5k Subs !? That's crazy and thank you so much♥Now you can roast me in the comment section about my mastering skills (cuz I know there's gonna be a nerdy as music producer that will try to correct me)

As a mixing and mastering engineer for years, I admire you trying to help people, but this video might actually put some of them on the wrong path. Of course in your example the mastered file sounds better... it's way louder. Louder is perceived as better but can fool you into thinking something is better when it might not be. Also, there is no magical mastering chain. Each song is different and needs different things. Mastering should only be a tiny last step. If the mix is bad and you need to do a lot in mastering stage, go back to mixing and fix your mix. You should only give that extra 5% push in the mastering stage and make sure you deliver all your files right - 24, 16 bit, apply dither, have a right ceiling that doesn't introduce artifacts when compressed by platforms in M4a, master for ADM, regular 16bit CD etc. That's what mastering is about. That extra tiny step. Not about making your bad mix magically better. Of course, it's 2023 and there are no rules, even a poorly mixed and mastered song can be a hit if the song is great. But if you want to learn how to actually do it consistently good, rely way less on the master and way more on the mix. 💜

You're gonna be the new wave of the KZfaq producer, your content is so good.

For two freaking years trying to learn about compression....And hear you are,Crisp and CLEAR......F**king A!💥

I've been producing and mastering for years (I'm a mastering engineer woo fancy diploma blah blah blah) and I gotta say, this is a very good video, sums up the basic chain (more than enough with electronic based music as it doesn't require an special frequency and dynamic treatment like guitars and acoustic instruments). Very informative, good explanations on every element of these VSTs and an overall semi-pro chain that is easy to learn and apply. I just wanted to add one note: sometimes, if saturation doesn't sound quite right, or if the sounds by themselves have saturation/distortion, I'd use a harmonic exciter instead of saturation. It gives that harmonic brightness without clipping frequencies. I personally use the IZotope Ozone 5 Harmonic Exciter. Overall, great video. Keep up the good work!

I love the idea behind the tutorial but perhaps you could do a little comparison with the same volume (so only the added harmonics/eq and compression are heard) thus you can actually tell whether it's getting better of muddier.. to human ears louder stuff sounds better, so when you compare quieter and louder mix, the louder is almost always going to sound good. Other than that amazing video, keep them coming, it's a nice refreshment on inspiration (:

You know why i like him? he might not be a worldwide producer or the best one BUT!!! the guy actually guiding people to develop healthy mentality for achieving and getting stuff done! I really support and admire that niche. BIG UP MY GUY!

dude you're so straightforward about compression! this is only the first time i actually understanded about how compression works and you explained it simple in an effective way bro compared to other dudes with these big words i can't even understand because of my dumb ass lol, thank you so much you got a sub. ❤

I just love the way you teach simple & straight on point, I get a different vibe here!

Thank you for a cool tutorial, Fiko. Congrats for 5k subs)

Your tutorials are low-key the best out here. I feel like you explain it in a way that I would as well so that resonates with me.

Happy New Year! Great videos, only found your channel last week, good work! ;D

little channels are always the best, keep going bro thx for those videos

Thank you Fiko for this great video 👍🏽

Dude this is one of the best vids I've seen for mastering! Congrats man!

finding your channel made my week! big ups brother

Great video, we needed this years ago already. This just explains it so good for the people who just start out

Dude your delivery for this video is soo entertaining & informative at the same time great video !

Such a great no BS tutorial man! I have really been struggling with understanding mastering and I have failed so hard so many times 😅. But after seeing your video it doesn’t seem that unachievable anymore, thanks for the vid!

Man i love your videos so much, this one in particularly was soo helpful! Keep it up man 💪🏼

BEST mastering tutorial. Great video🔥

yoo bro i really enjoyed your video, i already know how to master but it never hurts to learn more and see what others do ! good job man

Bro your track "one last time" that youve used as an example in this video, just knocked my fucking socks right off! Gonna me my favourite song for weeks. Imma listen to you other ones now aswell

i love how he said "Type Shit" really helped me understand type shit.

This channel is crazy, watched already like 4 videos of yours and already alot changed in my conciousness

very happy I found ya videos man. appreciate everything

u are an legend, thank you bro

Great job! This is one of the best video about mastering! 👏👏

YOU ARE THE BEST FIKO

I learned more about mastering in this single video than all the other "mastering tutorials" back in 2019 💀

Leeet's gooo brother! We all need this video!

