00:00 Introduzione, Tema e Variazioni su l'arietta italiana, Op. 142
08:35 Andanti dall' Op. 320; N. 1 in Sol Maggiore
11:08 No.3 in La Maggiore
15:11 No.2 in Mi Maggiore
18:54 No.5 in Mi bem Maggiore
21:56 Les Adiuex, Op. 229
32:20 3 Sonate dall' Op. 56; Moderato
36:30 Larghetto con molta espressione
40:00 Moderato
45:57 3 Valzer dall' Op. 101; N. 6 in Mi Maggiore
47:37 No.2 in La Maggiore
49:01 No.3 in Re Maggiore
Alfonso Baschiera
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Ferdinando Maria Meinrado Francesco Pascale Rosario Carulli was an Italian composer for classical guitar and the author of the influential Méthode complète pour guitare ou lyre, op. 27 (1810), which contains music still used by student guitarists today. He wrote a variety of works for classical guitar, including numerous solo and chamber works and several concertos. He was an extremely prolific writer, composing over 400 works for the instrument. Carulli was born to an affluent, upper-class family[1] in Naples. His father, Michele, was a distinguished literator, secretary to the delegate of the Neapolitan Jurisdiction. Like many of his contemporaries, he was taught musical theory by a priest, who was also an amateur musician. Carulli's first instrument was the cello, but when he was twenty he discovered the guitar and devoted his life to the study and advancement of the guitar. As there were no professional guitar teachers in Naples at the time, Carulli developed his own style of playing. Carulli was a gifted performer. His concerts in Naples were so popular that he soon began touring Europe. Around 1801 Carulli married a French woman, Marie-Josephine Boyer, and had a son with her. A few years later Carulli started to compose in Milan, where he contributed to local publications. After a highly successful Paris tour, Carulli moved there. At the time the city was known as the 'music-capital' of the world, and he stayed there for the rest of his life. Carulli became highly successful as a guitar teacher in Paris. It was also here that the majority of his works were published. Later in his life he became a self-publisher and, in addition to his own music, published the works of other prominent guitarists including Filippo Gragnani whom he befriended and who later dedicated three guitar duets to Carulli. Carulli also began to experiment with instrument making toward the end of his life and, in collaboration with the Parisian luthier René Lacôte, developed a 10-string instrument, the Decacorde.Carulli was among the most prolific composers of his time. He wrote more than four hundred works for the guitar, and countless others for various instrumental combinations, always including the guitar. His most influential work, the "Method, op. 27", published in 1810, contains pieces still widely used today in training students of the classical guitar. Along with numerous works for two guitars, works for guitar with violin or flute, and three concertos for guitar with chamber orchestra, Carulli also composed several works for guitar and piano (in collaboration with his son, Gustavo). Many of the pieces now regarded as Carulli's finest were initially turned down by publishers who considered them too difficult for the average recreational guitarist. It is likely that many of his best works remained unpublished and are now lost. Nevertheless, several of Carulli's published works point at the likely quality and sophistication of his concert music, the Six Andantes Op. 320 (dedicated to the guitarist Matteo Carcassi) being a good example. The great majority of Carulli's surviving works, however, were those considered marketable enough by mainstream Parisian publishers aiming at an amateur recreational market. In addition to his highly successful Methode Op. 27 (which went through four editions during his lifetime and a major revision, as Op. 241), Carulli also published several supplements to the method, along with a method without explanatory text (L'Anti Methode Op. 272), a method for the decacorde, a harmony treatise, a treatise dealing with guitar accompaniment of the voice, and several collections of vocalises and solfèges.
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