I used several function generators and lfo and clock sources some not even modular to help tell everything where and when to start
The vocally sounds are coming from the Moog werkstatt having its lfo sped up and down modulating the env amount on the cutoff using the speed of the lfo to give it a formant sound
The ambience is the Teenage Engineering being modulated by 4 different sources: its own lfo that’s clocked by a random voltage, a lfo by a device below clocked by a cycling envelope which is also clocked by a random volt so the modulations are almost random and can go from smooth to mangled
The 400 has a sequencer which randomizes the randomizer to send even more random pulses to all of the function generators throughout the system
Each system uses splices on the lfo outs and each voice has a splitter in
They’re are all controlled by a korg sq64 through cv and the drums surprisingly enough are sent time signatures from the korg sq64
There is no brain
And the apocalyptic sounds come from a heavily modulated almost internal modular system by the Dread Box Typhon
THIS SYSTEM IS AWESOME