Need these at sweetwater or more in the us. Any plans?

@@88omarz Great to hear that you want more Furch near you! We have over 50 dealerships in the US (list on our website) and at the same time we're continuously expanding the retailer network.

Jamie here - the pleasure was mine. Superb guitars.

Hello! Peter, why don’t you consider the option of travel guitars, those models that you can play at home and it will be comfortable for a teenager. Something bigger than a baby Jane, something similar to a Taylor mini gs, so that it’s spacious and compact. Just yours Full size guitars are great, but they are very heavy. Thanks in advance!

Sounds wonderful

I am seriously considering importing to california. Could I mail you?

Thanks sincerely for the kind words, Harold, they're much appreciated and nice guitars always make playing well that bit easier of course! All best, Jamie

Which tonewood combination do you like the most ?

I have the blue version. Thinking should i upgrade to the yellow. Just wondering is it worth it and much difference with recordings.

@@momojawad depends on the woods. The Blue has a satin finish and Yellow usually has the ultra thin UV finish that will also make them different. Go for the Yellow if you can.

@@themagicfreak01 they are both good and good for different things.

Do you have a Furch Vintage model Dreadnaught?

So what do you actually have? A custom model or the RED model?

I have a custom, Rainbow series is the Furch Custom shop equivalent Alpine spruce top /Cocobolo body 🙂

@@crispycat4852 Thanks for letting me know! Great guitar, congratulations. I play a german „Lakewood M14", which is a great one as well. But your Rainbow is surely an upgrade compared to mine. Have fun. 👍

@@andreasrausch5552 Hey Andreas , I just looked up your guitar I see tthe nut width is 46mm so I imagine this would lend itself to fingerstyle particulalrly well? Also the Ceadar/Hog combination, I imagine you get a very balanced and warm rich sound? I actually chose the Furch to complement the Taylor , which with a Sinker Redwood top and Amazon rosewood back is tending be very rich and warm , loads of overtones I think they call Sinker redwood "Cedar on steroids" It has a mid range scoop and real bassy thump in there as well , great for singing over as it wraps around and fills out he frequencies around the vocal The Furch is a totally different beast, the Alpine Spruce snd Cocobolo sound much more chimy and piano like and very very clear and powerful Amazing projection but still mainains just this perfect balance across all the frequencies so unlike a classic Dread there's no feeling of the bass being projected louder, EVERYTHING is projected equally Theres no mid range scoop therfore This a guitar I'd take to an acoutic or Blue Grass jam for fun just to see the suprise of the Martin Dreadnought owners as this "Furch" guitar held its own against any D40 series Its also a delight for finger picking because of the clarity If I was playing and singing live then I'd go with the Taylor though But If i was recording seperartely Vocals or playing any lead or over dubbed licks then the Furch all day Both beautiful In their own way And I really think Its diminishing returns as you go above about 3000, theres a lot of emporers clothes BS about as we can see from any blind test and people are often paying extra for the bling more than anything else I think the one way they may be considered an upgrade is simply in sell on price holding better and also prehaps how they open up over the years Also remember wood grading is nearly all based on aesthetics, not actually how it sounds initially so my master grade woods don't neccessarily make a better sounding guitar than ones with AAA grade ! I think Furch tuning the top AND back on all their deluxe and Rainbows makes a huge difference though But really as you know its all so individual and subjective I think these days, once you get past £1000 even you can get a guitar that sounds awesome and you really would not notice much difference between some of the best in this category and a £5000 plus custom shop unless you did a side by side comparison and even then its still subjective and the difference in quality would not be worth £3-4000 MORE ! Do you even feel like you would like to "upgrade" some day or need to? Really the best guitar in the world is always the one you are playing right now and enjoying it! I'd love to hear and play a cedar/hog guitar or own one some day

I agree . From Oz.

Nice 1 Knackers! \m/

Which wood combination do you have on your Blue series? Does yours have the bevels for the forearm and side? I like the warm tones from Cedar/Mahogany but Cedar is so soft they dent easily.

I know it sounds soo good, I was listening with headphones doing some other stuff and every time that Violet came around had me switching to see what it was, def one to try.

@@mikerichardsonuk Have you ever gotten the chance to play one yet?

@@im58woody yes I bought one, very happy with it, I have been playing it in and will change strings in a few weeks for my prefered

@@mikerichardsonuk That’s great to hear. I’m glad you like it!

I have a Blue Gc-SW (higher than Violet but lower than Yellow) and must say it really is a beautiful sounding instrument, such a joy to play it :)

Thank you! It’s in DADGAD if memory serves. They’re great guitars you won’t regret it I’m sure

It's a G7th capo - don't recall the model but they are very easy to use.

Yes, actually the Violet would work well - it's punchy and easy playing. Yellow and Red are both very fine guitars but we'd be looking to the spruce topped variants not the cedar ones for Bluegrass. The latter two are really rich and long sustaining guitars, quite distinctive in tone. Furch also makes more vintage voiced models if you need a more traditional bluegrass sound. All great instruments though.

The Violet & Yellow models have ebony bridges, the Red is figured ziricote.

@@guitarist I meant to ask what the saddle was made of also what the bridge plate inside the guitar is - some manufacturers use plywood or other unsuitable material. Judging by the sound these instruments make - at least as much as I can tell from the broadcast recording there's no problem there. They certainly do seem to have put the effort in on choosing good quality materials. I'd certainly recommend checking them out as good choice.

The saddles are Tusq on all three. We weren't told what the bridge plates were made of - maybe Furch themselves would tell you if you contacted them? Judging by the way they play and sound it's likely that they've used quality material.

Yes but in 43mm!

HAHA, so funny and true.