Here's my 11th composition. Satirical music is fragrant, tasty and crisp. It seduces with its overflowing sobriety. It has a number of benefits: ecstasy, recovery, distraction, westernization and more. It comes from Erik Satie: one of the first composers of film music, precursor of minimalism, a little impressionist, a little atonal, a little neo-classical, self-proclaimed gymnopedist and phonometrician. Perhaps to honor his name, he took pleasure in mocking convention with absurdity and irony. He is a mysterious character whose ambiguity is fascinating. The line between serious and comic is blurred. Just look for anecdotes about him. Here's one: at the end of his life, he had 14 black umbrellas. Each one was noted on a list that determined its function. None of them were for protection from the rain. If Erik Satie had an umbrella in his hand when it rained, he would cover it under his jacket.
PARTITION / SHEET MUSIC
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SOCIAL
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LOGICIELS
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Enregistrement MIDI: Reaper (Cockos)
Montage vidéo: Shotcut (Meltytech)
Notation musicale: Finale (MakeMusic)
MATÉRIEL
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Piano: Roland HP201
VST: Reason Pianos - The Legend
Caméra: iPhone SE (2016)
Éclairage: Fovitec 900XB et 1200XB
Trépieds: Kupo C-Stand 20 et 40 pouces
Ordinateur: Mac Pro 5.1 (4.1 Flash)
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© Edward Essis-Breton 2023
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