Clarity and vibrato come from the hands. I ran an all EVH setup at a music store and guess what? Sounded just like Eddie.

LoL, when i saw the zoom logo i prayed it was not the 505, because i trashed that thing they called "pedal" away!

Half the gear George endorses, he doesn't use.

HAH very true and very funny this thread. Same thoughts i had

Lol

It seems that he used it some times ago... kzfaq.info/get/bejne/rdqBmsZ9t8uUhoE.html

I never tried that one but I had an RG75 solid state combo with a Celestion back in the 80s and got a tone close to Tooth and Nail. I loved that amp. Great clarity, crunch and a good clean tone as well. I wish I still had it.

74dart man I think it’s almost always snake oil salesman voodoowooshiwoowoo bullshit that is so prevalent in the guitar community. Many of these hardcore vintage fanboys could probably not tell the difference between analog and digital in a blind test but will still swear by the idea that older is better and that digital will never be as good.

Mario Xavier Morales Betancourt ya I wonder sometimes. I know though myself, I worked in loud factories and played loud music my whole life and killed my hearing.

I think we hear with our ears sometimes, and vintage gear are like time machines that bring us back to an era of nostalgia

I recently sold an old DOD Grunge pedal on eBay. I paid about $90 twenty+ years ago and sold it for $95.

Rockmans were used the entire Under Lock and Key album, for reference.

King of dragontown Yea and he used a seymourduncan convertible for Tooth and Nail

Digital delay, and chorus pedal.

DON TWAN 47 it's because it is total shit and he doesn't use it lol.

Yep. Always an old Marshall hidden behind them, live.

Oh, I don't know, ask any of the 10's of thousands of owners of LP's and Marshalls who do... they can probably explain it to you...

So true, that pretty much sums it up

I prefer a Jackson Rhoads with a Marshall, but LPs and Marshalls is bitching too.

Well you kinda answered party of your question, for effects. I'm not one for using a lot of over drive etc, since I like my amp tone, but something to boost leads, delay/ reverb, flange and phaser , and some chorus for clean stuff can just add another dimension to you fundamental tone no matter how great it is. Now if you prefer none of that and just want basic great sounding tone, that's cool too.

Eryck Crypton 4:54 this is a solo piece.

SoCalChewbacca Not sure but hes not playing them live anymore either hes went back to Marshall

wonder if he'll do a signature marshall amp

I highly doubt it.

Randall RG100 and Plexis modded and stock were the mainstay of his 80s amp tones... the SLO100 mixed with the Marshall was the Lynch mob period everything else is whitewash MTS/Lynchbox/etc. If you want the classic 80s Lynch tone get an RG100 off eBay or use a modeler for a Plexi and Soldano sound or get the real amps if you have the $$. A Korg delay and Tube Screamer is all you need. George's sound is not as elusive as the much better holy grail EVH brown sound.

John J. Sanchez Wrong, RG100 was used for the Tooth and Nail album. Under Lock and Key was a modded plexi. BFTA was a super lead.

HAHAHAHAHAHAHA ! ! Spoken like a true poet ! ! Bravo ! ! !

...or you just pick up a ZOOM G2G George Lynch Mr Scary Multi Effect Pedal that contains all his tones already in it and ready to go, like he explained right at the beginning. 0:56 "instead of having $300,000 worth of equipment, it's kinda all in the box" 1:42 More info on the Zoom G2G George Lynch Signature Multi-Effects Pedal kzfaq.info/get/bejne/rdqBmsZ9t8uUhoE.html Of course, Mr. Negative, if you insist on doing it the hard way, you would find that all of the pedals, guitars, and amps are easy to find and totally available, and other than the amps, none will run much more than a $100 or so. Even the ESP guitars start at only around $130. Budget your money, and buy one a year if you have to... Pedals - Fulltone Deja Vibe ebay.to/2sbTuL7 MXR Phase 90 ebay.to/2RvoIv2 Ibanez TS808 Tube Screamer ebay.to/2CU4Fy9 DOD Overdrive Preamp/250 ebay.to/2QtKR8p T-Rex Michael Angelo Batio Signature Overdrive bit.ly/2RepXPV George lynch Morley Dragon Wah ebay.to/2smSuEd Boss DD-5/DD-6 Delay ebay.to/2C4Zl9B Guitars ESP Guitars ($130+) - ebay.to/2CULd4m Amps - Randall Lynch Box RM100LB Amplifier More info on George Lynch's equipment - bit.ly/2AyXtWB

No, you can actually buy all that stuff for a reasonable price. Some of his pedals are still available at reasonable prices: Michael Angelo Overdrive ($150) Morley George Lynch Dragon 2 Wah ($162) As of the vintage pedals, you can easily find low priced clones of some of those pedals at Geargas Store and Reverb: Vintage Fulltone Deja-Vibe: Geargas Effects The Big Ern Vibe Univibe Pedal ($130), DLS Versa Vibe ($220, enhanced clone of Deja-Vibe but it's kinda overkill) Vintage MXR Phase 90: BYOC Classic Phaser($90, built of NOS parts used on original Phase 90), BYOC Phase Royal ($100, highly enhanced clone of Phase 90 with additional 6-stage phaser mode, built with same NOS parts) Vintage Ibanez TS808: BYOC 855 Drive ($85, built with NOS parts with true bypass), Wampler Clarksdale V2 Delta ($200, not only it does everything that a vintage TS808 can do but also has more options) DOD OD Preamp 250: BYOC Lil Gray OD ($80, kinda cramped due to its size but sounds the same) As for his amps his best tones are from the Soldano SLO 100, you can get quite near to it with a Jet City Amplification 100 HDM ($650) with SLO OD channel mod ($60), Pedal friendly loop mod ($30) and Noise Reduction mod ($60) running through a Mojotone 4x12" loaded with Greenbacks ($1130). As for his guitar any good quality guitar with Seymour Duncan Distortion pickup should do the job. Jackson Pro Series Soloist SL2 comes loaded with them straight out of the box for $900 So a total of $2842 for amps and pedals if you buy the DLS Versa Vibe, Wampler Clarksdale, etc. And a total of $2637 for amps and pedals if you stick purely to the BYOC clones from Geargas Store. And $900 for guitar. Sounds doable if you purchase one stuff at a time. But as far as talent is considered, it's priceless, no money can buy it.

In the 80s, early 90s.

Tom Holt BOSS GT8 or the Line6 POD XT LIVE..and EVH..beautiful combination..

this is where things are down to personal preference though

According to his tech (and others who have seen him play), he does kzfaq.info/get/bejne/rdqBmsZ9t8uUhoE.html

I thought that Michael Angelo Batio had a Jeff Beck wig and 3 noses (a little one, a big one and a little one).

true

Yeah, there's probably a lot of artists who don't sound as good now like they did when they had other gear. I think Steve Morse had a great tone when he was with Dixie Dregs & playing the jazz fusion stuff, but the high gain Engl gear that he uses now in Deep Purple just isn't a nice as his older gear.

YET HERE YOU ARE??? GO AWAY... 🤡

There’s nothing special about old pedals. In fact, the caps are usually worn out, and the switches and knobs are rusted. There’s $10 worth of parts in an MXR Phase 90.

Yet hete you are.... 😂😂😂🙄🤡 go away...