absolutely incredible

I like how it occasionally says "Million PP" every minute or so to remind you you're still listening to the same song

Genres (to my knowledge) as they're first used: 0:00 Ambient/Glitch 0:20 Artcore (subjective) 0:47 Breakcore/Speedcore 0:54 Gabber/Hardcore 1:43 Future Bass 1:47 Drum & Bass 2:00 Speedcore 2:08 Drumstep 2:12 Hybrid Trap 2:16 Glitch Hop 2:20 Metalcore 3:19 New Beat 3:27 Big Room 3:34 Bass House 3:41 Jungle Terror 3:49 Moombathon 3:55 Psytrance 4:01 Rawstyle 4:20 Dubstep 4:26 Neurofunk 4:31 Bounce 5:41 Speed Metal 5:44 Chiptune 6:33 Extratone

Alright, so. Genres. (All of these are approximate, mind you: my musical knowledge is far from perfect, and as every genre of electronic - _especially_ hardcore - shares some degree of common lineage, there's bound to be overlap.) The intro is a bit less trope-y than the other genreswitches, but it still falls under hardcore (specifically J-core, with its emphasis on melody) as sort of a catch-all. 0:55 - 1:20 , at 234bpm, switches between Frenchcore (gritty and technical) and Gabber (you know that kick when you hear it) every 4 measures. 1:05 introduces a standard Drum N' Bass kick-snare rhythm, which is then added to the genre rotation. 1:23 drops the rotation and goes into the hybrid genre Artcore (hardcore rhythm with a mixture of synth and piano instrumentation). 1:43 - 2:00 switches over to Complextro (loosely in the 120bpm range, sharp and glitchy effects), "dubbing" the BPM to 117; this goes for 2 measures until switching back to double-time for a slightly different strain of Artcore, using D&B breaks in place of the Hardcore bassdrum rhythm from before. 2:08 - 2:52 has another rotation of genres! We're back down to 117bpm for all of these. Starting with post-dubstep (faster than "true" dubstep, still with its 1-2 kick-snare rhythm and famously noisy non-tonal effects), followed by Trapstep (similar to before, but with more hip-hop influence in percussion), and then Glitch-Hop (time's done a number on this genre, in all honesty, and it's becoming more and more of a catch-all, but the jist is that it's dubstep production with an emphasis on swing), and finally, a bit of an odd one out, Death Metal (rapid-fire guitar chords, "screaming" vocals, et cetera. It could also be Power Metal, with how melodic it is, but... yeah, Metal is not my area of expertise.) 2 measures for all 4, the rotation loops, and we end on 8 measures of Metal before falling into the Genre Abyss™ again. 3:18 - 4:38 is fun. We get to go through a bunch of genres, _continually increasing BPM in increments of 5 every switch,_ 4 measures for each. (If - _when_ - this gets charted in a rhythm game, I wish whoever plays it the best of luck avoiding a "Great" judgement in this bit.) We start at 125bpm Complextro (yes, it's a little bit of a catch-all, shut up), continuing into "Big Room" EDM at 130bpm (with bassy, tonal kicks and chord stabs; as made famous by Sound Souler's "avenue" series!... and, y'know, the rest of the popular EDM scene, but we don't talk about that), followed by 135bpm Bass House (a la DJ Noriken, atonal and "dirty" basslines over a typical 4-on-floor rhythm), onto 140bpm Tribal (trap-style beats with vocal riffs and exotic percussion), to 145bpm Techdance (e.g. S-don and Nitro, a slightly lighter variant of Schranz's forceful and distorted 4/4 kicks), into 150bpm Psytrance (with clean kicks, psychedelic sound effects and a punctuating, rhythmic bassline), then to 155bpm Hardstyle (e.g. RiraN, slightly lower tempo than Gabber, still maintaining its gargantuan tonal kicks and chaotic, scratchy high-end). There's a 4-bar windup before going halftime again, now at an 80bpm Trap/Drill (bleak, electronic drum rhythms and harsh effects moving in slow-motion), moving to 82.5bpm (remember, halftime!) "classic" Dubstep (you know, the one where the "dub" in the name actually means something!). We then go WAY up to doubletime for 170bpm Neurofunk (e.g. Noisia, D&B's darker and droning cousin), and finally over to... 175bpm Big Room. (you already went. stop hogging, dammit. the bpm going up could possibly reclassify it as techno, but still.) From then on, we revert back to the original 234bpm - where it stays - and we revert into full-force Hardcore/J-Core once again, blending into other genres freely. There's a brief interlude of Thrash Metal trading off with Chiptune at 5:40 - 5:50 , slight usage of Future Bass elements at 6:00 , some D&B breaks and Gabber kicks, and an Extratone breakdown at 6:40 . In short, holy shit.

Camellia is the Beethoven of EDM.

Us: what genre is this? Camellia: Yes.

