Heya! It was fun times then. Great to see that you really are doing well on this platform.

This would really be a good idea to add to the course. It's already on my mind.

8bit log has a lot of issues where hlg stores the data better with limited 8 bits.

I'm considering to give it out for free soon. :)

Omg. Thanks for pointing that out. :D

Here: www.joo.works/aces-lite-youtube

Defaul everything. :) sharpness was down.

@@JooWorks nice ! so to access those nodes should I register the course ?

@@rezaVfx in resolve you can use the "color space transform" effect as well. Use ap1 and acescct as you output. If you want my luts, you can sign into my course. :)

@@JooWorks thx I checked! but is it the free version or that cost 150$?

Creating a new course. :D

It seems to me that you can be a professional without knowing what words like gamut and gamma even mean. :)

I sometimes see comments as notifications, but then can't find them anywhere. Can you ask again?

@@JooWorks wasn't very complimentary - so probably best to just leave it alone.

Ok. You are always very welcome to give you opinion. I'll read it for sure and reply if needed. :) I don't mind if it's not positive.

That's true. It's different. I'm rather open about it one the page.

I understand that you are trying to offend me, but no offence taken. :) I'm interested what would be the point of ACES then? The official aces team told me that if my workflow is not scene linear, then it's not ACES. What do you think? I'm really interested.

@@JooWorks ACES is more than that. What you are doing is simple convert 8bit footage to some "Log" Format... and later tranform it back to Rec.709. Which is fine. But that is NOT the concept of ACES. And to say: This is was Hollywood does, or Netflix.. it sound like your are ADDING something to your footgae while you are in ACES-light. Beginners will think: Oh, ACES is the KEY for a good color grade. But it makes absolutely no sense at all if you are shooting in 8-bit and finish in Rec.709 to switch to ACES oder Aces light, or Log.

@@allenpayne9182 Why does it not make sense to use aces for 8bit footage? What do you see is the main difference with 8bit and 10bit footage? Don't you see value in fixing your wb or exp accuratelly with ACEScct? Or don't you see value on matching your cameras together in with ACES? I'm really interested if you have some insigths to this topic? I get these kind of comments quite often and sometimes the people have deep understanding of the topic, but sometimes not. I bet you do have some deeper understanding behind you comment, please share.

@@JooWorks You should explain WHY it makes sense. Just saying: "Hollywood & Netflix" are using ACES is NOT a good argumend. About 8-bit vs. 10 bit. I don't care. I care about the pixels itself and my delivery settings. If I deliver in rec.709 there is no need to go to ACES. Maybe if you are using a cinema camera. 12 bit and more.. and you deliver in P3, too. But if have a 8bit, 10bit camera and your delivery ouput is rec709 it is not neccesary to switch to "ACES". Again: You should explain the WYH behind it. "Because Hollwyood & Netflix" is not a valid answer. I could also convert any footage in some log format, or Arri Log C, Cineon Film Log, whatever... and back to rec709. And the reason I am converting to Arri is: "Well, the use ARRI in Hollywood" ... Maybe I don´t understand the concept. If you are doing grading use DaVinci Resolve. If you want to argument with Hollywood... Hollywood is using Reoslve, not Premiere. In Resolve you have mathematically correct transform options. CST - Color Space Transform. It is free. It is mathematically correct. No one knows how you created those LUTs. It is a black box for all buyers. It is fine to make videos about color grading 8 bit footage. But this ACES / Hollywood thing your are trying to sell to people is not good teaching.

@@allenpayne9182 Why ACES: you can match cameras together, you can fix wb and exp like raw, you can output to hdr and rec709 as easily, you can composite cgi to your footage easily etc. This all apply even when working with 8bit. Of coure you don't need to do anything of these. You can even skip color management all together and just use contrast and saturation. :) But why not benefit from ACES anyway? It's not difficult. Hollywood uses resolve? I tougth Baseligth? Cts plugin in resolve is great tool I use it a lot. There is nothing magical about it. It's as much of a black box to the user, who doesn't read CTL. And if you think floating point makes any difference... well explain how? I like talking with people who know their stuff, but not so interested in arguing about who is rigth. So I'll try to keep the convo polite. I can already see that you have a good understanding of the topic.