"Wanting to be heard"

'when the band director leaves the room'

Timestamp? I missed it

@@lcope2004 Tuba part, just after 3:00

@@-NGC-6302- thanks! That's really funny!

It takes years to master that art form!

@@antoniolopes8776 It's truly the supreme farm of art... I'll show myself the way out.

Not sure but the first few notes are e, i, e, i and o

@@UKMikey New notes unlocked: i and o

yeah, there are many mistakes

the important Thing here is, that he captured the Music instead of the Notes, in the Transcript (Gefühl über Notation, sogesagt)

It's the first bars of the "Heidi" Theme which is also referenced later in the piece.

@@skypentraico4322 Yea he is correct, but in the original Heidi theme (german version) It's much faster

@@user-cm6bv3ps1g Ah. It's beautiful and I'm probably gonna use it as an inspiration for a composition I'm working on, lol

@@skypentraico4322 kzfaq.info/get/bejne/httngM2AyZbTYI0.html

Heidi

kzfaq.info/get/bejne/gdpoktiQzpPFnoU.html you don't know how happy you would make me if you did a transcription of this piece :)

At measure 180, the tuba part should be one octave up and the last not of the phrase drops an octave.

lmao

Oh God YES!!!!

Now he has 😎

Do trumpets transpose?

@@kuru9157 Depends. In symphony orchestras, trumpet players will typically use the trumpet in C. In concert bands and jazz bands, and when one initially learns the trumpet, we use the standard trumpet in Bb, which is a transposing instrument (not in concert pitch). In this video, all 3 trumpeters are playing Bb trumpets, and trumpet players don't always like transposing on sight (not that we can't), so it's usually nice to put the pitches of the trumpet staves in their respective keys to make for an easier reading/playing experience. This happens a lot with transcriptions for trumpet, so it's only mildly irritating :)

Unpopular opinion: non-concert pitch reading is a vestige from a bygone century and makes no sense today.

@@DrChrisF it's ok to be wrong

It's a full score it's in concert pitch for the readers benefit

It's called Enharmonics, and most composers love it, despite it being one of the most god-awful things in music theory. But hey, at least it's not a double flat.

@@jamesblare475 enharmonics have to be justified, these are not mostly

@@connorcmusician most often it’s done for no real reason other than it can be done. Too many accidentals and just covering the lines with them (like Washington post March), without good cause.

@@jamesblare475 Sooo, this is wrong. They are most often done for a few specific reasons. If the piece is traveling to a sharp key it will spell some notes as sharps instead of flats (for traveling to a flat key from a sharp key, vice versa). Also, it is used for chromatic lines as well, up is sharp down is flat. If you are traveling to a brighter key with an ascending line, you probably want to use sharps.

@@anakinskywalker70 That's fair. Mainly when I have to deal with enharmonics, it's in Sousa marches, where it's done for no particular reason and doesn't add much.

Be shure to get your Jodeldiplom!

Its a trill. But yes, still missing from the score

There's a few more little things that are incorrect, but it's better than any transcription I would ever be able to make. 😉

amateur

That's España Cañí, a classic paso doble piece.

it is the march "Wien bleibt Wien": kzfaq.info/get/bejne/q62DrNBo1Mu3kqM.html 😃

@@LieuNoir Thank You!

It's the Concert March "Wien bleibt Wien"

On the score shown on the video they are all in the same key, but the actual trumpets being played are Bb horns.

@@stephenbeck7222 thanks