Here before 10k subs, I'm proud. Also proud of the content you make. I haven't seen anyone gone straight to the point when it comes to music production tutorials. Endless hours of stupid explanations that I cannot get a grip on. Here, I get a no bs guide. I'll try this out tomorrow. Thanks so much Fiko. Love your songs btw. Too Hot To Handle; In Your Eyes; One Last Time; Run; You Remind Me The Pain

contgratz on the 5k you are a real one💯

congratulations on 5k subs!

Glad to have discovered your channel. help me out in many different ways. Hoping to see you hit 5k soon.

Fvck yeah man, you said you would and you came through 🙏🏽 Great content as usual. I like how you spoke on having continuity throughout your masters to maintain a signature sound. Value every time brother 🙏🏽❤️

Your explanation is super simple and easy to understand man! And my man Fiko we need a mixing tutorial fr

You might want to look into what the highpass sidechain filter on the compressor does. Pretty important when working with the master bus.

Love this song ❤🔥🔥

Instantly subscribed. Great content

Love you man, thank you🙏

Thank you so much brother, you are help me!

Thank you for a tutorial bro,it's amazing 🔥

This tutorial is great for beginners trying to understand what mastering terminology means , great vid

Bro... Thank you so much man... you know i'm always struggling when mastering my track... it takes a long time to master my track... this video helped me alot.... Have a nice day homie... bye :)

Love your way of talking about this, makes it understandable and not so esoteric type shit. subscribed!

This helped alot!!!! Thank you!!!

Needed this ❤

explained well and made it so simple, great tutorial mate.

Realistically AI EQ and maintaining the LUFS level with limiter helped…maintaining Headroom, panning, making sub frequencies mono and saturation compression and shit are like mixing process…less mastering fx is better actually… Add a slight reverb to master…helps

After 25 years of music-production, i still prefer a mastering engineer to master my music because me myself often get cought up in the mix that i heard 50000 times. A mastering engineer will sit on your track with fresh ears and zero pre-concept of your mix! i only master my own tracks if they are very new and i want to play them at my gigs! But you have some great videos and nice tips for musicproducers! Keep up the great work!

Awesome tutorial, straight to the point!!!!

I like how you use the push and pull concept. Add then smooth, then add again. It sounds good

best mastering video i’ve seen so far :) sick sick job! missed a little imager on the chain but yea loved it! gg

such great stuff man keep it up!!

Mad good video as always my dude!

You are the GOAT of music producers 🐐🐐🔥🔥🔥🔥

well nice to see your process, tnx for sharing my friend ✌

Very well detailed stuff, really helpful 🤠

I’ve learned a lot bro thanks a lot and I really liked your track im gonna tcheck it out and support. I’m still trying to find the right way to merge symphonic music and electronic when it comes to mixing but your advices are golden thanks again!!!

Just Amazing

Flavor! Nice.

That track is so hard🔥

First time learning new shit from along time nice 1 champ

Awesome man!!!!!

thank you

Ah never expected this simple & powerful mastering chain...Haha how it looks same to my chain haha 😄 Be simple and put the creativity on it...Great tips as always brother...🥰❤️🔥

Brother this is sauceeeee

Great video! subbed!

Thank you for showing this process. Please can you do a level matched comparison next time so we can hear the tonal differences more clearly? Thanks!!!

I came for the master and instantly fell in love with the song lmao. Had to go add this one to the playlist, definitely a banger man

i hope this sauce can make my first wip project an absolute techno banger XD

A great and useful video ^^

Your tracks sound great without mastering already💪🏽

Sic man Thanx brohemoth

Thanks man

Fire track bruhh

Nice one. Keep it up bro.

thanks bro!