When it's says "BPM 120 - 234" you know it's gonna be good

So that's how you kill fingers, and wrists, and then arms.

3:20 Camellia, But Every Genre Switch Makes It Faster

osu! Tech mappers be like: still no pp but good song anyways

playing this in any rhythm game is basically suicide

Genre : CamelliaCore

Here's genre timecodes: Future Bass 0:00 - 0:53 Psycore 0:54 - 0:58 Hardcore 0:58 - 1:03 Psycore 1:03 - 1:07 Drum & Bass 1:07 - 1:11 Psycore 1:11 - 1:14 Hardcore 1:14 - 1:18 Psycore 1:18 - 1:22 Drum & Bass 1:22 - 1:27 UK Hardcore 1:27 - 1:43 Future Bass 1:43 - 1:47 Jungle 1:47 - 1:51 Future Bass 1:51 - 1:56 Jungle 1:56 - 2:08 Moombahcore 2:08 - 2:12 Hybrid Trap 2:12 - 2:16 Glitch Hop 2:16 - 2:20 Symphonic Metal 2:20 - 2:24 Moombahcore 2:24 - 2:28 Hybrid Trap 2:28 - 2:32 Glitch Hop 2:32 - 2:36 Symphonic Metal 2:36 - 3:19 Complextro 3:19 - 3:27 Big Room House 3:27 - 3:35 Bass House 3:35 - 3:42 Jungle Terror 3:42 - 3:49 Tech Trance 3:49 - 3:55 Full-On Psytrance 3:55 - 4:02 Rawstyle 4:02 - 4:14 Hybrid Trap 4:14 - 4:20 Drumstep 4:20 - 4:26 Neurofunk 4:26 - 4:31 Carnival 4:31 - 5:25 UK Hardcore 5:25 - 5:42 Symphonic Metal 5:42 - 5:44 Chiptune 5:44 - 5:46 Symphonic Metal 5:46 - 5:48 Chiptune 5:48 - 5:50 UK Hardcore 5:50 - 5:58 Future Bass 5:58 - 6:06 UK Hardcore | Symphonic 6:06 - 6:32 Speedcore 6:32 - 6:42 Extratone 6:42 - 6:45 Speedcore 6:45

"So what genre is this?" "Yes."

I don't know why but that sidechained lead at 6:13 makes me aesthetically pleased

We Could Get More PP! (And More Genre Switches)

when your all grown up and you go back to play the first super smash bros. on N64 and the nostalgia starts kickin in! and as soon as you get to the beginning of the cutscene of the original master hand and all you can say is ''HELLO AGAIN MY OLD NEMESIS''!

4:48 kinda sounds like reversed Blackmagik Blazing and I love it

2:20 EDM w/ metal can't go wrong, especially when it's Camellia.

this one song is like a whole album

My friend: "So whats your favorite genre?" Me: ... "Yes"

sotarks finna map this for highest nomod pp now

Just coming from a Rhythm game, and I WAS SMILING LIKE AN IDIOT from the composition of the music! Legit the combination of dubstep, techno, edm, and SCREAMO ROCK, with a mystic touch to it IS EAR CANDY! I felt spoiled just listening to this HAH!

"Million PP" "Million Genre Switches"

This song is crazy it’s even crazier than Nacreous snowmelt whoever can make a time stamp of all these genres r a god

You ever listen to a song so much that you get tired of it and skip it when it's in your playlist, only to listen to it again and remember how fire it is? Yeah, THIS is that song

Bro this song changes through like 500 genres every second like WTF, Camellia has literally mastered every genre, incredible bro. 🔥❤

Now that I’ve taken my time to actually carefully listen every part and genre switch, it just made me love this song even more

5:25 Best fricking drop i've heard in my entire life

UK Hardcore fans: UK Hardcore is the best! DnB fans: NO! Drum n' Bass is more superior! Frenchcore fans: Non non non, my friends. Frenchcore stands above all! Camellia: *I am superior*

Full flavor, aka Camellia genre. WE ARE TRULY SPOILED BY THIS MAN

This song literally reaches the pinnacle of this album. There's so much genres mixed together yet It's pure gold. Everything is so well made, from the beginning to the end and it might be the best song I've ever heard :3

How does he mix so many genres in the one song and still make it work

Honestly this should be the final track instead of BAD ACCESS.

ラストのザ・ラストパートみたいな盛り上がりが好きすぎる

How many kinds of drop styles you want? Camellia: Yes!

This is actually art, listening to this was a journey. I love it.

After the year I can confirm: this is one of the best electronic music tracks I've ever heard - the Perfection of music evolution itself.

PogU ❤❤❤❤ btw I swear I hear grievous lady at 0:58

"what would you use to hurt your fingers" "an sledge hammer, machine gun, or camellias madness

Bro this song makes me feel like im missing out on something more in life, it’s incredible.

