*TIMING INDEX / SECTIONS BELOW* So here's "the ultimate guide to QPAS" ... a mega tutorial, uber overview or any other silly name you'd like to title this with. Silliness aside, the QPAS has been great offering a lot of stereo filter tones with the quad filter cores and simple controls for a wide range of animation. The tone of the filter is hard to pin down as Tony of Make Noise designed the core (rather than cloning an old one) for the filter and the option to saturate the input VCA stage provides further tonal options. I hope this video is useful for currently QPAS owners, potential QPAS owners but more importantly I hope the video serves to demonstrate techniques and provide ideas for any modules you own. I always try to make these useful for those with or without the module. As always, leave a comment and let's chat. Get stuck in! :)
makenoisemusic.com/modules/qpas
INDEX / SECTIONS
00:00 hello and patch previews (what’s to come)
02:22 What is QPAS? Feature and control run down
04:53 Raw sounds and sweeps
07:22 Audio rate talking filter vibes
08:02 QPAS & Morphagene Patch #1
09:51 Creating stereo images from mono sources and how to make an “opto auto pan” effect
10:43 QPAS in a delay feedback path and how to turn stale digital delays in awesome-sauce
12:54 Distorted bass sound design - looking at driving resonant peaks into distortion for hard electro, industrial and film/game like sound design
15:24 4 THINGS PATCH
15:37 Sweeping HP over full mixes
17:00 Bass boosts with the HP and high Q
17:55 Imparting chordal overtones
18:30 Envelope follower modulation for ‘auto filter’ sounds
19:05 Smile Pass phaser sounds over a mix
19:36 Phaser FX
20:18 QPAS & Morphagene Patch #2
21:14 best sound EVER
21:26 AM Synthesis tutorial with the QPAS + bonus LPG like patching
24:26 Emulating LPG / low pass gates with the QPAS
26:06 How to make a 4 pole 24dB octave response out of the QPAS’ 12dB 2 pole response
27:35 Making a “unique” band pass with self patching
27:55 4 mono peaks, 2 peaks filtering the other 2 peaks with self patching
28:52 Noise as a modulation source. Percussion, noise, new sounds and groove box action!
29:49 Shaping basic electronic percussion sounds
30:31 Imparting chord tones over your audio
31:06 Dynamics and expression with the input VCA
31:53 QPAS & Morphagene Patch #3
33:07 Random techno pings
33:32 LP BP HP SP multi output drone
34:36 Weird acid & layering modulation
36:12 Synthesising percussion sounds - KICKS
37:50 Synthesis more percussion - SNARES CLAPS + MORE
38:55 Tony Rolando’s “fake echo” patch with the wildcard input
40:53 Complex synth voices with Scanned & QPAS and lots of modulation.
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