Giuseppe Giacomini singing "Che gelida manina" in La Boheme at Macerata in 1982. Yes, it is transposed down which is not uncommon so no need to comment on that. He is still awesome!
Пікірлер: 36
@radames5855 Жыл бұрын
Con una vocalità drammatica come questa,è un miracolo eseguire con tanta sicurezza e in tonalità originale!!!!!
@klokheten14 жыл бұрын
Bravo maestro. Not so many tenors have the stamina to sing this aria so slow and powerful. He is certainly not too dramatic for the part. All too neglected. Everyone ought to have respect for this brilliant singer.
@KaleidoscopeAct6 жыл бұрын
What a night to remember for opera! Two legends of singing singing together!
@tenorschofield13 жыл бұрын
Magnifico!!!!!! que bueno es Giacomini!!!!BRAVOOOOO!!!!!!
@yersongonsalez46483 жыл бұрын
Amazing
@TimothyJonSarris2 жыл бұрын
Transposed up or transposed down he's still wonderful. Thanks!
@FABIANROBLESTenor16 жыл бұрын
OMG!!! Thanks for posting this!!!! This is a phrasing masterclass!!!! As always with Giacomini!!!!
@operanord15 жыл бұрын
Grande Maestro!
@moorfan116 жыл бұрын
Giacomini's voice was a volcanic force of nature, but maybe a *tad* large for Rodolfo?
@osiarap14 жыл бұрын
Transposed as it maybe, it suited his voice and came out so powerful..
@brunobuzzacchi11083 жыл бұрын
Che meraviglia di interpretazione.Peccato che la telecamera non avesse abbastanza luce, e sembrava "La Bohème" nel castello di Dracula.
@barrister7915 жыл бұрын
I've been looking this one for so long a time! Thank you for this one..
@williamstadel611311 ай бұрын
I wish there are any tenors with a "tad bit " to big for opera. Like what Tabeldi said, we have "mosquitos " for opera these days.
@Gopher3111 жыл бұрын
If your larynx is naturally low you may not need to be told! every student is different. In singing however the larynx should be lowered. However even melocchi singers (Del monaco, Giacomini and all) did not forcibly lower it. Lowering the larynx enlarges the pharynx giving you an 'Open throat'
@gruppomusicaparole8 жыл бұрын
Io c'ero!
@mariosessa48562 жыл бұрын
Una interpretazione semplicemente fantastica Un tenore drammatico che canta la romanza in tono È magnifico Giacomini
@michelegirardi20798 ай бұрын
lui è bravissimo, ma canta mezzo tono sotto
@faustobertolini6877 Жыл бұрын
Piu' sfumato Pavarotti, Giacomini piu" intenso. Peccato che non abbia avuto la pubblicita' televisiva di Pavarotti di cui era superiore come timbrica espressiva.
@jmccracken196315 жыл бұрын
Very well-sung by both Giacomini and Caballe (well matched in terms of vocal weight); unfortunately, the picture is pitch black!!!!
@TenorDmitry16 жыл бұрын
Giacomini is not a bass! He is a classical "caruso" (or Melocchi low larynx- full respiration) spinto tenor as he really should be. A tenor woth a powerfull voice of a man, singing incredeble high notes!
@TenorDmitry15 жыл бұрын
Hehe of course there is! Read what Maestro Corelli says about it on his famouse interview about a vocal techniqe. About Giacominni - Listen to his long interview here on the KZfaq... You can also watch some video tecords of them, and clearly see the possition of the larinx. That's tha basis of their thechnoqe.
@TenorDmitry15 жыл бұрын
Dear Songsofscarlet - I've never told you about forcing the larinx to go down. But If you say that it's going down when you "open" your throat, I say the same. When it go down- the throut become opened... :) Not by forsing it!!! By get use to control it's possition. you can ask good flut or oboy players about it.
@thehix12 жыл бұрын
@RADAMES1983 The easiest way to do it is to give all vowels the color of italian U (OO)
@Honken13 жыл бұрын
@AlexanderNievsky Could you tell me, oh wise one, what this WORNG technique is?
@Gopher3112 жыл бұрын
It's not transposed. The note at the end is 523hz, High C.
@davidroy63715 жыл бұрын
jamesgatward1985 No, it’s actually high B
@songsofscarlet15 жыл бұрын
there is no lowering of the larynx with giacomini... but yes he is incredible! BTW there's no lowering of the larynx with Corelli and Del Monaco either... it's all BS
@TenorDmitry12 жыл бұрын
No it's not. Are you a singer yourself? Cause if yes and if you sing like that- you know the feeling. And if not - find some videos when u can see the neck, and you will see a stable (not moving during the vibrato) and low larynx position. When the larynx is low - the throat is open and has more space. It's totally close when you swallow (and then you can feel it going totally up).
@oclhie15 жыл бұрын
¿?
@henryv6916 жыл бұрын
si il soprano era montserrat Caballe
@ER1CwC2 жыл бұрын
I never knew that Otello ever lived in Paris! Yes, this is not the right sound for Rodolfo. But it is thrilling nonetheless.
@tenorsanyone15 жыл бұрын
There is no denying that Giacomini has a formidable instrument, but to my ears his massive voice is tragically misapplied here. This role requires tenderness, vulnerability, and plaintive ardor, but I don't hear any of those qualities in this scene. Maybe my own pre-conceptions are at work. Perhaps I am just not accustomed to hearing a dramatic tenor in this role. By the same token, I don't enjoy Carreras trying to sing "Niun mi Tema" (Otello), either.
@songsofscarlet15 жыл бұрын
Radames, as I have great respect for your love of opera, I am going to have to disagree with you on this one. I am fully aware of how Corelli et al sang, as I studied with a teacher who lived with Del Monaco for 6 yrs and I am currently studying with a teacher who studied with Corelli for many years. In no way have I ever been told to lower my larynx. Yes the larynx is in a lower place, but it happens naturally when your glottal space is open. You do not forcefully lower the larynx.
@user-dh3gf4de1z Жыл бұрын
Очень люблю Джакомини. Но он здесь не поэт, а какой-то гладиатор).
@radames5855 Жыл бұрын
La sua voce è drammatica!!! Non credo che un altro con vocalità drammatica riesca a fare meglio!!!!!! A parte Caruso e pochi altri!!!