Not really... I think more like just giving them a platform to share those stories

@@martinebonita2658 which is already more than anybody else does

@@martinebonita2658 same difference

Littily

​@@martinebonita2658 😊m

Thats why I just started a youtub channel. Been drawing for 2 years without much progress because no one was there to spot my mistakes and get me out of this habit I have . I don't know if this will work though. I was never guided and being self thought seems to not have worked. I'll ve shameless and even upload all my mistakes without editing them out...

​@Splorcher you execute someone eleses story. Directors do it all time, short story/books adaptations for example

its like saying if the gameplay is good visual dont matter, not here boi, I wont touch it, first make it appealing then I judge if worth my time to dive in more.. we are viual creatires first.

Now you work your way to be others hero :)

we can do it too!

Watch him as he goes

Sorry for what happened there and people still are suffering under the crushed homes. Why did this tragedy happen in our time

What happened in Turkey is just too painful to imagine. I hope one day things will get better. I wish you and your family all the best, komşu. 🇧🇬❤️🇹🇷

You do know that he says a lot of things ironic, yes? 😂

This is such a nightmare, prayers for everyone, please be safe :( Love from Greece

Honestly same.

Same but maybe try all of em in some way? To see if you'd enjoy or like one more than another? That's what I'm thinking of doing

Speaking from (kinda?) an experience, usually if you have a hard time getting motivated when being told to do something it's wise to do something you feel mild about so your spirit doesn't fade from it but it doesn't make the job less fun either- so that way, when you get home from whatever you do, you can have more free-roam fun doing what you love and making more ideas? it might not help you but it saved me from burnout a ton

​@@machetemythosthe job is where artist lack off It is harder to draw or make art when you are just chilling during your days off or stress out on your days off until the next week of your work

its not vegabong its vaGAbond.

Come up with a summary of what you'd like to happen in the stor, like 3 sentences long; you can do it in your head if youd like, just as if youre summing it up for a friend. Then draw the most important moments in the story, your "key moments" . Once you've done that, if youre happy with it you flesh out everything that happens in between.

As a Dungeon Master homebrewing and improvising whole campaigns: Most of the time I have a rough idea for a setting and something I/my game group would like to Explore. So 1st think about the setting, it doesn't need to be worked out to 100%. Descriptive key words might be enough. Idk jungle, sci fi tech = magic, Ruins of foreign cities, AI Robots existing as gods organizing human life. Than think about the Theme and story hook which breaks the status quo and get things rolling. Human enclave lost their AI god and the village Tries to restructure and organize, Protagonist Tries to survive the Change. From there I would roughly think about an overarching plot, not for the whole book/story but just the current chapter. As DnD uses a lot of improvising, having a complete overarching plotline thought out might just be wasted energy so I think in chapter for chapter. Using my players assumptions and thoughts as the baseline for the next chapter, Integrating their background stories and what ever they fed while roleplaying. The list goes on but that is how I start out. The way I organize everything is a Mixtur between physical (when I feel inspired on the go) and Digital Notes. Digital: Tables for organizing a locations: Theme, story hooks + MC guffins and items of curiosity, npc working against the players goals, npcs needed to make something feel Alive. Npc are also organized by fractions. Beware: your story might not need such tables thought out too deep. But playing dungeons and dragons I must Consider everything thst Covers the basics so the Player can roam around and discover things whereever they go. In a story, like an animation where every character and story beat is railroaded and not Happening by pure Chance/accident. You don't need 100s of 1000s of unique blacksmiths witb their own story and background knowledge, gossip knowledge to throw hints at different local mysteries. Cause your Protagonist only encounters them by your wish. My rule of thumb: even for the smallest village you need 10 named npcs to make it feel Alive.