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Do you think you know EVERYTHING about COMPRESSORS? Give me a few minutes of your time and I'll expand that knowledge.
Compressors are one of the most versatile and down-right useful pieces of music gear out there, and they're also one of the most misunderstood. In this series of videos, I'm going to share with you some of the secrets of compressors and explain the magic of compression and limiting - I guarantee some of these you didn't know!
We'll not discuss only the how? - but the WHY? Why compressors can impact your sounds and mixes so much, WHY you should compress parts of your audio - And WHY certain legendary designs seem to be converted into plugins every single week!.
Ever wondered when you should use a Shadow Hills Mastering compressor? Was Deadmau5 right about the SSL compressor and EDM Kicks? What’s the difference between a UAD 1176, an LA-2A and Fabfilter C-2 and when do you use each of these? What is Parallel compression? What does the compressor's Threshold, Ratio, Attack & Release [actually] do?
We'll get to all of these questions in this series and more.
This 1st video covers the beginning of the history of compression, and by the end, you'll understand why the valve era of the Fairchilds was so vitally important - You'll know your 1176s from your LA2A, you'll know your FET from your OPTOs and FF from your Feedback circuits. And you'll understand all the fundamentals of compression by revisiting your teenage bedroom, it's stereo and annoying your parents.
One correction already pointed out here - Many of the Early designs were in fact Feedback compressor designs.
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You can now use TRAX instruments to make sample packs
It's with great pride we announce that effective from June 1, 2023, all F9 playable instruments and kits have been granted license for usage in the development of audio loops. These loops can be included in commercial sample packs designed for your personal use, your individual sampler store, or for third-party platforms such as Loopcloud, Splice, Arcade, NI sounds and more. There's only one restriction to bear in mind: the midi. When creating for these releases, you must compose original musical or rhythmic parts and avoid using any midi or musical motifs from this or any other F9 release.
This updated licensing term now encompasses stem creation and "track-outs," which are frequently seen in beat marketplaces. It also applies to ghost production and collaborative projects. Our goal is to provide you with even greater flexibility and creative potential in your music production endeavours.
To read more about this exciting development, follow this link: www.f9-audio.com/pages/license.
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