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Here's RSSAA graduate, Nikolai Isakov (Guitar) and RSSAA professor Oleg Khudyakov (Piano) performing together Dmitry Tatarkin's arrangement of the first movement, "Allegro" from "Concierto No. 1 in D Minor, BWV 1052" by Johann Sebastian Bach (1685-1750). Nikolai recorded this piece on a 2023 Vladimir Druzhinin guitar made with spruce top and African rosewood back and sides. Recorded at the Russian State Specialized Academy of Arts in Moscow, Russia - www.rgsai.ru
Program notes: Concerto No. 1 in D minor, BWV 1052 by Johann Sebastian Bach
The autograph of all seven concertos for a single harpsichord and orchestra BWV 1052-1058 dates from about 1738. Concerto No. 1 BWV 1052 has long been considered a reworking of a previously written but lost violin concerto. There are its reconstructions, often heard on stage, designated as BWV 1052R. However, modern researchers consider this version untenable. No convincing arguments in favor of the existence of a violin primary source have been found.
Another common misconception was the opinion that the musical material of the Concert BWV 1052 was used by Bach when creating his two cantatas BWV 146 and BWV 188, written in the late 1720s. A study of the sources shows that Bach probably did exactly the opposite - he used the finished music of individual parts from cantatas with a solo organ, adapting it for a keyboard concerto. The first movement of the concert BWV 1052 uses the Sinfonia music from the cantata BWV 146 'Wir müssen durch viel Trübsal in das Reich Gottes eingehen'. In the second movement - the Coro from the cantata BWV 146 'Wir müssen durch viel Trübsal in das Reich Gottes eingehen'. The third movement of the concerto corresponds to the Sinfonia from cantata BWV 188 'Ich habe meine Zuversicht'. The arrangement of the concerto for guitar and string orchestra, presented in this video, was made by Dmitry Tatarkin.
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