Thanks! You're always most welcome. And likewise 😉

Damn, Seed showing up in the comments!!

IKR. Its not completely perfect, so you'll notice as you really increase the drive, the level will go down a bit (hence the Trim control), but its definitely much better than not having it, IMO!

Yeah would be cool to have a "auto gain" switch in Ableton's Utility device… wouldn't mind an extra device for that. Maybe it turns so successful that Ableton will officially integrate at some point. Wouldn't be the first time.

Trying as much as possible to match the overall Live aesthetic, but with a little extra 'vibe' 😉

Thanks!

IKR. Works wonders on any kind of percussion, but especially useful on shakers and tambourines.

Thanks!

Me too! Its quite a fun challenge to design devices that feel like native devices, but still have a unique character. I always want my Max devices to feel like they just fit with everything else though.

You're welcome!

Yes! Totally works great on breaks 👌

I appreciate ya ❤️

Of course! Gotta maximise how many people can use them 🙌

Thanks!

🔥

Glad you like 'em. And I couldn't agree more. Simple = ✨

It'll probably show up organically in some future videos, I think 🙃 I've also got a video in the works which is a Max tutorial showing you how to build it from scratch.

Awesome. This is exactly why I put these together. Glad you like 'em 🙌

The filter is a dual filter! Or do you mean a combination filter that you can turn one way for highpass and the other for lowpass? That would be cool actually, I’ll have to make one of those.

@@ELPHNT Yes, one knob that combines the two. Pioneer DJM mixers have that for each channel (although they don't sound so nice like e.g. Allen & Heath)… For a live set that's quiet interesting and currently the only option i know of is to built an effect rack where you map one knob on the frequency of two e.g. Auto Filter devices…

@@ELPHNT If there would be a resonance or drive setting it could be a useful feature to allow the user to set this separately for both individually the Hi-Pass and the Lo-Pass side of the filter…

Noted! I might add something like this to a future update of the pack.

Yes! Both the HPF and the LPF are totally bypassed when the filters are fully open. I always use to build a Rack like this with 2 Auto Filters and mapping their on/off switches, but its much nicer having it in a Max For Live device 😎

Except its totally not though 🤣 Also, Filter has resonance, its just set automatically.

Lol, love that you're still just lurking in my comments section ❤

Essential Audio didn't work out unfortunately, and has since shut down 😢 We were just never able to generate enough interest in the plugins. Unfortunately this means there won't be any updates to Colour Comp, though I might end up building an M4L version in the future. I know that kinda sucks, so please feel free to drop me an email and I can sort you out with some free ELPHNT packs.

That’s not really something I’m super familiar with, but it’s probably pretty easy with the new Tuning Systems in Live 12, so I’d recommend looking at some videos for that.

My bad 🙃

I appreciate that - I would have liked to have made it ‘pay what you want’ but it requires a little more backend work, so I just figured it’s either pay what I think the pack is worth, or grab it for free 🤷‍♂️ And I’d rather you just grab it for free anyway, rather than pay a small amount 😊 You can always grab another pack or something else cheaper in the future.

@@ELPHNT Fair enough mate! Will definitely be supporting your other projects in the future, great work!

Hmm, that sounds weird - I’ll look into it. Glad you found a solution though!

Yes and no. Technically you could build something close to all of these things natively with Racks (except Colour, which has some custom distortion code), but I find Racks pretty dull and uninspiring. Part of making these for myself was to make something a little more engaging. Even so, mapping in Racks can only work linearly, so you're also restricted by that, whereas in Max you can define how controls and parameters behave in any way you like, so you'll find these devices are a little more 'fine tuned' than what you could build natively. P.S: Also worth pointing out a few things you think native devices might be doing, but aren't: Many people think Utility can do stereo widening, but it would be more accurate to describe that as a 'stereo balance' control. Widen applies something slightly more advanced that will let you add additional width, even to totally mono sounds. You also might think Filter could be easily replaced by Auto Filter, but the biggest problem Auto Filter has is that its always applying a slight amount of filtering, even when the cutoff is all the way down/up. This is most noticeable if you are, say, applying a highpass to your whole track (like you might do in a live siutation). Even when the filter is all the way down you will hear a noticeable drop in low/sub frequencies. Filter, on the other hand, totally bypasses the filter when the controls are all the way open, so its much better for doing full track filtering (its kind of designed mostly as a performance filter). So, again, yes and no 🙃

Nothing - exactly the same as if you pay. Only pay if you can afford to or if you’d like to support 😊

The Soundtoys wrappers already support Live 12. What issues are you experiencing?

@@ELPHNT The Soundtoys wrapper I experienced all the parameters and knobs on the contents: Decapitator, Little AlterBoy, Little Radiator and Radiator which cannot be used on my Live 12. The same thing happens to the Analog Obsession Wrapper. I hope you can help me.

@@dinolanggut3126 Please send me an email via elphnt.io/contact/. Can you explain the issue in more detail and let me know any other bits of info you think might be useful, i.e. operating system, Live version, etc. Thanks.

Yes, that's exactly the deal 😊 Pay if you like/use them. But also don't feel like you have to pay - totally up to you, but always appreciated.

You’ll need Max For Live installed, which you can buy as a separate addon for Standard

@@ELPHNT Ok thanks mate!

What a lame comment

Prove me wrong.

@@ghfjfghjasdfasdf no. you’re just a hater. Who complains about freeware. Boooooooooo.

Well...maybe. Simplified tools become increasingly useful as you get better at mixing. I know I can accomplish the same or more with Roar, for instance, but less interface using "colour" will save time. especially with built in gain compensation. That alone makes at least that module useful as hell. In fact, I was thinking about making a simple saturator with built in gain compensation myself on M4L then pop into youtube and see they just did it for me.

Some people get it, some don’t 🤷‍♂️