മാപ്പിള പാട്ടുകൾക്ക് ഗാനമേളകളിൽ കിട്ടുന്ന സ്വീകാര്യത വിവരണാതീതമാണ്.. സ്റ്റേജ് ഷോകളിൽ എല്ലാക്കാലത്തും ഏറ്റവും കയ്യടിനേടുന്ന ഇമ്പമാർന്ന 33 പഴയ മാപ്പിളഗാനങ്ങളുടെ ശേഖരവുമായ്...
Album : Ganamella Vediyil Ettavum Kayyadi Nedunna 33 Mappilaganagal
Singers : kannur shareef, Madhu Balakrishnan, Anwar Sadath, M.A. gafoor, Rahna, Nayana, Delsi, Pavithra
ഈ ഗാനങ്ങൾ നിങ്ങൾക്ക് ഇഷ്ടമായെങ്കിൽ ഷെയർ ചെയ്യാൻ മറക്കരുതേ..
Hits Of Kannur Shereef
kannur shareef mappila songs
Nonstop Mappila Pattukal
Old Is Gold Mappila Songs
rehna nonstop mappilasongs
Old Mappila Pattukal
Pazhaya Mappila Pattukal
mappila pattukal stage show
kannur shareef rahna duets
old is gold mappila pattukal
Mappila Paattu or Mappila Song is a folklore Muslim song genre rendered to lyrics in colloquial Mappila dialect of Malayalam laced with Arabic, by the Mappilas of Malabar. Mappila songs have a distinct cultural identity, while at the same time, remain closely linked to the cultural practices of Kerala. The songs often used words from Persian, Urdu, Tamil, Hindi apart from Arabic and Malayalam, but the grammatical syntax was always based on Malayalam. They deal with themes such as religion, love, satire and heroism, and are often sung at occasions of birth, marriage and death. Mappila Paattu form an integral part of the heritage of Malayalam literature today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all communities in Kerala
Kolkali is a folk art performed in North Malabar region of Kerala State in south India. The dance performers move in a circle, striking small sticks and keeping rhythm with special steps. The circle expands and contracts as the dance progress. The accompanying music gradually rises in pitch and the dance reaches its climax.
MOppana (ഒപ്പന) is a popular form of social entertainment among the Mappila community of Kerala, south India, prevalent all over kerala especially in Malappuram. The Malayalam word Oppana Pattu is the derivation of Tamil word 'Oppanai Pattu'. In Tamil 'Oppanai' means make up.[citation needed]. Oppana was originated on the occasion of make of Muslim brides. Now Oppana has been extinct in Tamil Nadu. But in Kerala this art form has been revived with much popularity in performing stages of Youth Festivals of student community.
Oppana is generally presented by females, numbering about fifteen including musicians, on a wedding day. The bride dressed in all finery, covered with gold ornaments and her palms and feet adorned with an intricately woven pattern of mylanchi (henna), sits amidst the circle of dancers. She is the chief spectator sitting on a peetam (chair), around which the singing and dancing take place. While they sing, they clap their hands rhythmically and move around the bride using simple steps. Two or three girls begin the songs and the rest join in chorus.
their relatives. Marriage The Mailanchi Pattu, the Oppana Pattu Maniyarapattu and the Ammayi Pattu belong to the category of Mappila Pattukal dealing with love and marriage
mappilapattu ganamela