Girl from Ipanema Improvisation Tutorial (Triad Pairs)

  Рет қаралды 11,194

Jazzduets

Jazzduets

Күн бұрын

In this video Jazzduets breaks down improvising on the Jobim classic "The Girl from Ipanema" using Triad Pairs.
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My name is Nick Homes. I was, and still am a non genius musician who struggled for many years to find out the secrets of jazz improvisation. Throughout 40 years of playing, and obsessive investigation I have focussed on building systems of learning for my students so they can improve , and reach their learning goals with the highest probability.
#Ipanema #improvisation #jazz

Пікірлер: 25
@PCKPockyi
@PCKPockyi Жыл бұрын
Gracias Nick, excelente todo, las ideas, el concepto, el diseño de los videos, los backing tracks, la performance en el saxo... Bravo!!!
@LEOPORT5
@LEOPORT5 2 жыл бұрын
Thats AMAZING! Ipanema lady would be proud!
@02Sideman
@02Sideman 2 жыл бұрын
Thanks Nick! Love your videos, teaching style, and learning materials!
@glenntomassi3442
@glenntomassi3442 2 жыл бұрын
Excellent!!!
@ghostlyguitar5611
@ghostlyguitar5611 Жыл бұрын
contenido que vale oro
@arturoelmamiferoz
@arturoelmamiferoz 2 жыл бұрын
Enriquecedor y muy buen trabajo. Really good job. Thanks Nick!
@JeanCarlos-cd8cz
@JeanCarlos-cd8cz 2 жыл бұрын
Um luxo🎺😊👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾
@sunshower1972
@sunshower1972 2 жыл бұрын
I'm so sorry for asking this I know you get this question all the time. What is your soprano sax setup?
@MrBenrr
@MrBenrr 2 жыл бұрын
🔥🔥🔥
@gianguitar04
@gianguitar04 2 жыл бұрын
❤️❤️❤️❤️
@oldreddragon1579
@oldreddragon1579 Жыл бұрын
Is there a way of using these Triad Pairs in a way that is enjoyable for Black People who are not musicians?
@oldreddragon1579
@oldreddragon1579 Жыл бұрын
BTW There's a Guitarist here on KZfaq called Jordan Klemons who seems to have made huge progress on this issue.
@minglorex
@minglorex 2 жыл бұрын
💝💝💝💝💝💝💝💝💝
@tims1289
@tims1289 2 жыл бұрын
ᴘʀᴏᴍᴏsᴍ
@Jaujau933
@Jaujau933 8 ай бұрын
Awesome practice and beautifully played, but it's an etude nothing more, as an impro it doesn't sound good at all 😵‍💫
@JazzDuets
@JazzDuets 8 ай бұрын
it is an exercise. It is not supposed to be an impro. Here is a definition of an exercise: In the context of musical learning, an "exercise" refers to a deliberate and structured activity designed to enhance and refine specific skills, techniques, or aspects of a musician's performance. Unlike the spontaneity of playing a full piece of music, exercises isolate and focus on particular elements, providing a targeted approach to skill development.
@shansen1
@shansen1 2 жыл бұрын
This is fake Cords, I can send you the original if you are interested 🙃
@JazzDuets
@JazzDuets 2 жыл бұрын
follow your heart dear friend. If you type the fake free chords here we can all learn.
@shansen1
@shansen1 2 жыл бұрын
@@JazzDuets Garota de Ipanema | FM7 | % | G7 (13) | % | Gm7 | Gb7 #11) | Am7 - Ab7 | DbM7(9) - Gb7(#11) || | FM7 | % | G7 (13) | % | Gm7 | Gb7 #11) | FM7 | - || || F#M7 | % | B7(9) | % | F#m7 | % | D7(9) | % | Gm7 | % | Eb7(9) | % | Am7 | D7(b9)| | Gm7 | C7(b9) | FM7 | % | G7(13) | % | Gm7 | Gb7(#11) || ||: FM7 | Gb7(#11) :|| From a songbook by: Almir Chediak Coment from Tom Jobim: These songbooks are like a treasure.
@JazzDuets
@JazzDuets 2 жыл бұрын
@@shansen1 those are the chords in the video. Are you a troll or something?
@shansen1
@shansen1 2 жыл бұрын
@@JazzDuets For me it is not the right chords. The extended chords and turnarounds are important part of the song. Without this it sound dead and lifeless 🥸🙃 The Troll ;-)
@dorbabaellen2558
@dorbabaellen2558 Жыл бұрын
It doesn’t sound musical at all 😢
@JazzDuets
@JazzDuets Жыл бұрын
boo hoo. Look for something you like you will be happier.I promise. BTW I love it.
@JazzDuets
@JazzDuets Жыл бұрын
You could say Interstellar Space by Coltrane was unmusical. It is pure human expression. Who ultimately is to judge what is musical or not. The great creators could not be stifled by such thoughts or questions. Stravinsky comes to mind.
@JazzDuets
@JazzDuets Жыл бұрын
This is such an interesting topic. I think a video is called for.
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