Wow, glad to hear that you're finding use for the lesson!

Such a simple but beautiful song.

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No problem, we always aim to make complex songs and concepts as simple as possible! Music doesn't ever have to be hard.

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Yessir, hopefully understanding the concept will allow you use it in more songs and situations!

Yessir!

Let’s go!

🙌🏾 Glad to hear!

Thanks for watching Prince!

Hey Jireh, that's what we're here for!

Thanks for watching and supporting!

Definitely a cool technique to use in your playing!

Thanks Rod!

@@thegiftedhandsmusic when are you gonna give us a tutorial to pay for? Take my money!

No problem! We hope you find this lesson useful.

Thanks for watching Kyle! 🙌🏾

No problem! Thank God for the content you're putting out, way better than anyone I've seen out there!

Yeah there's sooooo many recordings that use this technique! Understanding this will definitely make it easier/quicker to pick up these types of movements in songs.

Not at all! Just here to help my fellow musician community.

No problem, we hope that it helps unlock something in your playing.

Yessir

Glad to hear

haha, hey sometimes you just can't help yourself!

Hey! I'm not sure specifically when your referring to this, could you put the time stamp. But if I understand what you are asking is because of the chord you are passing to. Like if you want to go to the 6 chord (normally minor) you can make the 3 a major and add the dominant 7. In the key of C for instance, E major w/ the dominant 7 to A minor is like doing a 5-1 in A minor. When targeting the 4 chord, you can use the 3 like a 1 chord putting the notes in the 1 chord over the 3 (extensions as well). Many times the passing chord depending on your target chord! Hope that makes sense, feel free to ask if it wasn't clear!

@@justin.m.drummond thank you very much for your reply. Ok I understand better! So 3 would be the 5 of 6?

@@leonalexandre1451 Yes exactly! 3 is the 5 of 6 so even though making the 3 a dominant chord is "out of the original key" it works because it leads to the next chord. Infact you can do this with any chord I believe its called "secondary dominant" if you want to look it up.

@@justin.m.drummond ok thanks! Haha I actually already know this concept but I didn't get that it was implied here, for example in jazz and/or in blues a lot of major chords are exchanged with dominant chords and I was wondering how was that even possible, other than just "cuz it sounds good" lol

There is a ” ghost note “ in the major scale. It’s not taught in mainstream music theory. That “ghost note” is the flattened 6th. That makes the 3 a dominant. Reference Barry Harris.👊🏽

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Great idea, we'll definitely have to break that down soon!

The program we use is called chordie.

@@thegiftedhandsmusic Thank you!