Extensions on the Cello

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The Cello Corner

The Cello Corner

5 жыл бұрын

In this video, I am explaining why extensions are so important on the cello (even though some cello teachers disagree) and how to do them correctly (www.thecellocorner.co.uk)

Пікірлер: 12
@user-ed4up2lx1f
@user-ed4up2lx1f 17 күн бұрын
This is the best explanation and demonstration I have found on the internet for extensions! As an 87 yr. old trying to learn without a face to face teacher, this is brilliant help. I remember the day I realized: extensions just stretch across some notes I had already learned in order to reach the flat or sharp, much like piano keyboard. Thank you for your patient thorough details of explanation!
@martynwhiteman1123
@martynwhiteman1123 3 жыл бұрын
Thank you so much; it confirmed, but expanded on, what my teacher taught me yesterday. Zoom lessons can miss things!
@viajedeunalma2318
@viajedeunalma2318 2 жыл бұрын
Thanks for this video! Please make more videos about cello technique! 👏🏻👏🏻👏🏻
@bettybrici2409
@bettybrici2409 3 жыл бұрын
Very helpful! I feel much more confident going about these extensions. Thanks! 🙌
@sararance3348
@sararance3348 5 жыл бұрын
Really well explained, especially about how the forward extension starts with the thumb movement. Thank you!
@lingyinglu2023
@lingyinglu2023 4 жыл бұрын
Thank you for explaining it so clearly. I have struggled with left hand positions for a while. Your videos help a lot.
@Califgracer
@Califgracer 5 жыл бұрын
Helpful information, thanks! You are an excellent cellist and I appreciate your recordings of the Suzuki 5 book.
@k.p.6444
@k.p.6444 Жыл бұрын
So helpful ❤️🙏🌠
@nadaelnokaly4950
@nadaelnokaly4950 5 жыл бұрын
that was very helpful thanku!
@marycallanan4418
@marycallanan4418 5 жыл бұрын
Thank you! This is such a great help! 😊
@mercedescebrian5857
@mercedescebrian5857 5 жыл бұрын
Thanks very much. It is very clear!
@rominn2184
@rominn2184 3 жыл бұрын
I am a violinist/violist learning the cello. I find that I cannot even do a forward extension without the thumb moving with appropriate fingers, at least I cannot do it without tension and strain. However, I find that when I am about to begin a scale involving the stretch of a Major 3rd, like the A Major scale, I have to start with my hand positioned with the second finger on B and backwards extend to the A. That way, my hand can be fully extended so as to span the whole Major 3rd. Am I doing this right? And all of this I can only do properly in the "German" left hand position (as opposed to the French, with the fingers facing the bridge)..
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