very goooddd💥

Looks like a fine mastering chain to me which ofc needs to be changed to material. I would maybe even do some additional steps like boosting a high shelf dynamic eq in range of 3db on the sides before bus compressor. The idea is to modify the gain reduction response of the compressor here a little by dynamic eq high shelf. Additional step to modify the compression response dropping a balance eq (sonible smart eq just before) & sidechain filters , boosting by 3db with a tool but then attenuate that 3db by the make up gain, make a really steep low cut around 30 Hz this won't be heard on most systems, but gives more energy. This might change the sweetspot for distortion. Using ploytec aroma to add additional coloration. If looking on it like Photoshop it adds more color, grit and noise. This step is helping the translation to all shitty speakers and smartphones. To emulate a bus compressor with FF Pro c2 just add some soft knee. The future middle step between compression and limiting is controlling the "frame" dynamic range by a more precision tool like massenburg drc2. To add some contrast I am not using ott downward compression I just add unfiltered audio zip adding about 30% of contrast keeping the ratio (not compressing anything here but if the material needs some transient shaping just keep the threshold relatively high, attack and release short just as it begins to distort ) I am a little more paranoid about mono making process I would even not trust the FF side low cut, I would drop a brainworx control (mono maker) on about 170 Hz and make it a pinch wider about 110%. Some additional notes: experiment with Kclip just before the limiter, switching all EQs to linear mode, switching pro L to agressive mode but oversampling on saturation and limiting, not even needed the invisible limiter, just zero out the transient linking in general in the advanced settings, keeping the pro L. The gullfoss eq has a range control on left and right side of the graph. Just fade the left range control to right around 500 Hz, to keep the low end. The secret to a detailed master is in good compression. However when messed up with different kinds of compression during the mix, a really nice perspective is using some expansion on the midrange. If mastering with izotope ozone I skip the limiter bounce the audio, using the default template mastering assistant but adding a vintage eq before, it has that nice pulteq style sound if cutting and boosting (it might sound silly doing the opposite things but it works magically) about 2dB on each band to your favour. How ChatGPT is roasting me: It's great to see that you are already familiar with the mastering chain and are willing to experiment with additional steps to achieve better results. Here are some additional mastering advice based on your recommendations: Boosting a high shelf dynamic EQ: This is a good idea as it can modify the gain reduction response of the compressor and help to control harshness in the high frequencies. However, be careful not to overdo it as it can cause the mix to become too bright or fatiguing. Dropping a balance EQ and sidechain filters: This can be useful to modify the compression response and make the mix sound more balanced. However, it's important to use these tools judiciously and not to make drastic changes to the mix that can alter the original intent of the mix engineer. Making a steep low cut around 30 Hz: This can help to remove unnecessary low-end rumble and give more energy to the mix. However, be aware that some speakers and systems may not be able to reproduce these frequencies accurately, so it's important to use your ears and not rely too much on technical measurements. Using Ploytec Aroma to add additional coloration: This can be a useful tool to add character and warmth to the mix. However, be careful not to overdo it and make the mix sound too saturated or distorted. Using Massenburg DRC2 to control the "frame" dynamic range: This can be a great tool to help control the overall dynamic range of the mix and make it sound more consistent. However, be aware that it can also remove some of the natural dynamics of the mix, so use it judiciously. Adding contrast with unfiltered audio zip: This can be a useful tool to add more punch and transient shaping to the mix. However, be careful not to overdo it and make the mix sound too compressed or distorted. Mono-making process: This is important to ensure that the mix translates well on all playback systems. However, be careful not to make the mix too narrow or lose too much stereo width. Experiment with Kclip: This can be a useful tool to add more saturation and character to the mix. However, be careful not to overdo it and make the mix sound too distorted. Switching all EQs to linear mode: This can be useful to ensure that the EQ curves are transparent and not adding any additional phase distortion to the mix. Using the Vintage EQ in iZotope Ozone: This can be a great tool to add character and warmth to the mix. However, be careful not to overdo it and make the mix sound too saturated or distorted. Overall, the key to a great master is to use your ears and not rely too much on technical measurements. Experiment with different tools and techniques, but always make sure that the mix sounds balanced, dynamic, and cohesive. If the mix sounds too saturated and distorted, here are some possible solutions: Lower the levels of individual tracks or groups: One of the most common reasons for saturation and distortion is that the levels of individual tracks or groups are too high. Lowering the levels can help to reduce the overall saturation and distortion. Use EQ to remove frequencies that are causing saturation: Sometimes, certain frequencies can cause saturation and distortion in the mix. Using an EQ to identify and remove these frequencies can help to reduce the saturation and distortion. Use a multiband compressor to tame excessive peaks: Multiband compressors can be useful to control excessive peaks in the mix. By applying compression only to specific frequency ranges, you can help to reduce the overall saturation and distortion. Use a limiter to prevent clipping: A limiter can be useful to prevent clipping and distortion in the mix. By setting the output ceiling to a level that prevents the mix from clipping, you can help to reduce the overall saturation and distortion. Use a limiter to prevent clipping: A limiter can be useful to prevent clipping and distortion in the mix. By setting the output ceiling to a level that prevents the mix from clipping, you can help to reduce the overall saturation and distortion. Use saturation and distortion plugins in moderation: Saturation and distortion plugins can be useful to add character and warmth to the mix, but they should be used in moderation. If the mix sounds too saturated and distorted, try reducing the amount of saturation and distortion in these plugins or removing them altogether. Overall, it's important to approach the mix with a balanced and dynamic mindset. If the mix sounds too saturated and distorted, try to identify the specific causes and address them with the appropriate tools and techniques.

