Do you know the song he demoed the Vox reverb with? 5:45

Thanks for posting these times... Much easier to hear comparison.

Thank you

Thanks! That's really helpful.

bless you

Pretty sure that's Joe saying that

AC/DC Fan probably

What last song was that

Gerardo Luna "Take Me Down To Paradise City" Guns-n-Roses

Song at 8:55?

YeaH!

*Fμ€£ Yeah!*

Song at 8:55?

@@michaelaz531 Rage Against the Machine-Killing in the Name Of

I've been wasting time. Marshall is the best.

My neighbours love my playing so much that one night they put a brick through my window so they could hear it better

Hahaha

Man, I can only imagine them going green with envy!

They *must* enjoy the *Furrrrr…!*

@@dennisyoung4631 Mmmmm, the furrrr...

Tom Dijs That's the quick-draw he learned out west.

Easy when you don't have to watch for your pick not falling out of your hand.

Yeah, for real!

It’s not that hard to do, on either a les Paul or fender obviously fender since it’s in the path of the strum, it should be practiced if you love to switch up tones, even with a pick

Saw that too!

cowscowscows10 “you bastards!”

jajajajajj!!!

I don’t like any feedback, so don’t answer.

@@jimkostan9932 The new ones ain't the old ones!

The Beatles recorded with solid states sometimes.

😁

Yea underrated way to play a Marshall is to use its headroom. RHCP has some awesome clean tones.

@@moustachio334 SRV also said he liked the Marshall cleans and Fender gain. There's a beautiful crisp sound and more useable master volume from the Marshalls. A lot of good all over.

Got a Vintage Modern. Can attest, it has very nice clean tones. But not beautifully chimey as fender's though, the transients are completely different, more of a high middle peak instead of "low" high peak, if that makes sense. Both great for different tones. Of course, the spearkers and cab work ALOT of the magic of these tones.

Intonation is 50% tuning/setup and 50% fingers.

I have that and more, I can't stay away from the Fender's very long. I just thing those old amps are the best.

Vypyr VIP 3, VIP Pro, QED.

As a completionist you'd also need a Roland JC for certain occasions.

Kind of my thoughts. Add a modest Mesa for good measure.

That is a most reasonable and mature way way of thinking ,, completely agree .

Yeah, I was surprised by how "little" gain the 800 has, because I always assumed it was high gain, check out Mastodon's Bill Kelliher guitar tone. Has to be modded, or as you said, getting help from pedals.

I never thought of the 800 as a "metal" amp in and of itself, other than certain metal guitarists running pedals through them. I associate the JCM-900 and 2000 much more with metal than the 800.... The 800 IMO sounds far better than the 900 or 2000.

Hell yeah!!!

I personally prefered the fender dirty and the marshall and vox clean.

@@tendulkarification you bud are on crack

Gibson into fender.

Now just put a strat thru a super reverb cranked and enjoy

You guys should make an Andy Martin signature pick

Jan Lee Hahahaha. Some have no clue.

@@phont24 Given the fact that Andy usually plays without a pick, that could be an interesting product ;P

Demos GOAT

@@Fandirek thats the joke

When I hear these comparisons, despite favouring bands with the Marshal stacks, it's the AC30 sound that is simply the most beautiful. But like in this video at the end, the Marshall simply rocks!

grow your 2nd fingernail. works for me.

thats how its done to get tone

He is an excellent player, however all fingerstyle there's no attack creating an overall flat soft eq on every tune regardless of guitar or amp. He uses volume and pedals to create variance in his sound instead of using different picks or picking styles for attack. Don't get me wrong, I do like his style, I just prefer for myself to not use my fingernails and fingers to pluck the strings, as I find it uncomfortable and more reserved for maybe acoustic playing. Just my thoughts..

@@TJ-fv6dp , finger style can create a great attack. The right way to play smoke on the water is plucking strings. The start of Honkytonk women is plucking strings. Mark Knopfler never used a pick and he sure has attack , same as Jeff beck , never used a pick

It’s gonna suck if you drop your invisible pick.

@@Hatari2 Disagree in what? He said "SOME of the greateast". You really have to read.

