Thanks for stopping by Paul! I checked out your new low-tuned preset and really enjoyed it, I'm normally playing VIs in Drop E. Leon's block library sounds like a smart move, I'll look into that for sure. His channel (as well as his offerings on the G66 channel) have been near crucial to my enjoyment of the FM3. So many quick tips and tricks adding up and smoothing the experience out nicely.

Thank you! I do understand that aspect of it - it's pretty daunting, because that workflow requires you to try out every single effect in the unit to fully understand it. I've got a great frame of reference in terms of real-world gear (though obviously the downside is I'd pick known favourites over hidden gems), but when it comes to the Fractal models I get stuck pretty quick. I appreciate the insight!

@KaiDown I got a routine that you could like/try. Every week I'm taking an hour or two to go "block shopping". Guitar, beer, Fractal edit, and your Fractal product. I try a preset or a block that I like, and then save it in you library folder. You load a new preset with those blocks, but try to recreate it from memory or what you think it is. Then, you validate yourself in a A/B manner, and you go see after that what was the parameters that wasn't the same. Then, you max out that parameter, and set it to none. Play with it. Make it yours. I was able to tame the monster quite fast and to my taste too. Bit by bit. That's the key!

Yeah that level of support is a huge reason I wanted to check out the Fractal ecosystem - just a constant barrage of updates. Super excited to see where it goes from here, because I’m already 100% sold

I have got axe fx ultra there is no support

@@gizemkayhan9245That’s a 16-year old unit mate. No duh.

I think it's exactly as techy as you want it to be, which is a really nice way of running a digital modeller. I'd much prefer a slow and smooth learning curve over a short but steep one.

What do you think of it versus an hx stomp ?😊

QC really has a worlds better UX than any of the Fractal devices!

Toddler iPad toy

QC is sh----t. Fractal is BOSS.

@@user-zv7lm8uk7h Are you saying Fractal has bought Boss? I really doubt it! They would announce such a thing, unless you sit on inside information, in which case you would be under NDA.

@@user-zv7lm8uk7h The fender tone master pro is great too. Can't go wrong with either tbh

They really nailed the form factor - it’s super easy to switch through presets, scenes, effects etc using the layouts. I don’t think I’d have any problems using it. I would probably still lean towards the FC-6 just to simplify things, but the FM3 standalone is no slouch

Killer! I've got a set of GIK acoustic panels up around the room - 244s on the walls, and 242s on the doors

There are definitely ways you can make the FM3 choke (delay+plexdelay+high quality reverb) but I’ve found that in my normal patch creation workflow, I really struggle to hit those upper bounds. As for the Helix comparison, the Helix can only run 16 blocks on gapless, and there’s only one effect per block (while the FM3 can run four effects per block). It’s not an apples to apples comparison because the general workflow is extremely different, but the FM3 feels more powerful

Then I'm getting Fractal Axe FX III! I want the most power on the fucking planet, I won't settle for less when I piss excellence.

there is also FM9.

@@tarkgundogdu8940 Yes! good point, FM9 has 2 - duel core analog DSP's just like the Helix floor but its still got more DSP power. I believe the A/D-D/A converters and oversampling in the FM9 are better quality converters as well. To me the FM9 is the superior to the Helix floor and I would purchase it before a Helix floor. It's not just DSP power, people forget and don't realize your "audio converters analog to digital" and correct oversampling matter too. Fractal uses the best digital audio converters in the industry. No way Helix uses same converters. however I don't get the FM3 at all, to me FM3 its a waste of money since its not amp & cab integrated, perhaps they allow a few slots but then you're incurring more latency. FM3 it's more of a stand alone unit with 1 analog DSP 3 core floating point . Its exactly same DSP power as the AX8. The FM9 is 50% power of the Axe III, that makes it better than the Helix floor amigos. In Helix floor defense its a better modeler compared to FM3 and Axe8 as far as DSP/latency in my opinion., it only shines over those 2 devices. Again, FM3 is too much money with too little DSP power packed into it, they did include the same high quality A/D-D/A converters though.

Thanks dude! 💪

Get the Fractal. At least that's the advice I've gotten from a couple of my longer term gigging and daily playing friends. I'd also say the same. In terms of modelling quality, latency, responsiveness, Fractal is better. Closest to an "amp in the room" sound. It's all subjective but looks at the Fractal roster and you'll know what the pros prefer. Seen internals live all using fractal two months back. Sounded unreal. QC is a bit more of a hype machine. End of the day research for yourself and choose what sounds and feel better to you. My vote blindly goes to Fractal.

