Grigory Gruzman plays J.S. Bach Kleines Präludium F-Dur BWV 928

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organo phon

organo phon

9 жыл бұрын

Grigory Gruzman was born in Sankt Petersburg (former Leningrad), Russia. He began his piano lessons at the age of five. Due to his exceptional talent, he was admitted to the Music School for the specially gifted children at the Leningrad Conservatory. During his school-time, performed more than 300 times in Leningrad and in other russian cities.
In 1974 Gruzman began his studies at the Jerusalem Academy of Music under professor Yali Wagman (ex-pupil of Rosina Lhevinne at the Juilliard School of Music). During his last two years at the Academy Gruzman studied with professor Gregory Haimovsky (ex-pupil of professor Yakov Zak in Moscow; Y. Zak was a winner of the 3rd International Chopin Piano Competition in Warsaw). He also attendet piano chamber music lessons with prof. Alexander Tamir.
In 1977 Gruzman was accepted into University of Music (Hochschule für Musik in Freiburg, Germany, where he studied with prof. Vitaly Margulis. Two years later he completed the artistic exam; after that Gruzman was offered a piano-teaching post at the same University. In 1979 he attended an intensive by Diego Diez (ex-pupil of Claudio Arrau) in New York. He also participated in master classes of distinguished artists like Claude Franck, Leon Fleisher and Alfred Brendel.
In 1980 Gruzman was appointed as the lecturer for the main subject-piano at the Music Academy (Akademie für Tonkunst) in darmstadt, Germany, thus becoming one of the youngest music teachers in the german institutes for music. At the same time he resumed his studies in Fraiburg under prof. Margulis. He then completed his concert exam (Konzertexamen) as a soloist in 1982 (in Freiburg). In the same year he achieved an award with distinstion at the international piano competition in Monza; and in 1984 he was a finalist in the international piano competition in Vercelli (both in Italy). „On such an interpretation of Rigoletto-Paraphrase, I've been waiting all my life“, once said Herbert von Karajan and has invited Gruzman to Salzburg.
In 1986 his international concert career, both as a soloist and as a chamber musician, wich has been growing steadily and rapidly achieved a break-trough as he joined forces with two of his colleagues to form the „Shostakovich Trio“. The ensemble performed on world-renowned podiums; such as Alte Oper in Frankfurt, Concertgebouw in Amsterdam, Wigmor Hall in London, Tchaikovsky Concert Hall in Moscow, to name bute of few. Critics from all over the world have been continuously proclaming this trio to be one of the best ensembles of present day.
His numerous (more than 1000 times after his emigration Russia) performances and appearances as a lecturer on international master courses has brought him onto stages in many countries in Europe, the Far East, Australia, Latin-America and the USA. Everywhere his concerts are received with enthusiasm by the audience, the press, as well as the experts. About 100 his best performances have already been broadcast by TV and radio stations all over the world.
His numerous trio-arrangements and especially his arrangement of Modest Mussorgsky's „Pictures at an Exhibition“ for piano-trio have been received with great enthusiasm by the public and the press world-wide. The Shostakovich Trio has performed from 1986 until 1996. When Misha Katz, cellist of the trio, began to perform as conductor, the ensmble broke his career up.
Since 1988 Gruzman has been giving numerous performances of the complete cycle of Chopin's 24 Etudes. His CD with the recording of this work (organo phon 90 112) was received in 1998 with a best estimation in music press. Gruzman is the only pianist who has recorded the complete Suite „Play Piano Play“ by Friedrich Gulda (CD organo phon 90 126, suites of Bach - Gershwin - Gulda).
In 1998 Grigory Gruzman was named professor for piano at the University of Music (Hochschule für Musik und Theater) in Hamburg. 2005 to 2014 he was president of Rachmaninov Society (Darmstadt, Germany) and chairman of 3 international Rachmaninov piano competitions for young pianists (Frankfurt, Germany).
In 2006 Gruzman was appointed as professor to the University of Music Franz Liszt Weimar (including special school for gifted children „Musikgymnasium Schloss Belvedere“). His students won over 50 awards in national and important international competitions. Hi is artistic director and jury chairman at international Liszt piano competition for young pianists.

Пікірлер: 23
@fiandrhi
@fiandrhi 4 жыл бұрын
I was just playing this at the piano. I'm very impressed how Bach poured all his talents into this tiny prelude for students. It's so harmonically rich and chromatic in places and beautifully thought out without relying on any cliche. This is a sensitive reading. Thanks.
@Cvd36
@Cvd36 3 ай бұрын
Amazing ❤
@erwinengelsma5498
@erwinengelsma5498 2 жыл бұрын
Well done sir, beautiful interpretation. Makes me happy to listen to.
@GeometryDashDyno
@GeometryDashDyno 4 жыл бұрын
This man is an absolute beast holy guacamole
@tonynathanson7843
@tonynathanson7843 3 ай бұрын
Mr. Gruzman gives a piano soul & emotion!
@usaroman
@usaroman Жыл бұрын
This is exactly how these Kleine Präludium should be played. Sehr Wunderschön.
@mattbod
@mattbod 3 жыл бұрын
A beautiful little piece: Bach always delivered sheer genius. This was written for his son Wilhelm Friedemann and he obviously wanted to give him the best.
@PabluchoViision
@PabluchoViision 8 жыл бұрын
Very fine interpretation!!!
@PabluchoViision
@PabluchoViision 8 жыл бұрын
I think this is the best performance of BWV 928 I've heard. Better than Gould's, which next to this one comes off quite mechanical. On harpsichord, Peter Watchorn's is beautiful. But Gruzman's dynamics here are wonderful, especially the mezzopiano and piano passages. A masterpiece of interpretation, and emotionally moving.
@mattbod
@mattbod 3 жыл бұрын
I agree this is a very musical interpretation. Angela Hewitt plays this beautifully too.
@PabluchoViision
@PabluchoViision 2 жыл бұрын
I've just listened to Gould's again (or maybe it's a different recording of his than I heard before), and it has grown on me. It certainly has sparkle and brio. Doesn't sound so mechanical to me this time. However, Gruzman's interpretation here has moved me more than ever before. It is a lovely, finely wrought piece of musicianship.
@edwardcone6860
@edwardcone6860 Жыл бұрын
Yes, Gould often sounds mechanical to me
@velesivents
@velesivents 9 жыл бұрын
I like very much this nice performance of this lovely Prelidium.
@MrAmerica51
@MrAmerica51 4 жыл бұрын
Very good but too fast, I like 0:25 until 0:45
@ddgitz
@ddgitz 6 жыл бұрын
Awesome!
@penkax
@penkax 2 жыл бұрын
Wowwwww
@marcuswada877
@marcuswada877 4 жыл бұрын
Estupendo
@edwardcone6860
@edwardcone6860 Жыл бұрын
I've been working on this piece--with its marvelous hidden depths--for two years. Gruzman makes me feel as if I've run through it only for the first time! Bravo, Grigory! Браво, Григорий
@Themozartthug
@Themozartthug Жыл бұрын
I'm so glad u put 2 years lol, Ive been studying the inventions for 2 years, almost recorded them all now
@penkax
@penkax 2 жыл бұрын
Wow
@penkax
@penkax 2 жыл бұрын
Wowow
@user-nn4bq6be5i
@user-nn4bq6be5i 3 жыл бұрын
Надо было в ре мажоре так исполнить, а в фа мажоре иначе. Виртуозно.
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