Man, i'm so regretting my decision back then as to hold myself to listen to this track when it first appeared. 2:08 - 2:16 part really makes me go "wait, HOW DOES CAMELLIA THOUGHT OF PROCESS WORKS??? HOW?? HOW THE TRANSITION IS SO SMOOTH YET IT MAKES MY HEAD BANGING LIKE CRAZY???"

3:19 ここからのEDM地帯（？）好き

Cashier: Would you like your receipt? The receipt printer: 6:41

7:09 worst genre from the song

drink a shot for every genre

I've never been this pleasantly surprised before, holy smokes, please make more full flavor tracks, they're so interesting to listen to!

6:12 I love this part so much it’s just great

it'd be every music producer's dream if they could get a peek on what the project looks like in a DAW

he knew this would be in every rhythm game ever made, so he named the song accordingly

the genre switches work because they flow well into one another. look at the first drop. it, and almost the rest of the song, has a "call and response" pattern. the first genre is the call, and the second genre is the response, which can create a nice resolution. there's also the piano melody playing through large chunks of the song, helping make the genre switches more cohesive. in the third drop where the bpm increases with every genre switch, camellia cycles through a bunch of genres. initially they have some in common, and then there are less and less similarities. it therefore feels more jarring, which was likely intentional i this part. the transition from psy-trance to hardstyle? rawstyle? idk. anyway, the transition between those two genres is held together by the sound effects carrying over from genre to genre. those high-pitch screeches, i mean, which become more prominent in... the genre AFTER the psy-trance. and then one of the genres get repeated at the end of that drop, which ties it all together. the moral of the story is: analyse your favourite songs. try and work out how any why they work. as a composer, this is an especially amazing way to learn. you can learn new chord progressions to permanently borrow. how you can effectively use accidentals to create or relieve tension. and how you can effectively and smoothly, yet unsubtly switch genres, like in this case copied from my reply to a comment. i decided to make it more accessible

Genius. Absolute genius. I have no idea how you do it, but I love it.

the best 7minute of my life

5:26 coolest part

The switch between Symphonic Metal and Chiptune at around 5:41 is crazy,

Friend: so. This camellia guy, what kinds of genre of music does he make? Me: yes

Dude. Im just here to say thank you. I have hit over 2400 repeats on this fking song.. Im listening to it at work, while gaming, eating.. Its place 1 in my most played all time dude. I love your music. Keep it up. You'r the best

5:25からの盛り上がりが狂いそうなぐらい好き！ 最&高！！！

Take a shot every time camellia changes genre in each song

That rawstyle at 4:01 is criminally underrated.

when the best drop played my clock hit 7:27 and changed to 7:28 a little after it ended officially best minute of my life

Didn't notice any machine gun psystyle but you've got the genre switches down pat.

"do you know this one song by camellia?" "which one?" "the one with the tons of genre switches." "uhm- which... one..?"

Incredible, as always, you've made a genre of your own and its incredible

Holy shit that hardcore drop hits hard!

I can't stop listening the metal part, I really love it and the all the song is really good . You are great Camellia :)

never seems to fail to impress me, excellent job my dude!

nacreous snowmelt 2: absolute banger too

This and +ERABY+E CONNEC+10N is fucking masterpiece! Amazing work my dude, this music has 100% synchro with games and osu especially.

6:50 MARIOOOOOOOOOOOOOOOO

waiting for the day the Camellia genre becomes an official thing

3:26 I listen to many other genres that I sometimes forget that big room house can be cool as fuck too

why do I always laugh hysterically when it says million pp in such a serious tone lmfao but amazing song, covers a lot of genres in such a short time. definetly one of your best songs, but all your songs are good so making a decision when it comes to your best songs is pretty difficult.

Well, I've got no words for this, just an ultra banger

My favorite song of the album :O Simply incredible!

this is straight parkour with these genre changes, i love it!

camellia’s 1 million subscriber special will be an album that’s just this song in every genre individually.

3:28 Is that the first time I hear Camellia’s song with Big Room genre?

brings banger after banger love it keep up the great work

the title of the video is pure gold also banger song btw

No! Not again! Another map in a game I won't be able to beat

this song is going into my bookmark bar

One of my favorite songs

This is amazing! I love it-

we love you camellia!! respect for dealing with the worst rhythm game community on the internet

5:24 INCREDIBLE!!!!!!!!

Banger. You made a pure banger. 10/10

Thanks for follow back, Camellia san! Awesome power song as usually!

6:00 wet snare

favourite song

Awesome bro, is beautiful

i love how it released 2 days before my bday

5:41 favorite part

Amazing song

p e r f e c t

Always a masterpiece

When I first heard this it brought tears to my eyes

Camellia: this is easy to do *after the crazy part* A MY HAND HURTS

This is just amazing

this is absolutely insane