Рет қаралды 378,252
Anjali Menon -- director of Koode, Bangalore Days and Manjadikkuru, and writer of Ustad Hotel -- talks about what Bangalore means to Malayalis, and explains the new-gen phase of Malayalam cinema. (She singles out Ranjith's Kaiyoppu and Sameer Thahir's Chaappa Kurishu.) She talks about Padmarajan, Bharathan, Fasil, MT Vasudevan Nair, KG George, about the improved technique in Malayalam cinema. She discusses being a "woman filmmaker" and the Women in Cinema Collective. She talks about how she directs actors like Fahadh Faasil and Dulquer Salmaan, and her sensibility (she's also a dancer, and she says it helps her work in cinema). She talks about collaborating with technicians, making rooted cinema and being an outsider, and, lastly, about Mammooty and Mohanlal.
Visit us at filmcompanion.in
Do Like, Share, Comment & Subscribe to our channel.
Subscribe: bit.ly/FCsubscribe
Follow Us On:
/ filmcompanion
/ filmcompanion
/ filmcompanion
The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism and review of cinema and towards such purpose the programs use short extracts of cinematograph films, sounds recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the compete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we asset our use of the works under the exception provided for criticism and review.