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Samuel Taylor Coleridge's response to Wordsworth's literary theory is at once far more philosophical and more keenly aware of the poetic tradition. While acknowledging Wordsworth's poetic genius, Coleridge is at pains to dispute Wordsworth's sweeping definition of poetry, arguing that it does not even hold true of his own. It is a devastating indictment.
Coleridge's twofold definition of the imagination is the finest fruit of Romantic literary criticism. However, Coleridge's own defence of poetry seems more of a piece with foregoing poetics than ushering in an entirely new poetics, as the literary establishment now seems to uphold, let alone endorsing a self-defeating Romantic hermeneutics that undergirds the Whig theory of history and the Geisteswissenschaften.
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