Don Giovanni:dir:John Eliot Gardiner.(the english baroque soloists ) Don:Rodney Gilfry,Leporello:Ildebrando D'Arcangelo,commendatore:A.Silvestrelli concertgebouw Holland Festival 1994
Пікірлер: 241
@akechijubeimitsuhide10 жыл бұрын
I have heard dozens of versions and many great Commendatores but Silvestrelli's voice is something non-human. Incredibly powerful and really scary. I'd really love to hear him live.And the way he just throws the (pretty tall and well-built) Gilfry over one shoulder is really impressive. How strong is this man?
@gilstrap_bassbaritone7 жыл бұрын
I heard him do Fafner at HGO last year. Simply unbelievable, and I can't think of a better singer to play a dragon.
@ruperttmls79857 жыл бұрын
Silvestrelli es sin duda el mejor Comendattore que haya escuchado en toda la vida. Y esa sala además tiene un eco que lo hace escuchar de ultratumba.
@davidshengelia47986 жыл бұрын
kzfaq.info/get/bejne/ldKWYM-mld_Kcok.html
@ColonelFredPuntridge2 жыл бұрын
"Non-human", indeed. What you are hearing is electronic amplification. Not a human voice.
@alajbegslama3012 жыл бұрын
@@ColonelFredPuntridge You are damn right! But the overall result is amazing.
@oscarlock57245 жыл бұрын
Good use of the trombone behind the statue. Shows how sacred the trombone is. Rarely used by Mozart
@marichristian10723 жыл бұрын
I've always thought that the trombones were a foretaste of hell!
@operaruud4 жыл бұрын
I saw & heard this performance Live. Thanktful that I was present. This performance cannot be surpassed. A real once in a life time experience. I will remember it deeply to the last day of my live.
@kuperschmidt2 жыл бұрын
the best performance ever
@jjh245612 жыл бұрын
It doesn't matter how many interpretations of this scene I see, I just love it. This is some good stuff.
@comandasytrabajos21985 жыл бұрын
This is the best interpretation of don Giovanni un scene!! EVER!!!
@kazesorany13 жыл бұрын
Im just 11, but that guy is AWESOME! :DDD SUPER STRONG VOICE
@ericr.73113 жыл бұрын
You’re just 20 now. Is the guy still awesome?
@stephengould43439 жыл бұрын
Somehow those original instruments make it sound that much more thrilling.
@tributevocalist16 жыл бұрын
this staging rocks, I LOVE Gilfry's face as the commendatore is coming towards him! this rocks!!
@mariachodyko43013 жыл бұрын
He is not only perfect singer but also excellent actor. I listened to mamy versions od Don Giovanni but this one remains unsurpassed.
@emeseimre525223 күн бұрын
@@mariachodyko4301I do agree.Don Giovanni has been written for Rod Gilfry, one might say.He is unsurpassable in it.Both technically and from the point of view of acting.❤🎉😊
@PTCello14 жыл бұрын
What an amazing opera... amazing. Has any opera come close in the last 225 years?
@therearenoshortcuts98682 жыл бұрын
it's basically the original Wolf of Wall Street this is the scene where he gets raided by the SEC...
@Dan4748342 жыл бұрын
Quite a few operas. Don Giovanni rarely makes top 10 on most operatic lists. The greatest operas will always include Der Ring, Tristan, Rosenkavalier… etc.
@WiEar2 жыл бұрын
No, no opera could ever come close to this one. And that is because medium, theme and composer form a real triumvirate, that is unbeatable. Medium: music, the essential sensual medium. Theme: Don Giovanni, rhe mythical personification of sensuality. Composer: Mozart, the one who had music flowing through his veins; the eminant sensual composer. Kierkegaard has written extensively about why this opera can never find its equal. "In his 19th-century treatise, “The Immediate Erotic Stages or the Musical Erotic,” found in his 1843 book Either/Or, the Danish philosopher Søren Kierkegaard (1813-55) argues that Mozart’s Giovanni represents sexuality and eroticism, which are the opposites of Christian morality. Giovanni also represents absolute immorality and the absolute triumph of desire. Kierkegaard writes: “In Don Giovanni, however, desire is absolutely qualified as desire. . . . In this stage, therefore, desire is absolutely genuine, victorious, triumphant, irresistible, and demonic” (84-85). However, the Don is also the center of the story. “Giovanni’s passion ‘resonates in and supports . . . Elvira’s wrath, Anna’s hate, Ottavio’s pomposity, Zerlina’s anxiety, Masetto’s indignation, Leporello’s confusion’” (Magda Romanska) I was present in the Amsterdam concertgebouw when this was recorded. It was in the context of the Holland Festival. And that takes me to one more feature of excellence: the concertgebouw has the best acooustic in the world. The Japanese have tried to make a building with a similar sound quality. They even used the same paint of the walls and all that jazz. However, and of course, to no avail.