What about 70s & 80s fender guitars?? Those were amazing as well. It didn't stop in the 60s

@@elijahholloway3045 the red knob era of amps...

@@elijahholloway3045 American 80’s Fenders were actually shit. The specs were way off, and were sloppy. The Squires from Japan at the time were way better.

You may be right, but Leo Fender's labeling skills (i.e. vibrato/tremolo) was SHIT!!!

wow, the most stupid comment I saw today yet it manager to get so many likes. 😂

Rafaels Sancess lol

@@rafsnchz 208 likes to 6...maybe your comment was the stupid one! Lol!

@@rafsnchz ...so all personal opinions are stupid?

Shit man, that's all you had to say.

Why would they?

VL CO That’s what he said.

Andy is the greatest

powbobs ...what's a VLCO?

idk, i would say the Roland Jazz Chorus is probably the best sounding clean amp ever made and it's solid-state

@@m.f.3347 To explain my comment, I'm almost exclusively interested in distortion and fuzz in electric guitar sound. That's why I love tube amps. For clean sound, you may be right, solid state may be superior. I don't know much about it, so I can't really say, but what I know about electronics would suggest that this is probably the case. Also, I'm a huge fan of your films, Mr. Jodorowsky. ;)

@@m.f.3347 Many people (me included) think that the twin reverb is the best sounding clean amp.

@@m.f.3347 the jazz chorus is up there with all these amps

I think that would be awesome.surprised none of the Guitar magazines have got on board yet ,maybe mr reverb can put in a good word

Absolutley!! Why should guitar mags just be for 'rock stars' and the like?! Andy IS a guitar hero, maybe my favorite!! Put him on some covers!!

yes indeed! let's put a petition out there!

James Graham Yeah, no kidding! He's a legend.

James Graham agreed!!!

OMG, so true...glad I'm not the only one...

I mean, yah. But it'd be an entertaining two hours... Man Alive!

who are "Dan&Mick"...those pedal show clowns from Britain?

noworries I figure: by Christ they are dull.

Two hours?!? D &M would do that shit in two weeks!!!

NotMarkKnopfler Why I want a modeler.

My AC 30CC Top Boost is a lemon. 😒. Great sounding amp but keeps breaking. It's MIC from around 2007. My friend has the same exact model and we got them around the same time and he's never had issues ... Go figure.

I thought the same thing

Lmaoooo

Jamie York I see that you are an Orange supremacist as well

I agree. I love orange!

Just ordered an orange amp online but I also plan on getting a deluxe reverb in the future

what is it not to like

Probably those who want more depth about the amps, as opposed to pretty generic video presented here

It’s at 382 today

They like orange,so they disliked it

Probably Orange fans lol

He looks like the Ted guy from parks and rec. played by brian stack. it’s uncanny

What's the name of the song 1:06 ?

@@YVM_191 The Wind Cries Mary - Jimi Hendrix

yeah no problem man

@@stephenkite399 0pppp000-0#

Arksolva Studio excellent point about the Vox voicing! This shoot was an important refresher on the differences between amps. If it’s within one’s budget, an amp swap can be very inspiring!

@@AndyDemos with those three amps you covered about 90% of the classic tones we all know and love. I should definitely get a Fender and a Marshall amp too. ;)

The two of those together are really quite something special. I run stereo at my church with my '97 ac30/6tb and a '65 Drri. The scooped mids of the vox and the compressed cleans of the fender really make them quite a pair.

Matthew Del i have to try that. Sounds like the perfect match.

Can verify that the two amps sound fabulous together. Been using a '62 AC30 and a '64 Deluxe, as my main rig for a little over 40 years now, A/B-ing, and combining the two. Combined they really have a full sound, yet are able to sit well in a mix without crowding out other instruments. The only issues with using these in today's world, is that they often exceed "acceptable" stage volumes, if you have them turned up to where they sound good. I've played a few small club shows, (200-500) where I've had to set up my rig on the side stage facing backwards, or even a few times, in a dressing room behind the stage, and work off of the monitor mix. I think if I were still actively touring, or just doing smaller clubs, I would go with a combo of an AC15 and a Princeton, or some newer version of those. There's a reason that there are so many recreations of these amps, and that's because they've been the chosen sounds on so many albums across all spectrums of music, for 60 years. I also think that another group of amps that got left out here, is the Fender Tweeds of the 50's. So many players using those, or recreations of, to this day. You wouldn't have a Marshall amp without a '59 Bassman.

