“It is not my job to answer the questions. It’s my job to ask the questions.” Programming for our choirs carries with it a wide range of challenges, from the skill levels of our groups, and their needs to the considerations of speaking to an audience. There are many ways to wrestle with this balance.
Renowned conductor of the Crossing Donald Nally joins me this week to think through the programming question from his perspective as both a director who has worn the “professor” hat, as well as the being the conductor of a high level professional ensemble. Donald shares his general philosophy and practice for creating a program that serves as its own piece of art.
This episode gave me a lot to chew on for choosing repertoire for choirs at all levels. You will learn a lot from this conversation too, from discussion about music with political implications, programming for storytelling, considerations for sacred music in non sacred choral contexts, and much more. The Crossing also has a new album called “Motion Studies” that serves as an interesting case study for the depth and breadth of what our art form is capable of communicating.
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