Gérard Grisey, Espaces acoustiques 1/2 - Ensemble intercontemporain

Gérard Grisey, Espaces acoustiques 1/2 - Ensemble intercontemporain - CNSMDP

Рет қаралды 94,166

9 жыл бұрын

Gérard Grisey
Espaces acoustiques 1/2
Prologue, pour alto
Périodes, pour sept musiciens
Partiels, pour dix-huit musiciens
Grégoire Simon, alto
Ensemble intercontemporain
Pascal Rophé, direction
Enregistré en direct le 14.12.2013 à la Cité de la musique (Paris)
Coproduction Ensemble intercontemporain, Conservatoire national supérieur de musique et de danse de Paris, Cité de la musique, Max prod

Пікірлер: 54

@user-jr1vk8tk4w 5 жыл бұрын

Sometimes I wonder why contemporary composers still use classical instruments but after listening to this I understand there's a lot to explore

@null8295 4 жыл бұрын

because good acoustic instruments are irreplaceable

@soportetecnicohigoversomas3451 3 жыл бұрын

@@null8295 i'd say all acoustic instruments are irreplaceable! each one has tons of unique sound possibilities!

@aleksiuturgaidze9058 2 жыл бұрын

The problem is with the overtones, room acoustics and dynamic range that a digital instrument can't provide. Also I personaly want my compositions to be a subject of human interpretation but not an algorithm interpretated by a computer. Also the digital siganal is quite lossy and can't be compared to orcheatra. Both acoustic and digital instruments are good in it's own way.

@singhsinga4592 2 жыл бұрын

That's exactly the thing, contemporary composers look for new way to use these centuries old instruments to create new sounds. Sometimes, like here, the result is sublime!

@bc4315 Жыл бұрын

@@null8295 Tell that to the vielle.

@davephillips1263 4 жыл бұрын

Deserves 100x the number of views it has now. Grisey was such a fine composer, this kind of performance does justice to the man and his music. The Ensemble continues to amaze and astonish. Deep thanks for this recording !

@mattabrey2803 7 жыл бұрын

Absolutely beautiful. Thank you so much Ensemble Intercontemporain. One of the most visceral & gorgeous pieces ever written, done brilliantly, complete with tracing-paper score pages at the end. I wish I had been there.

@ensembleinter 7 жыл бұрын

Thanks !

@sonicsnap1173 6 жыл бұрын

Three cheers for the Ensemble Intercontemporain for this prodigious performance! And hats off to Gregoire Simon!

@HiggsBoson82 9 жыл бұрын

Never never get bored to listen this masterpiece again and again

@LiteratureTodayUK 5 жыл бұрын

I love all the mad stuff in the final few minutes (50:54) - the rustling of scores and the theatrics with the cymbals, etc!

@grzymol Жыл бұрын

Just watched and listened to it live tonite at Warszawska Jesień. An absolutely fabulous piece of music

@cosmet7595 7 жыл бұрын

Hace dos semanas que descubrí esta pieza musical. No ha dejado de acompañarme en cada minuto. ¿Qué ha hecho Grisey para transportar a esos espacios a cualquier mortal? Obra maestra. Interpretación admirable.

@musiqueetdanse-s2tmd-lycee838 8 жыл бұрын

Prologue, pour alto : 00:19 Périodes, pour sept musiciens : 18:34 Partiels, pour dix-huit musiciens : 33:05

@AlejandroPerdomo. Ай бұрын

Merci

@cornicello 9 жыл бұрын

Fantastic! I'm looking forward to seeing the rest of it.

@19Lqueen17 6 жыл бұрын

Love the bassists hair

@brucebennett5338 2 жыл бұрын

one of the truly great pieces of music of the 20th century

@notnek202 9 ай бұрын

😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😊

@MrThesamster Ай бұрын

Congrats to the audience for coughing in all the right places! Bravo! Bellissimo!

@Kethvan 9 жыл бұрын

Finally performed at the right place and by the right group!

@timothyready7702 9 жыл бұрын

These performers are spectacular; they play as restrained as the music requires- which must be brutally difficult...

@jeffsunbury3345 9 жыл бұрын

Amazing performance. Thanks.

@episnod 3 жыл бұрын

Grégoire Simon, alto - brilliant virtuoso performance. unimaginable command of the instrument and the language of Grisey.

@calaf1816 5 жыл бұрын

I can't live without listening the Ensemble Intercontemporain.

@machida5114 2 жыл бұрын

so good...

@haotianyu6368 9 жыл бұрын

Spectacular!

@maxsilva11 3 жыл бұрын

There's only one thing about this that isn't perfect: the video editors didn't give us a good view of one of the coolest extended techniques of all time - when the French horn swaps their mouthpiece for a bassoon reed!! You can just barely see it at 36:52.

@tinvalbaca3380 6 жыл бұрын

Astonishing performance. Crear Valentin Cava Abadía

@miguelsegura6569 Жыл бұрын

48:44 He approves the whole thing. "Yes, he knows what he's doing..."

@eatthem5829 Жыл бұрын

Was thinking the same thing:D healthy Self confidence "i know that we're good"

@sonicsnap1173 8 жыл бұрын

Great!

@AgustinDavidF 4 жыл бұрын

So unique interpretation!

@phillippowell7905 4 жыл бұрын

Wondrous, thank you

@truthlivingetc88 4 жыл бұрын

i heard another version of this but this sounds more like human emotion even though the other version was the same notes. how can this be ? a quite profound experience. i believe Grisey would have appreciated this version.

@diabolusin 9 жыл бұрын

Magistral ! Musique inouïe…

@LendallPitts 9 жыл бұрын

Yes - where is the second part? We are all waiting for the other shoe to drop.

@Neuron8000 8 жыл бұрын

Amazing

@culturalivrebr 5 жыл бұрын

Beautifully numb

@mershymarsh 3 жыл бұрын

Honestly I hate how much of this sounds, but there are some magical moments. I found I liked the section starting around 33:00

@NicoMeri1 4 жыл бұрын

J'adore la fin ;)

@paulaustinmurphy 5 жыл бұрын

I guess that when the violin tunes up in the middle of this piece, that's written into the score.

@darrenbloom1265 4 жыл бұрын

Yes, indeed. He even drew in little cartoon eyes to guide the musicians' facial expressions!

@giovannipaologalletti5365 11 ай бұрын

Geniale

@austronoma 7 жыл бұрын

escucharlo junto a este link soundcloud.com/panalrecords/sets/unknown-dancer-no-future-lp

@MegaCirse 2 жыл бұрын

Au-delà des faux semblants, Gérard Grisey dénoncerait-il l’ordre apparent et les paradoxes d'un monde insensible. Spirituel, sensoriel et rebelle, ce poète sonore dévoilerait-il les impostures secrètes, explorant des jouissances sereines précédant un monde de rêves resurgissants 🙂

@carlosbuchlein 4 жыл бұрын

Aquí es cuando los espectralistas rebasan por la izquierda a Boulez y su Ircam.

@thomaskaufmann6711 8 жыл бұрын

nice schorsch!!!

@jacquesdeville 6 жыл бұрын

L'art du bruitage, comment faire de la musique sans theme, sans melodie ...

@LouisGuillotYT 5 жыл бұрын

La musique n'a pas forcément besoin de thème ou de mélodie comme vous le dites. L'absence de mélodie est un des principaux enjeux de la musique importante depuis le XXe siècle parce qu'elle permet au timbre d'exister pour lui même.