it is by their own doing

I think that a line from Bells of Notre Dame sung by the archdeacon really underscores why Frollo is working so hard to convince the red chorus of his innocence: "You can lie to yourself and your minions/You can claim that you haven't a qualm/but you never can run from/nor hide what you've done from the eyes/the very eyes of Notre Dame." Since 'Notre Dame' literally translates to 'Our Lady' in Latin, and the archdeacon is gesturing to all the statues of saints as he sings this, I think he hit on a really tender point in Frollo's mind by saying that no amount of justifying to HIMSELF is enough to save him from damnation. He has to convince God and/or the Virgin Mary that everything he's done is fine and dandy and he's just as pure as he thinks he is. I think that's why he comes across as so desperate to convince a third party that his lust isn't his fault--because he's afraid that even if HE believes it's not his fault, that God will still damn him.

I wanna be like you, I can see why the article called it a villain song, but the Jungle Book had various animal characters that could also be villains. While Sher Khan never got his own Villain Song, he did get the final line in "That's what friends are for". But what is surprising is that they completely forgot Kaa's "Trust in me" a really important Stranger Danger villain song for today's kids who are growing up in a world where they are gonna be taken advantage of much like in Pinocchio that was animated decades earlier.

Too many guys in the Manosphere today really saw Frollo growing up and said, "Dude seems chill." But for real, I've always said he is objectively the most terrifying Disney villain, specifically because there are guys like him out in the world. I knew it at 12 years old when I saw the film, and I see it even more now more than two decades later. Still the scariest Disney villain. Anyway, instead of the... abhorration that is Hunchback 2, I feel a great prequel following Esmeralda would have been far more compelling. We see her through the eyes of Quasimodo and Frollo as both a saint and a sinner, while her song is grounded in humanity. It hints at some great adversity in her past, which we know must stem in large part to her Romani heritage and discrimination by others. Despite that, she prays for the needs of others, showing great compassion. Given the liberties already taken with the film, there's so much you can do exploring Esmeralda's past, and how she's taken the pressure and adversity and used it to forge exemplary kindness. And sass. Lbr, it would also provide a lot of opportunities for spectacle and fun to break up the dark undertones. ... anyway, shout-out to honorary Disney composer Yoko Shimomura, whose 'Le Sanctuaire' goes so hard and really embodies, "What if Hunchback, but boss fight?" 😙👌

I've always adored this song. It feels so authentic and vulnerable for a villain song. You see Frollo actually break down. You can see him talking to his subconscious (hooded figures). He says: "It's not my fault" they say "My fault" One thing that shocked me was that they actually had the word Damnation in this movie

I'm only 8 minutes into this video and i can already say im so excited to hear what you have to say! Hellfire is one of my favourite songs to the point i have it as well as covers (specifically annapantsu's covers i love the original one she did but the 2021 is also brilliant). It's such a bone chilling song but its one that you would belt out since you cant just half ass it with how incredible it is. I love seeing how he descend further into his own lust and insanity throughout the song! Its just a really wonderful depiction of Frollo's character (well terrifying wonderful is not a word to describe frollo lmfao)

For We Don't Talk about Bruno, I see it as the villains being the family, who ostracized Bruno and have villainized him, and blaming him for leaving even though the entire time they've been pushing him away, and that's not even why he left. So when you first watch it you think it's a villain song about bruno, but I think it's a villain song about the family. They're not intending to be villains, but they're definitely hit a point where they're the antagonists of the story, not just abuela, because they're all perpetuating this idea of Bruno and being uncharitable to their brother and uncle.

I love this song for the idea that it can humanize and HUMBLE a villain, even though that villain still does not humble himself, he is about to GET humbled by something else.

Frollo is also someone that could happen in real life. Actually, I could consider sseveral current real-world leaders/politicians/religious leaders as Frollo because of how they act, treat anyone against them, etc.

There was a quote in a show I watched that perfectly describes Frollo. "The kind of evil that doesn't realize that it's evil... is the worst kind there is."

When I saw this video, I was like "Hell(fire) yeah." When I saw that it was 50 minutes long, I was like "Oh no." And now here I am at the end of the video, enjoying every second

I have to agree with you about the guard being some sort of heavenly messenger or something. His voice doesn't match with the other guards we've seen up to now and its deep and authoritative. And touching on the subjects of the gargoyles: gargoyles are seen as guardians or protectors of old buildings and churches and the inhabitants of said buildings. So them coming to life especially at the end when the last one cracks and snarls at him on the way down, doing its duty to protect Quasimodo and Ezmerelda, makes a ton of sense.

I've never actually sat down and taken the time to watch Hunchback. I know it's a phenomenal film and I know just how menacing Frollo is as a villain. And I have to say that Hellfire is hands-down the best villain song I've heard. I know the lyrics to the song, I know the story that's being told through the visuals and the lyrics and I haven't even seen the movie. That's how you know the song is incredible, when you know everything about it without even seeing the movie it comes from. Yes I will watch Hunchback. I've been wanting to watch it for at least a decade but I've been dragging my feet

There are a pair of covers from this film that I absolutely love. The first is a version of Hellfire by Violet Orlandi. Her operatic alto voice is so epic with that piece of music. The second is the rendition of Bells of Notre Dame by Jonathan Young and Caleb Haynes. Jonathan has this absolutely amazing basso voice that works so perfectly as both the narrator and Frolo. Caleb meanwhile comes in as the bishop, and his higher tone is a wonderful contrast to Jonathan, something that comes through every time they collab.

