Dude I love these costumes; we were taught in animation to create a strong silhouette so you could recognize your character even in a shadow. These costumes have done that. Also Elvira looks like a huntress and I've never seen that before, but it's so fitting for her personality. I wish I could see this whole production. Also Ildebrando D'Arcangelo is so charming and playful in this aria.

Magnífico el Leporello de Ildebrando 😍❤️

My most favorite Leporello 😀❤

Putting aside the debate about the costumes for a moment. The singing of this aria by ID'A is an achievement. So many singers overload this aria, trying to sound bassy. The lyricism is refreshing. Muti brings theses qualities to music.

one of the very best renditions of this aria, as I study what is available on KZfaq.

GENIALE! La verve di d'Arcangelo, mirabile la sua interpretazione che riprende le figure incise dal Callot, i costumi e le movenze della Commedia dell'arte, l'atmosfera seicentesca, talora buffonesca, di Tirso de Molina del creatore del mito. ( certo aiutato dal regista, dal costumista ecc.).. E' forse una interpretazione arbitraria dell'opera di Mozart e del libretto di Lorenzo Da Ponte, così legato al Settecento contemporaneo , ma è affascinante.

Bravo cantante e anche attore!

Outstanding historical ever version of this beautiful Aria ! Merci beaucoup FROM PARIS FRANCE.

A great Leporello !

A powerful performance!

You have nothing to expect, just to be, without judgment. Everything here is perfect, like you.

To all english speakers who need subtitles to know what he's saying, when he goes: "Nella Bianca, la dolcezza."( 2:27), it's not "with pale girls", hes talking about old women with white hair :)

Magnífica voz la de Ildebrando...

er ist super als Leporello, genial gesungen

Архангель супер,красавец и талант и артист и певец,я Вас люблю уважаю и обожаю!

Wua! This Giovanni bits Barney Stinson without even trying.

good papagenoporello

Sobran los comentarios ... Magia pura!

Brilliant!

How beautiful! The music - not the list lol

Bellissimo . Molto Gtazie . Maestro Riccardo Muti was very good . Bravo Maestro !!!

Voice= how great, how smooth, there aren't enough words to describe it. Thanks for the text "he likes them young, " which foreshadows the final woman, Zerlina. I see her as dramatic necessity. 3 is a magic number in storytelling. She's at her wedding or reception, when she'd be least vulnerable to another man, which underscores how potent a seducer DG is (unless he's finally fallen in love, and I haven't read the libretto, but doubt it). On the last day of his life, Don G meets women from Ana to Zerlina, A to Z (zed). Was that a deliberate writing decision from de Ponte and Mozart or just a happy coincidence? On the DVD, at the end, Ildebrando changes to black livery. He is the only character that seems genuinely sobered, more serious, more chastened, and more affected by the events. Don't know if it was planned, but that's how it looks, so Ildebrando conveyed the change via good acting. Now that I've read it, the DVD liner states this production's goal was to convey change via costume and makeup change.

Потрясающе Как он поет

How about compiling a list of all his STD's?

úžasné, dokonale a uklidnujici

Jeez, this guy gets around! It's a wonder Giovanni didn't die of syphilis! But then again.. there was this Casanova fellow.

Recién me doy cuenta que es D'arcangelo, un genio. Este Leporello se me hace tanto a Luca Pisaroni, qué calidad!!!

Donna Elvira pulled out that knife, and I was like "OH JESUS, NO!"😅😅😅😅

Bravissimo!

Eccezionale!!

He's a better Leporello than he is a Don Giovanni, imo.

Excellent

Bravissimo.

bravo

Bravissimo

What a splendid perfomance !!! Who is singing ?

Insuperabile

Does this performance exist somewhere full??? i'm tyring to find it to watch it but i can't.

Earth girls are easy.

Catalogue Aria by Don Giovanni Wolfgang Amadeus Mozart Wolfgang the Wunderkind Classical Opera

Nádhera

Le nom des interprètes manque

2:03

1:38

Why are everybody's faces white?

00:02

카탈로그의 노래

Not a good idea to put an english translation under the movie. This piece is Italian, should be heard in Italian, and is very poor in English. I agree, not everybody understands Italian (hard for me to) but it is better to try to understand it in Italian than to reduce it to "International English"

I really like the musical direction and the voices in this, but the costuming seems a bit gaudy and cartoonish. Not to mention everything is absolutely white-washed. Even though I believe it to be intended to evoke nighttime, it sort of exaggerates that a bit. I guess that's just the direction they wanted to take with this.

Bravo, ma preferisco furlanetto

Vocally excellent singing, especially with the up-tempo -- which is as it should be -- but also had said baritone looking directly into the pit the entire time. Perhaps what's needed here isn't so much acting lessons but better blocking from the director for both Leporello and Donna Elvira? Oh, and can we get some some dance/movement lessons for D'Arcangelo? It's distracting to see such an awesomely capable musician physically move about with all the grace and fluidity of associated with someone with glue on their shoes carrying a backpack of bricks.

Sounds like The Righteous Brothers (but more powerful). Make you realize that a good deal of the roots of music genres such as soul, are actually European.

Capello pessimo

This whole production was ruined by the director and designer.

Bravissimo