Thanks for this historic upload. I love Walton’s music, very much out of fashion in the 50’s and 60’s but now we don’t have to be concerned about that nonsense, he was simply one of the greats of the 20th c.

What a showman, great expression, he puts his own mark on the concerto, it must of pleased Walton.

The soundtrack of my youth, finally on video! Thank you very much GregNichols for posting it!

My favourite performance of this work, lost forever when LP broken - thank you!

Heartbreakingly beautiful. Sigh

Este concierto lo que escuchado docenas de veces, me encanta el estilo de Gregor Piatigorsky! Muchas gracias por compartirlo.

A great upload. Thank you. This is Piatigorsky at his best, live and not messed around by technicians. The performance also shows Sargent's orchestral mastery, which was often overlooked until very recently perhaps because of association with his Proms Last Night shows. The generation now in their 70s+ saw these on TV and assumed that 'Flash' was really the Last Night persona in real life. Far from it and the carnation with impeccable appearance was actually to cover his shyness as a man and musician. Sargent and Walton had similar personalities and origins, both having to work hard to make music where they could and be creative when there was time for the new. We tend to forget how much new music Sargent introduced to the public at home and abroad slotted into a more conventional repertoire. It is also too easy to forget that Walton was so exact in composition that it made him slow and he dreaded the routine of actual writing down the sounds he wanted. His manuscript scores are similar to Stravinsky's in neatness because neither composer wanted to be reminded of 'mistakes' on a page. Walton and Sargent had met as organ scholars and their idea of a good afternoon (when Walton visited England) was to find a decent church organ and compete in improvisation, usually in Bach pieces. Holst and Stokowski had done the same in previous years. The BBC SO in the late 1950s had benefited from Boult's training and reconstruction after WW2 and when Boult was forced to retire at the BBC contract age (for messy personal reasons perpetrated by a BBC executive) and Sargent was asked by Boult and others take over. Sargent cautiously signed a partial contract, conducted other orchestras and projects so that there was solidarity with Boult and the composers and conductors who resisted the BBC's orchestra managerial ways. The music makers of that era were internally loyal to each other and similarly stood up to record industry businessmen who got too big for their boots. The version of the 'cello concerto played here is the full orchestra one which Walton later pruned for economy but both remain published and can be chosen from by the musicians participating. This is a truly great 'cello concerto and is more often given on the Continent than in the UK for some reason.

Great performance! A treasure to the ears and eyes 😀💗🎼

Piatigorsky was without peer. His Dvorak Cello Concerto is the gold standard against which all others are measured.

The Walton played with such elegance and style!

Such command of the instrument and bow! Glorious!

Wonderful. I heard this piece once before at the BSO while a student. The piece was so engaging that the fading notes at the end were so encapturing that the place was so still until the bow stopped for a moment and then the place exploded with applause.

a Very Special kind of Greatness....BRAVO! from San Agustinillo, Oaxaca!

padronanza assoluta. grandissimo

0:00 Moderato 9:00 Allegro appassionato 16:04 Theme and improvisations

I really like his left hand, immense strength and super fast vibrato, supple too. Very difficult to even approach what he can do.

Gorgeous playing!!

Thank you so much for uploading!!!

Such a treasure.

Wow only had the warped LP. This to my ears is an example of a great performance where the great cellist's intonation is off! But still, it survives that. Very emotional.

Untouchable...........

what a treat! thank you

Wow. A fabulous testament to the greatness of Piatigorski.

Caviar to the general. That strange haunting opening sonority, however did he find it? And that ineffable wandering irregular tender personal self-portrait of a theme!

GRAND ADMIRAL!!!

...thought lost forever!

My favorite vibrato among cellists. Hoomeyow!!

BBC SO, Sargent with carnation in his buttonhole, RFH, 13/2/1957. First British performance. Correct?

Is this the original instrumentation with triple winds and trumpets?

Who is conducting? Barbirolli?

Piatigorsky is much too much underrated. Pau Casals is obviously much too much overrated.

Don't like his vibrato. Lynn Harrell any day!