esattoooo......conosco Edda e ho avuto il grandissimo onore di conoscere e giocare si dischi con Alessandro Alessandroni...musicista straordinario e GENIO ASSOLUTO

Grande Edda 💜

Technically she isn't, but Edda had a charm and elegance and soul in her voice that was unparalleled. She could play with her voice like nobody else, she was very versatile. She debuted early 60s in Allesandroni's studio session group I Cantori Moderni, and the maestro recognized that of the female singers there SHE had the perfect sound for his music. The last time she worked for Morricone was in 2013, a Tornatore film. The lady was 79...

Gentile signora ,l'ho visto ieri sera al programma Ragazze , sono stata inebriat dalla sua splendida voce che ha accompagnato ta ti film con Morricone genio della musica . Vorrei farle i miei migliori saluti e ringrazio per la Sua voce che ormai è un leggenda che accomuna la nostra vita e accompagnerà la Sua incantevole vita per sempre. La saluto con un abbraccio. Stefania Alberti❤❤❤❤❤❤❤❤❤❤❤❤❤

ssssiiii ii.... Giacomo Dell'Orso... altro musicista incredibile.... straordinario.... Che meraviglia 🎉🎉🎉🎉🎉🎉🎉

Ho mamma anziana ed il pensiero di perderla mi terrorizza. Possa la gioia di averle avute accanto darci sempre la giusta forza.

Am a Yank, but from what I've heard of his work, especially in Leone's films, he, like D'Orso, was another treasure.

@@DonaldRilea LOL. I would say that Morricone and his work came first, and hiring Edda, later (1964). A matter of priorities, methinks 😋

@@willemvandeursen3105 Duh, of course, Morricone's work came first. That's a matter of fact.

@@DonaldRilea 😁 I was a co-writer at MSV; "Musica Sul Velluto", the first international Morricone fanzine. I stopped because in the late 70s my English was still inadequate as hell. These days I throw around on KZfaq snippets of what I learned there.

@@willemvandeursen3105 Fair enough. Thought you were being condescending to me in your last reply above, hence my response above. Glad you said what you did just above, and I've long admired Morricone's work, so complimenting D'Orso's and Alessandroni's contributions to it do not detract from his work, I think, but add to it.