@@ehsanhaq155 Yes, Fractals artist line up is quite something. I’ve been researching and still on the fence, edging toward the fractal though. Thanks for your comment :)

The fractal bro. I’ve watched videos and this seems much better. Plus patches etc are free. Seems neural pay influencers to shill hard

Hey Pete! I actually don’t play live any more, but my preferred method would be a poweramp+cab on stage, with a split in the FM3 chain so that I can send a direct feed to FOH

I regret buying mine used since I had no warranty - but yours new from G66 and they’ll take great care of you, they’re awesome

@@KaiDown I just bought one from g66

@@lordPix3lUK Nice! You're in good hands, and you're sure to love the FM3

Gapless is where it’s at, Fractal absolutely killed it with that update and I hopped on the FM3 at the perfect time. Swapping between presets is a breeze. Helix pitch shifter is definitely a lot better

@@KaiDown guess we could get an HX One just for the damn pitch effects 🤣

I've been trying the FM3 with the HX One and they seem to pair really nicely! Still need to grab a MIDI cable so that I can have the FM3 scenes change presets in the HX One

Thank you ever so much! There’s not that much to it at all. No post-processing, the DAW won’t affect the sound, and I didn’t mess with any of the EQs in the FM3. The sounds here are really about picking the right amp + cab

@@KaiDown Thank you very much i have a Fractal Axe Fx II Xl and i cant get your awesome sound! It is fantastic, Thank you ! Go on with your great work! Cheers from México City!

I've had a few people say this, I'll check it out!

It’s been too long since you last treated yourself to a shiny new pedal, I can tell 😇

@@KaiDown 🤣🤣🤣 you sound just like that little voice in my head. If you're both saying it, it must be true

Thank you! This is the Balaguer Synthwave Espada, it's a limited production run from a few years ago

I personally don’t really like the workflow of profilers in general - I like being able to dial in the amps authentically. If you’re not scared of a learning curve, Fractal is absolutely top class

@@KaiDown After a good buy popped up I have an FM9 Turbo coming.. Am looking forward to deep diving into Fractal stuff!

I did!

Are you comparing them to the sound of a guitar amp + cab mic'd up, or the sound of a guitar amp + cab in the room with you? Very different experiences. I've found digital solutions that are perfectly like for like versus real amps, but nothing can reproduce the sound of an unmic'd cab. If they sound good on KZfaq, they'll sound good on recordings and through the PA speakers at a gig.

I'm using a Yamaha THR100HD, which is a 100w modelling head. Aside from no presets, and only 5 amp models, I've got no complaints, it sounds great, especially with third party IRs. I used to be a tube amp snob, but about 10 years ago, modellers started getting good. Most bands are using modellers now. They are the future. There's drawbacks for sure, but the benefits massively outweigh the drawbacks. A lot of the time it's a combination of new users not knowing how to get good tones out of modellers, and many modellers just having really bad factory presets that turns people like yourself off. The first thing to be aware of is that playing through an IR or cab sim is not the same as being in the room with a cab, because it's including the microphone, room and mic pre and maybe even EQ in with the cab. It's more akin to hearing your guitar on a record than playing in the room with a cab. What you're plugging the modeller into is also extremely important. Studio monitors, powered FRFR speakers, studio grade headphones, or (heaven forbid) hifi speakers and consumer grade headphones are all going to respond differently and feel very different. Usually you need to find the right EQ settings for each of these situations, and the right volume, because to feel like a real amp in the room, you need to be moving air. Then there's running into the effects loop of a real amp, or running a power amp into a real cab. These two situations also both need to be treated slightly differently, and it's advisable to turn of cab emulation. All situations require EQ to get right at a minimum. All these modellers have sophisticated EQs for a reason. You need to stop thinking like a guitar player and start thinking like a mixing engineer to get the best out of these things. Some people are also using subtle compression at the end of their signal chain to emulate the compression of a real power amp. I can't comment on that technique. Most of it comes down to three things: gain staging, EQ, and finding the right IR or cab simulation. It sounds to me like you plugged into something that was FRFR. These systems can throw out not just the frequencies you want, but the ones you don't want. This is especially apparent in the high end, which real guitar speakers simply cannot reproduce. A high cut fixes most of that, followed by some other EQ moves to taste. The manufacturers simply cannot make these units sound perfect for all ears through all of the possible equipment they may be hooked up to. It's up to yhe user to set them up to sound right for them. When one of these things is set up right, you won't be able to tell which is digital and which is the real amp in a blind test.

@@KaiDown Maybe to your ear.. but not to your body. Modelling amps and effects sound wonderful on KZfaq.. but not when you're in the same room as one. And even the ones I've had in my home they sound partially acceptable to my ear but not to my body. It's the same difference between listening to an opera on KZfaq and being three feet away from a real opera singer. The sound will resonate and penetrate you right down to your cellular level and even alter your life forever.. modelling amps and effects can never emulate this anymore then fake meat can imitate a real rib eye steak. A list of course your partial to processed junk food.

@@Patrick-857 Amt tube snob? Why feel the need to insult people that like real sound? Modelling amps and effects sound wonderful on KZfaq.. but not when you're in the same room as one. And even the ones I've had in my home they sound partially acceptable to my ear but not to my body. It's the same difference between listening to an opera on TV and being three feet away from a real opera singer. The sound will resonate and penetrate you right down to your cellular level and even alter your life forever.. Modelling amps and effects can never emulate this anymore then fake meat can imitate a real rib eye steak. A list of course your partial to processed junk food.

Skill issue.

All my videos are timestamped so that you can quickly jump around to the playing sections if that’s what you’re here for!

no it doesn't