@mrtyles16 жыл бұрын
excellent. i love gilfry's emotion.
@CheckdaFlow16 жыл бұрын
Magnificent. The actor for Don Giovanni is amazing and when they pick out people from the audience just priceless.
@momentimusicali16 жыл бұрын
What a brilliant idea - and how sensationally executed!) - to transform a concert hall into a theatre! Watching this, one can just agree with Shakespere's famous line: "All the world's a stage". Breathtaking...
@Someone-rc7vg4 жыл бұрын
This is by far the greatest bass ive ever seen, it's amazing
@MetroidLover15 жыл бұрын
Best Commendatore I've ever heard *wow*
@137985245615 жыл бұрын
I love they involved the audience, it's so intimate.
@STMotorsportTube7 жыл бұрын
Silvestrelli (Commendatore) was only 27/28 years old at the time of this performance.
@ColonelFredPuntridge5 жыл бұрын
His voice is OBVIOUSLY being electronically amplified.
@kaffelatte22 жыл бұрын
@@ColonelFredPuntridge You can see the microphone hanging from the ceiling at 1:12.
@ColonelFredPuntridge2 жыл бұрын
@@kaffelatte2 This is why so few singers today know how to manage a large hall. It's a disgrace and an embarrassment.
@andreasilvestrelli5224 Жыл бұрын
@@ColonelFredPuntridge ciao i'm Andrea . I didn’t use any microphone . The microphone you see was on stage. But i have to say the acustic at the concertgebow is really great
@nathanaugusto886Ай бұрын
@@andreasilvestrelli5224i am your fan andrea ❤ you have videos singed osmin die entführung aus dem serail and other operas ?
@operaruud17 жыл бұрын
I heard this performance Live! I was there. It was a once in a live time experience. It must be released on DVD by the Dutch NOS
@BlazedKnight14 жыл бұрын
The Commendatore has an amazingly powerful voice in this performance. Captivates from this opening vocal
@alered10983 жыл бұрын
Hello from a young Mexican in Mexico City 🇲🇽, it was amazing, every person meets a "Don Giovanni" and we think the same: all them has their future pissed. Muchas gracias amigo!
@19domi8615 жыл бұрын
awesome voice!! I've never heard so wide, so pressing tune. Great!
@MarceloHenriqueAlmeida Жыл бұрын
This is the video that made me like opera.
@Alfarouc1716 жыл бұрын
wow incredible, oen of the best performances i've ever saw.
@ujvari1215 жыл бұрын
Ez egyszerűen gyönyörű. A művészet tökéletessége, a hangzás, az érzés és egyfajta megmagyarázhatatlan misztikum tökéletes egyensúlya. És az is nagyon jó, hogy a közönség között játszódik, a zenekar sincs külön - minden szerves egységet képez.
@hymnodyhands2 жыл бұрын
I was not ready for the Commendatore to come get him and carry him off -- THAT, on top of Mr. Silvastrelli's voice (amplification being understood with the trombones right behind him, and with the acoustics of that spot not being like projecting from the stage), was about the most shockingly wonderful thing I have ever seen!
@tributevocalist16 жыл бұрын
he blew me away the first time he opened his mouth up and sang, gave me the goosebumps lol :)
@lizzyvolpe17 жыл бұрын
Bravo! Awesome, and I love the way they used the entire hall. WOW!
@operadude3216 жыл бұрын
Gilfry is sounds FABULOUS!
@PerArneJonsson17 жыл бұрын
Wow! Gardiner is as usual keeping the tempi on the faster side. But he is making it work here in Don G. And Don G himself is superb. (And REALLY good looking.)
@heloisepace198716 жыл бұрын
Awesome!
@mordant2111 жыл бұрын
This is perfection
@JustusGer17 жыл бұрын
Rodney Gilfry is one of the best Don Giovanni
@wotan2016 жыл бұрын
Highly original, it avoids clichés such as that the commandatore usually arrives to the scene from above, yet he 'invites' back and takes Don Giovanny to Hades into Eternal Damnation. I also like how Don Giovanny goes through a whole range of emotions, from his usual arrogant smirkiness, all the way down to the absolute bottom.
@LadyTigerLily16 жыл бұрын
Silvestrelli's voice is amazing! I love seeing the audience members staring in awe of him when it zooms in on the Commendatore. what a wonderful reinactment of this scene.