That switch from the bridge to the neck at 2:42 was damn near superhuman. Andy rocks!

I have an AC15C1. How dare you tempt me to spend more money.

I have the AC15C1 and a Tonemaster version of the Deluxe Reverb. Also a Friedman Runt 20. I'd have to say the Friedman tone is my favorite, although at some point I'd like to get my hands on a JCM 800 just to see what all the hype is about.

@@cameronmoore7675 You will not regret it. :)

I had a similar setup a few years back. I ran a Vox AC30 and a ‘74 Quad Reverb together. Jesus what a fucking sound that was.

Come on man quit trying to sell Fender with your pretending you haven't always loved them lol. They can sell themselves.

i hope he’s selling those hands on reverb

@@sushitrash9253 Just buy Andy's handmade invisible picks. It is just 5$ a pick, insta-delivery, weights absolutely nothing, but I always seem to lose them... ordered 6 packs and never got to touch one... begin to think it's some kind of scam(

That's what you think, but in all reality it's at the end of it's lifespan. Better start paying attention to these amp comparison videos, because it won't be long before you'll be in the market for a new one. Good luck.

@@smitty31560 If only your comment meant something.

@@siriusfun Man I was fu#ked up when I wrote that comment.

The dirt 909 has been equipted with the latest earthy blemishes.

@@charlesotis6971 🤣🤣🤣

Charles Otis 😂😂☠️

HA! He had me at "I'm Andy". Gotta watch now.

you know it would be some sweet sounding dirt

What's the KZfaq era? An era is a specific period of time, whereas KZfaq could potentially go on forever...

@@SpaceCattttt If so, how do you refer to the time before YT even existed? Have you ever realized that 'forever' may be too much time? P.D.: Overthinking and overanalizing might be considered some kind of extreme sports. Cheer up!

@@carlospaz28 Just being technically correct. I mean, sure, if we're talking about the period of KZfaq being dreamed up to it being launched upon the world, then yes, that's an era of development. Or you could count the era of KZfaq's growth in popularity while becoming the world's most popular video site. But to call someone THE GUITAR HERO of the KZfaq era...well, even if that was true, it's important to specify which era that is. If it's right now, then there are thousands of guitar players who can lay claim to that title.

Only acceptable reaction. It's the law, look it up.

He just couldn't resist putting in his '*beep* yeah!!' 2 cents!

That's the proper thing to say when cranking a Marshall

Along with 'Whoa!' and 'Holy Sh*t!!'

THIS 🤘

SeemsLikeSomething in my experience Marshall plexi style amps are the absolute best with any drive pedals.. the muted treble of the plexi styles really let the many different pedals out there really do what they are meant to do. On fenders I find I’m always trying to balance the treble from no pedal to having the pedal on

SeemsLikeSomething also the first Marshall Amps were basically Fender Bassmans with a few tweaks

Matte Kudasai But they were important tweaks.

Better crunch than Vox? Ok.

Ingwë Vanyarin Or Vox + Red special

Vox+Red Special

Marshall+Literally every guitar with humbuckers that has ever existed

I had a Vox AC15 with a Les Paul Studio... the tone was amazing

Well, but after all these brands can be seen as variations of the classic three: Vox - Hiwatt Fender - Supro (more on the tweed side)/Mesa (a Princeton on steroids Marshall - Orange

But then Marshall comes from a Bassman, Fender comes from Westinghouse. That's the grandaddy. Orange is a strange bird but ultimately is more Marshall than anything else.

@@RobbyLanta94 Hiwatt and Vox are very different.

@@PANICBLADEOld Hiwatts have the most complicated tone stack I've ever seen, (with all that 1nf caps leaking hi mids everywhere), yet the more effective. I always asked myself how a twin with a hiwatt tone stack would sound...

Where does Ampeg fit in?

amen...Marshall's are way better all-rounders than people give them credit for! I'm a huge amp fan of many different types, but if I could only have one it would be a nice 50/100W Marshall head and 4x12 cab. :)

I thought the same thing