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Mary Pickford disparagingly referred to Ernst Lubitsch as a "director of doors, not people", but all directors have their quirks - David Fincher has his fridges; Tarantino his trunk shots - that reveal their own personal obsessions.
So what does Lubitsch's persistent use of doors tell us about his approach to storytelling, and the importance of off-screen space to great filmmaking?
Potential Spoilers. For educational purposes only. Fair Use.
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