I’m a little embarrassed that my voice kept cracking when I sang hellfire in a live stage adaptation of the hunchback musical back in the summer last year. But the emotion was there.

Also, Frollo doesn't deserve an inverted crucifixion. It's not an Unholy symbol. One of Jesus' followers ask to be crucified upside down because they didn't feel they deserve to die in the same way as Christ. He's now a saint, but I'll admit I always forget which one. Be someone in the audience can tell

Honestly, Frollo may have had the mental illness/disorder narcissism. Because one of the symptoms of narcissism is a lack of empathy and conscience. Meaning that they don’t feel regret or remorse for their actions, regardless of what they are. They also believe themselves to be above any laws or rules, that they are the exception and that they shouldn’t have to face any consequences. While they may understand that something is wrong for others, they will do that exact thing and expect to be correct in their choices. They are the center of their own worlds and expect to be the center of everyone else’s. And if they are not given the attention and adoration they believe they deserve, then they will do whatever they deem necessary to bet it back, including lying, cheating, and violence. They are also charismatic, charming, manipulative, and naturally good actors, able to fool those around them into seeing what the narcissist wants them to see. In fact, when you do enough research into narcissism, you’ll discover that there are several degrees, and the worst type of narcissism is almost the same as psychopathy, with only two or three things being different. I feel Frollo is a fairly good example of a narcissist put into a position of power.

Gargoyles aren't really alive, they are imagination of Quasimodo. What Frollo sees in end is also his own imagination, his deep fear and knowledge of what he has done breaks his mind as he realises that he will end in hell

One thing that I always noticed was that when he falls to his knees as the hooded figures rise up the first time is that the wat he holds the scarf is reminiscent of how catholic people wrap their rosary around their hands before doing hail Mary's. I feel that he just further emphasizes the fact that he is still asking her for deliverance from this sin that he put himself into.

Love this video! 💖💖💖 Also, THANK YOU for referring to Esmeralda's people as Romani. Ironically, when my Romani partner was first brought to this country as a child (long, fucked up story), it was the year Hunchback came out and everyone (myself included) dressed as Esmeralda for Halloween. Talk about culture shock! So thank you, thank you, thank you. Your cultural sensitivity is much appreciated.

HILARIOUSLY, your video about animated villains convinced me to watch Hunchback in early May (thank you), after which it became my current 3rd favorite movie AND it also got me back into making YTPs, and one of the reasons for that is that its soundtrack has some of Disney's best ever bangers. Now, things have come full circle with the KZfaqr who convinced me to watch this movie discussing one of my favorite things about it!

The darkness, Tom Hulce's singing, the setting, the characters, the score, the songs/lyrics, the animation, Hellfire... all these and more, much more, make Hunchback my no.1 favourite animated film of all time. Thank you for shining a much deserved spotlight on it.

Heaven’s Light and Hellfire actually have the same melody. Heaven’s light is in major and Hellfire is in minor. They are different guises of each other, because they are each about their respective character’s view of Esmeralda. They are two sides of the same coin. Even the names - Heaven’s Light and Hellfire - are indicative of this. According to the Bible, God’s glory is the reason for both Heaven’s literal light and the necessity of judgment - Hellfire. Literal Heaven’s light and literal Hellfire are two opposing experiences of the same person - God, just like the songs are two opposing experiences of the same person - Esmeralda.

It's really a testament to the quality of this video essay that I stuck around until the very end instead of clicking off halfway through to listen to Hellfire in its entirety after hearing snippets from it

I cannot put into words how much you put things right. This billboard list is DISAPPOINTING in most parts, and hellfire not even making it, instead of being top 10, is a crime.

When I tell you I BELT this song in the car every time it comes on omg

Honestly, they need to stop with the remakes altogether. It's funny how you can tell when something has true passion and heart behind it, and when it doesn't.

I am OBSESSED with this movie! From the moment I saw it in theaters as a kid, I knew I had seen something special!

"we don't talk about bruno" in my view as a south/latino american, is a "evil gossip song", gossiping is something natural as part of the south/latino american culture, and gossip can be both for good and bad, so bruno song hits as a song gossiping of someone in very VERY bad faith, as if the person IS a villain, but in fact, is just gossip and there no link with the truth

Highly unlikely, but IF the godforsaken live action remake of hunchback ever gets made, they’ll definitely cut hellfire, maybe just “pay homage” to it in the background score or some similar cop out. They’ll probably also give the gargoyles 2 more songs, and Esmeralda will end up romantically paired with Quasi.

Personal theory, it’s because Disney has tried to distance themselves from Hunchback. Like they’ve obviously fully embraced Out There as part of the Disney soundtrack but the rest of the movie is kinda left out in the cold.

The beat is INSANE.

I think a remake of the Hunchback of Notre dame would be doing a great injustice for both the people who worked hard on it and the movie itself, especially if it got rid of hellfire. Hellfire is such a key song in fleshing out how bad of a person Frollo actually is and his overall fear, that having it just gotten rid of would cause him not to hit as hard as villain.

I love how well versed you are in the religious symbolism. As a devout Catholic, I can tell that this song is underappreciated because without enough background information it is hard to understand some of the metaphors.

Something you might find Interesting look into the Chapter of Faults. It is a religious practice done in Monasteries. The Nun or Monk confesses their guilt before the Community, one at a time, kneeling in front of the Religious Superior while the others stand in Choir. If they have forgotten a Fault then one of their Brothers or Sisters must speak it in Charity. What happens with Frollo and the Monks is an inversion of this.

Be prepared didn’t even make the list??