Really nice to hear that, I appreciate the feedback!

Yeah man, you would think the people that made the software would be the best at explaining it! Instead it's brave people like Bileam that have to do it. To me it looks like selling a TV without a manual and relying on the public to crack the mystery, I never really understood why.

@@RusticRaver not agree, Derivative has a lot of free resources to learn the software, not to mention the detailed description of each operator and its parameters, the snippets, the resources of the palette

@@xurxoSantome I'm glad to have your opinion! Yes there are some great things too, operator snippet is my favorite, very instinctive way to learn, TD is still my favorite software u know and its only the beginning hopefully, sorry for having a critical sense. But then again you end up with loads of the same tutorials very time consuming, I do find the wiki a bit useless and very technical description rather than a downloadable example of the thing working. Then again it relies on people doing free tutorials, what do they get in return? Of course you can buy courses too, which I did.

Yes B, thanks for the effort. love from peru

I guess I'm kinda off topic but does anyone know of a good site to watch newly released tv shows online ?

@Gunnar Maddox i watch on Flixzone. Just google for it =)

@Armando Cassius definitely, have been using FlixZone for since april myself :)

@Armando Cassius thanks, signed up and it seems like a nice service :) I really appreciate it!!

Thank you!

@@elekktronaut Well, what you actually want in the timeline is the number of frames, not the milliseconds. I think it's the file_length_frames in the info chop (maybe the true_file_length_frames, I don't know the difference), which is 4218. If the track would be exactly 70 seconds, this would make 4200 frames at 60FPS.

Kind of. The size TOP you start with (left to right) determines the size of the next TOP if its common page is set to receive its resolution from the sending top. Each TOP has its own resolution, so your network doesn’t have a native resolution. If you have two different sized images or video streams or whatever you might composite the smaller one over the bigger one, so each TOP has to be able to all be sized and resized independently. You can go up a level and set the container to a certain resolution and then change your TOPs to match that resolution by either remembering it or using an expression. I think it’s “me.parent().width” and “me.parent().height” to inherit the parent containers dimensions One trick I like to use is to put a CONSTANT TOP of the proper resolution in first, and make it transparent. Then when you feed it into the next TOP it will generally take the resolution it receives and use that as it’s resolution. Just remember, the TOP you export will be the resolution of the final file, and you can change the resolution (and pixel depth) on the common page of just about any TOP. It’s also a good idea to check your pixel type on each TOP that starts a series, say a noise top, to the pixel depth you need from it. NOISE TOPs for instance start as a 256 by 256 square with 8 bit RBG pixels, but it might be a good idea to bump that up to 1920x1080 and 32bit RGBA pixels if you want a high level of detail.

Hey! were you able to find a way? thx

After you have stopped the recording, you need to change back to "loop", so the recording is actually finished.

I am not sure if it's the proper way to do it but, you can merge your two audiofileins with a merge CHOP before connecting it to an audiodevout. Then reference it to the Audio CHOP parameter in moviefileout.

Hi! With the free version you can in and output files at 1280x1280 maximum.

Afaik it's only possible to render videos with alpha using the HAP codec. Hope that helps!

Well you can just add the moviefileout to the normal map top!

Thanks, good timing to say that

❤️

You're right, I noticed that doesn't work as I thought. I think it's got to do with the tempo, have you tried setting that as the same as the song?

@@elekktronaut Thanks for the reply! Yes I tried, the timeline is still off but I could manage getting one song length by selecting "locked to timeline" in play mode of audio file in. Then, I just stop recording at the exact finish time. Good enough solution for now :)

@@verdano2577 He has the project set to 60 fps (frames per second), so 1 second is 60 frames long. 1 minute is 60 seconds so a 1 minute song will have 60 frames times 60 seconds = 3600 frames long, 7200 for 2 mins, etc. That's probably that 4218 value on the info for an over a minute long song. At 30 fps for 1 min. song: 30 X 60 =1800

@@MrRobMusic1 Makes a lot of sense, I will try it, thank you so much

I've tried using that (with the full version and my pc), and yea it's super compressed and looks awful :/ I'm usually just exporting as Photo/Motion JPEG and then convert it with handbrake afterwards.

@@elekktronaut thx , ok I'll have to do some sacrifices here. or learn GLSL a bit more.

@@elekktronaut have you seen this? kzfaq.info/get/bejne/psmRitmnkrKqgI0.html

​@@elekktronaut I have problem with that too especially when try to convert it. It loses all the quality. How do you convert it without losing the quality?

png files keep transparency. Then you can import in Photoshop. For video, export as image sequence I guess... Then, on editing, pretty much every serious program has an "import as sequence" checkbox to convert images in video.

only works with the hap alpha codec

I shall not 😌

I explain that at around 12:30

@@elekktronaut thanks sir! sorry I didn't watch the whole video.

check out my newer video on this