@gunmenow15 жыл бұрын
this is so amazing, interaction with audience brilliant idea
@York2211 жыл бұрын
Bravissimo! What a fantastic interpretation of one of Opera's most legendary scenes! Love the audience precipitation as well!
@cbessada15 жыл бұрын
best basso voice i ever heard! such music! not just deep. and the pain he transmits. wow! great drama
@Ardenwolfe14 жыл бұрын
I like this version. The commendore has some pipes on him!
@Basssinger8615 жыл бұрын
This is my kind of opera!!
@toisabella15 жыл бұрын
have never heard any interpretation with brass swells like the series starting at 3:00. amazing sound
@ffranca910 жыл бұрын
Too fast. The director seemed to be unfair with the Leporello. It's a pitty - the trio could not be heard.
@GrantKingMusic7 жыл бұрын
Part of the problem with D'Archelangelo is he's a lyric baritone at best. Leporello is really written for a bass
@MadCat78715 жыл бұрын
With you there, mate, that bass voice is cavernous!
@reviewsvoiceontube15 жыл бұрын
Silvestrelli is very impressive indeed. The staging is even more helpfull in bringing the drama closer to the audience with a strong cast like this. I would like to hear more of this italian Basso Silvestrelli. His Commendatore sound promising in direction wagner roles like Hagen.
@chopinandliszt14 жыл бұрын
LOL at 0:46, Don Giovanni actually SMILES and points at him, as if he means "hey! look at that! Isn't that HILARIOUS..."
@roozbehab14 жыл бұрын
PERFECT!!!
@gallferi17 жыл бұрын
3d: I can WELL relate to the character of the Comm; as my daughters were growing up, I considered what I would do if ANYONE would harm any of them: how I would hunt him/her/them down, and how my life would not be my own any more! From this perspective the Comm. is a strong and positive character, knowing that the much younger man will probably kill him, but he still fights to defend her honor.
@amfortas197815 жыл бұрын
A.Silvestrelli is an italian, yes. and for some reason when i listen to this i want to cry....
@marianomanto11 жыл бұрын
amazing don giovanni
@lepetitdragonbleu16 жыл бұрын
Wonderful interpretation. One of the best I've ever seen (with Rene Jacob's).
@seriouspipes9 жыл бұрын
Wow I thought Moll was untoppable, but this monster D'Arcangelo gives me pause. Perfect tempo and timbres...and after 10 YT commendatores I rather like that the orchestra buries everyone.
@GrantKingMusic9 жыл бұрын
Mel McMurrin You mean Silvestrelli. I made the same mistake. I TOTALLY agree. He's a beast. I can only think of one word to describe Silvestrelli's voice-- THUNDER!!!
@maralisil2 жыл бұрын
Really cool approach to this scene!
@mfshiru5 жыл бұрын
Sensacional!!!
@swanningaround15 жыл бұрын
Everything John Eliot Gardiner is involved with is great! So is this.
@NiPaVou14 жыл бұрын
Such powerful music!
@tributevocalist16 жыл бұрын
holy shit, whoever was playing Il Commendatore gave me goosebumps as soon as he opened his mouth open up to sing
@arkaisk214 жыл бұрын
Absolutely fantastic.
@rh718915 жыл бұрын
sensational...never seen anything like it...spine chilling Mozart power!!
@bojan3416 жыл бұрын
Wow unbeliveble! Great!
@jdmitch8215 жыл бұрын
This is the only opera i would watch plus this is my favorite part in the entire opera. The music is genius and beautiful. Mozart was a very talented composer to make this scene in the opera.
@HellsSaints14 жыл бұрын
The commentadore makes me proud to be a bass.
@F-Man5 жыл бұрын
I've got no theater experience whatsoever, but if I somehow ever got the chance to be the Commendatore in Don Giovanni, I'd somehow figure it out. lol
@atzatz5817 жыл бұрын
an unbelievable bass voice of the commendatore!
@webdiag6 жыл бұрын
One of the best performance on my opinion
@RafaelBorgesRDB10 жыл бұрын
The idea of the commendatore rising from the other side was great, but they accelerated some parts of the music unnecessarily
Absoulty fantastic. The Commandatore is incredible. I want to be a bass!!!!!!!!!!!!!
@gica444417 жыл бұрын
extraordinaire!
@shakaama15 жыл бұрын
BRAVO that was awesome the commandatore THAT'S THE VOICE, THAT'S THE VOICE. all these other commendatores... [ok i'll be nice] he was marvelous.
@avinavy13 жыл бұрын
What a great scene...
@lapinkawaii14 жыл бұрын
I adore this version! too bad I can't hear the end correctly :( it's too low
@unparchedbutter12 жыл бұрын
Perfect. This is why opera has lasted as long as it has.
