Thank you!

you forgot the awesome flute solo at 6:27

You have sheeple Coca-Cola ears.

@@yishihara55527what 😂

@@Inkymarkergg I apologize. Meant "Pepsi."

@@yishihara55527 I don‘t understand you

@@Inkymarkergg Start with Hooked on Phonics and then build up from there.

I do! 🙂

And you're one of the greatest harpists ever - how magical :)

Pierre Rampal - did you know him ? So many of them are so excellent. Why must there be a "best"? I would prefer to say "prefered" instead of best.

@@Kathy-3 I love Jean-Pierre Rampal too. I cannot decide who I prefer but I love them both!

@@Kathy-3 Jean-Pierre Rampal is my favorite of all time!

@@fluteloops22denis bouriakov is pretty cool too very fun to listen to

ごめんでも同意しません

@@yishihara55527why not?

Listen to Galway playing the concerto of Joaquin Rodriguez Concerto pastoral, and you will just fall down on your knees. I heart him once in Munich in 2004, unbelievable

@@gerlindemayer9645his recording of the Rodriguez concerto is out of this world perfection despite how boring it can be to learn it haha

How was shockers masterclass?! Heard he's awesome!

Hahaha

Practice = success

Well said, I love both Jean-Pierre and M. Galway. My thanks and gratitude to M. Mozart who had the voice of God for sure!

​@@catherinegagliardo8359j'aurai plutôt vu l'orchestre en noir et le soliste en blanc , qu'en pensez vous...enfin c'est la musique qui compte.

kzfaq.info/get/bejne/opZgeqaD19avY6M.html

Nicolas Andrews he plays Donjon,you can find it on imslp

I know he owns several gold flutes and at least one platinum flute. It appears he's playing one of his gold flutes, if that's what you meant by "which flute."

@@jaylenterry278 you are questioning his understanding of the language.

@@jayakumarkaarikuzhy4713 I can understand how my answer could have been misconstrued as something I didn't really intend at all, particularly in how I phrased it. I truly was not trying to be offensive in my reply -- not in the least. I merely wasn't sure if @dasteufelhund was being rhetorical (sort of asking his question in jest because of the way he phrased it?), or if he sought a literal answer about Galway's specific flute. I chose the latter but added the "which flute" part just in case he wasn't really looking for a literal answer.

@@jayakumarkaarikuzhy4713 No he wasn't.

I wasn't offended and your response was on point. My question was simply on the premise of fun fact, as the performance was simply pure enjoyment.

Evan Dial Exactly. Mozart was not paid for this concert due to self-plagiarism. But this concerto is still Flute Concerto No. 2 in D Major, k314 en.wikipedia.org/wiki/Oboe_Concerto_(Mozart)#Flute_Concerto_No._2

@@alexanderbelov6892 how can one plagiarize oneself?

@@alexanderbelov6892 I think I prefer the oboe but it's still beautiful on the flute. Funny that he reused so many of his themes. But then, when you hear Mozart, you really know it, don't you!

No. It's called staying ahead of the beat. The effect is the soloist is making the music happen rather than just going by the map. It's a technique that is widely used in Jazz performances.

@@dasteufelhund perhaps....but Mozart wasn't a jazz composer ....

@@matthiasviennot9468 everything is jazz man

It's the conductor's job to keep the orchestra with the soloist.

Mostly, classic music tempo always stable never rush!

This is just his warm up

William Fankboner wild vibrato? Don’t know what you’re hearing.

Don't comment mean and unnecessary comments.

@William Fankboner I’ve been playing flute for 6 years now and his vibrato isn’t wild. It’s actually planned. See if you vibrato every note, it looses its essence of the music towards the audience. I’m fact, I’ve never heard anyone as great as Sir Galway especially in the first octave and third octave. I hope to achieve his sound or at least mimic it when I get older. His playing has so much feeling and energy. His tone reminds me of a glass ball sitting on a royal purple pillow because it’s so pure. I think music to him is his love and will always be his love. Because people who play like that have a sense of music that makes you want to continue to hear them play and it makes you want to see them again and again. People like Galway understand the emotional essence of music not just the notes and rhythms. THAT is what sets him apart from most flutists and musicians. I have that feeling when I play Fantasias by Telemann and Bach pieces. It’s a feeling of being one with the music and having a connection to it. That’s one thing I don’t think you learn in conservatories. Feel the music and learn to appreciate the composer through it.

@@deborahjasso8164 I think he is talking of the excessive use of vibrato considering the age this concerto was composed not the vibrato per se (of course it's perfect)