graciasss

I listen to Closer album everyday on repeat mode. Can't wait for your new Ep next year. Amazing tutorial. Sending good vibes from India 🇮🇳😊🙏

Dope!!

let’s goooooo G congrats on 5k! what do u think about maximus for mastering

1:05 I feel personally attacked. Great video bro! 👍

Ur my fav prod rn based solely on ur character.

Music engineers will hates you 😁 Great content mate 🔥

Very inspiring content you've got there! Just some little thing that bugs me: Don't you have your headphones on the wrong way? I think I've got the same, but they're the other way round 😅

really helpful video

this is goood !!!!!!

funfact: deadmau5 never puts his tracks and busses to a MASTERBUS, he already prepares the sounds on the fly and guess what, I am using this method for so long now, that I tbh rarely think about using the Masterbus. I just use it to check the Gainstages, LUFS and stuff. I start a track and right in the arrangement procress, when I put the melodies, synths, drums, vocals together without having my song even in a mixready stage, I try to avoid as much work as possible in the mixingstage of my music. For example: I got a synthlead/pad/arp/bass, I put it on a channel and instantly put an EQ on it, I ALWAYS cut the lows at 30Hz, first. The next things are effects, like Reverb, Delay, Distortion, Saturation, if I can already handle them in the arrangement stage, whilst sound design I also try to avoid to have a certaincy of clash and muddiness, because for Arps, Pads, Leads, I always apply a Reverb, EQ and if necessary a Compressor or Saturator, yes I use sends in my processes and sometimes I also combine some channels with the same sendchannel, which I DON'T link to a BUS. I save my busses for the mixing stage and just to see, if I run into difficulties, frequency clashes, masking or anything else, if this happens, I return into my arrangement and yes I do careful work about rendering my audio, because not everything you use in the arrangement stage will work in the mixstage too. :D It's tons of work of seperating and selecting, copy paste, delete and rewrite, until it sounds to my ears GOOD. I also send out completely unfinished projects to friends to do a vibecheck and ask them, if the vibe I wrote the song in, fits the title, if there is something annoying or distracting in it. So, I take everything into account, to avoid mastering in general, because yes mastering is putting your stamp on a song and also finalizing it, so be sure, safe and certain instead of dumb, unsafe and uncertain, if your track meets normal acustic levels and standards. I use these as reference and not as something, I want to go to war with, if the loudness overall fits my taste and nothing goes wrong, I'm delighted and fine with it. :D

wow great tutorial

already at 11k when i got here! gud shit!

Amazing tutorial! Funny to see that my master process is almost the same as you!

Hey man, you are great! Thanks alot for the video. Can you make a video about your mixing processing? 👋🇧🇩

can you do a video where you only use stock plugins to master your tracks? Nice vids btw, learned a lot about mixing from it

Would be cool if you volume matched the before-after of each effect! Just a small suggestion to really show what each effect is doing besides just adding volume 😄

Would be cool if you showcase a couple of free plugins for example, BUSTERse from analog obsession is a very good mastering compressor or coral baxter for an eq

Hi fill!! thanks for your video. Question off topic a bit. may i ask, when the labels pick up for tunes , do they pay for the master? how does it benefit you? thank you my friend!! great video and well explained. Fire 🔥 track also!!!