@dmegli4012 жыл бұрын
This is by far the best Commendatore I have seen yet, and I've watched just about every video out there. Nothing comes close to the Dramatic Baritone of Silvestrelli. Bravo!
@alexratt94907 жыл бұрын
Daniel Megli I believe he is a basso cantante that just uses the correct technique
@victorchristy17066 жыл бұрын
Actually, he is a dramatic basso profondo.
@rubenchama22626 жыл бұрын
Better than Kurt Moll?
@PTCello14 жыл бұрын
@sybedijkstra Do you know whether this production included the final scene, or did they end the opera here? The last scene is often omitted but I think it's necessary and very much fun.
@xplosebmusic14 жыл бұрын
Espectacular!
@julianbolton4236 жыл бұрын
Excellent.
@ALIKJ0914 жыл бұрын
Brilliant!!!!!!!!!!!!
@Sedraen13 жыл бұрын
The main thing I like about this performance is the acting, when it comes to Don Giovanni himself. I love how he is portrayed, the expressions the singer uses. The jumping on the table was good, but the kicking of the food was a little much. Made him seem a bit diva-ish. Still, excellent performance.
@xjuno1117 жыл бұрын
wow, i really like how they set every thing up. a little too fast for me though. and is that leporello a baritone?
@1bol112 жыл бұрын
Yes, Sir John Eliot Gardiner
@harvinsky13 жыл бұрын
wow wow, i wish i'd been at the concert. how surprising to audience this would have been.
@cadecannon1592 жыл бұрын
OOOOOHHH BABY.....Rodney Gilfry!!!!!
@shingi08516 жыл бұрын
AWESOME
@Nachtmarchen16 жыл бұрын
Brilliant staging, brilliant interpretation, brilliant singing, one of the best ever for me - musically I prefer Harnoncourt's '89 version with the Concertgebouw, but in terms of stage design, this wins easily.
@marichristian10723 жыл бұрын
I much prefer the Harnoncourt production. Orchestra overpowers the singers and the result ( for all of the attempts at inclusion) is a mess.
@vonspre15 жыл бұрын
"Strained"?haha...Gilfry is perfect here,as usual...D.Giovanni is extremely arrogant and self-confident , but now, for the first time in his life, he's really frightened ...Try walking in his shoes...
@malmangelucci17 жыл бұрын
awesome.
@LabakiTurbo14 жыл бұрын
OMG this scene scares me to death! 8( I'm not sure if I could sit along that aisle... Btw, the bassist is not only strong in voice - he managed to carry Don Giovanni in his shoulders as nothing was happening. :P
@yowwow13 жыл бұрын
@Icerues Yes - very. Have to say I love it when the notes linger, allow the tension to build and the listener to really savour the beauty. This just loses the atmosphere and power because of the speed (although clearly not everyone agrees).
@talvela1006 жыл бұрын
Wow Silvestrelli mitico!
@trompetermax15 жыл бұрын
This is the only version which comes close to mozarts real tempos! I don't remember which opera, but there is a letter Mozart wrote just when he came home after the performance and he gives the time he started writing the letter. So somebody calculated in which time the opera had been played! And it was so fast, that Gardiner is the only one who really reaches that tempo with his performances! All in all the recording of Gardiner ist the best which exists at the moment!
@jebsievers13 жыл бұрын
Finally, someone gets the tempo right!!
@ernestalba16 жыл бұрын
Behold the power of opera. It's fearsome.
@JasserSchram15 жыл бұрын
that was epic!
@lachenmann17 жыл бұрын
You are terribly wrong. Today we're used to slow tempos in baroque and classical music, but that's a misinterpretation of the ancient tempi. Today's conductors play Mozart and Beethoven like if they were Wagner!! To slow and heavy. Gardiner offers always the best historical interpretation, and the music takes a life that it doesn't have with other conductors. So I think this is the best version of this piece available.
@sexybrahms15 жыл бұрын
YES!
@nimrodkadish16 жыл бұрын
You're absolutly right.
@jonydictado14 жыл бұрын
no, no, no! that's too fast! the tempo should be slower!... a very good interpretation (I love the voice of the commendatore, very powerfull) but everything should be slower... I can't even feel the sounds...
@greentrombone16 жыл бұрын
In my music history class, we were told that the trombonists in this final scene were supposed to be be the music from hell. How fitting that they follow down the aisle!
@EmilyGloeggler798415 жыл бұрын
In the original version, the spirit of the Commendatore came back to earth in the form of a statue of himself.
@mcrnic15 жыл бұрын
I agree completly.
@marlenevonbulow65915 жыл бұрын
Den har jeg set på Det kongelige Teater gamle scene i københaven danmarke-M.V.B.