copy paste

I just love those comments

I don’t get it

@@lamediamond4172The tune's called "After you've gone" and i'm assuming its about being sad after losing your girl and Patrick absolutely killed it on his solo so by killing it, it almost makes it like he's happy that the girl left

The original's lyrics have the vibe of "after you've gone, you'll regret it," while the musical vibe even then was almost more "after you've gone, I'll be partying." Here's a link to the original recording from 1918 sung by Marion Harris if you guys are interested kzfaq.info/get/bejne/jL1jZtJ5xKvPh2g.htmlsi=h8XnNH6QgIkkDGWU. Fun fact: some people claim that was the very first jazz recording, although there's plenty of other contenders for that title.

You coming back?

What a great performance and band. JAZZ LIVES!

Exactly.

I’m seeing Patrick live next Saturday🔥

Just One single note..

magnífico Emmet! 16:45

😊​@@hernanloyola9689

Well said !

Also it goes without saying that Patrick B is blowing the lid off of the joint every time he lays it down. Every time I see his name I get excited because I know he’s going to lay something beautifully melodic, incredibly phrased, and most importantly straight from the heart. This dude is amazing!

Interesting to hear this perspective. To offer a different view, my interpretation is that Patrick delivered this solo as a "call-back" to his viral solo in the living room session. Many of the familiar phrases are the same harmonically as you stated, but the beautify in it to me is that he intentionally placed those phrases with incredible grace and artistic skill, while varying the rhythmic devices and different shape approaches in a way to make it completely unique while telling a similar story to his prior solo. So much so that I bet he could play his original solo note for note at this moment. Simultaneously he has such massive vocabulary that he could play 10 chorus' without repeating a phrase. Of course this is just my opinion and I could be completely wrong. Either way, we can both agree that Patrick Bartley demonstrates complete virtuosity over musical self-expression, the saxophone, and artistic delivery! Cheers!

@@altariabeats You shoudl check out Pat's J-Music Ensemble material/TwitchTV streams - I was struck by his amazing musicianship the first time I saw his stream (followed him for a couple of years now). The facility and musicality improvising over VGM (of all things) with each note having a life of its own and infused with groove. He's also brilliant on soprano (I often find too screechy) - highly listenable. I found Pat via The Consouls who also turn VGM into great jazz and for the last few years I have just enjoyed the vast VGM repertoire but Pat brought me to Emmet which then brought me back to straight-ahead jazz which I had not listened to for some time. Just loving this jazz universe!

Same as emet really as he's playing all different stuff

Check out his own channel! I found him through my love of video game covers! I found Cohen separately. Then imagine the pure joy I felt when these two virtuosos just fell together. Cohen even has a video game cover on his channel! Ultimately this helped show me that jazz is a confluence of what we love, what we hear, who we know, and whom we love!

Peter!!!!

It's almost like Monk, Coltrane and Art Tatum reincarnated into one piano solo.

@@shaiguitar Agreed!!

Repetition legitimises, repetition legitimises, repetition legitimises...

And the audience should have been hysterical - I would have been!

Historical is the best adjective to describe this!

It’s equally as inspiring!

I disagree, there are loads of “young” people that thoroughly enjoy this type of music and learn to play it for themselves

@@connorfitzgerald5773 not in the crowd

@@matteostanzani375 you’re right, but one crowd isn’t a good example of a whole population

@@matteostanzani375 Young people often don't have the time or money to travel to festivals like these, jazz is still alive and well my friend

I don't disagree but it's not just young people missing out, it's a whole population. Also, I'm not knocking any art forms but I'm staggered that these players make nothing near the money rappers make.

No. It comes close, but his original solo is the 🐐

i know what you mean by it, but calling it "the original" is funny

He has so much “dance” in this one, it’s so impressive.

Emmy's the fucking truth!

For another great groove, you might like to check out Swamp Theme covered by The Consouls featuring Pat - I can't sit still listening to it!

Check out his other version with this group!

I love his playing but the sound is pretty bad imo - sounds badly mic'd/recorded to me. Go figure :/

@@lukasalihein he sounds the same on all recordings, so that’s definitely the sound he’s going for

@@kpoudavoff Ok then, I guess it's just not to my taste :)

RIGHT? its so good

It's never easy on the outside. He always plays too far forward, it's borderline tiring and it hurts the swing.

Emmet of course is always on fire! Words can’t describe the talent! 👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻

🤠

whats good elijah

@@marcolenzi5939 YOO what’s up brooo

Real talk wow.