Supreme control for sure.

Preach! Incredible player, and we know a few.

Word!

IDK what you mean he isnt recognized alot... I think he's widely considered the best guitar player in the world, especially by other guitar players

Because only musically knowledgeable people can understand what he plays, in this case a pro guitarist. To mainstream rock-metal ear like me I can't find the difference between Guthrie and many other guitarists who have deep music theory and rarely play pentatonic bluesy licks on distorted tone. Unfortunately people like me dominate the market. We may know how brilliant he is but we won't buy tickets to his shows. There I said it. I'm ready to be burned at a stake.

Ka pawm pui a che

He's a busy busy guy I'm afraid!

We probably will again.

That's the plan!

Damn right man! Was a pleasure putting this together.

I agree! Cheers!

like Matteo Mancuso from Italy

Ah you lucky thing! Glad you enjoyed it and have a good session!

Hey Pete! Thanks for stopping by. In short, yes! Of course this is new and will need refining, but we're well up for doing more! Any suggestions?

Andy James would be cool.

JTC Guitar Yes,please do a martin miller tune :)

@@JTCGuitar Alex Hutchings and Andre Nieri would be awesome.

@@juancarlos-dx1or we're hoping to have Andre involved in something special soon. And Alex actually has his first JTC Masterclass out soon! But yeah, in terms of breakdowns, great idea.

Thanks Antonio! As a JOTMer we're glad you like it!

Thanx! Yes long time JTC and JotM fan! 😎

Thanks. We were going to do a special on the beard itself...

@@JTCGuitar Awesome! I'm sure it'll be bristling with goodness.

Sure ther eis room for more!

JTC Guitar where can I reach you off of here ? Do you have an email ? I wanted to talk to you about maybe doing a series on a good friend of mine who is a well known guy in guitar circles, had a signature model guitar, always at namm, been apart of guitar World, and done things with them. He is an incredible guitarist with a unique sound and style.

Thanks Kelly! Glad you liked it.

Thanks man! Glad you liked it. Greetings from the UK!

We'd love to! Anything you want us to breakdown?

@@JTCGuitar Absolutely anything! But if you can, any matues asatos live improv would be good! Thanks!

@@JTCGuitar Or even Andy james' Imprisoned! And also it'll be cool if you could sort of dissect the backing track as well. Cheers!

@@tigerberryguy2822 Great ideas. We are working on a new Mateus release which has some great stuff similar to what you've mentioned!

That's a strong possibility!

Good to know we've hit the spot!

We have another Jake vid lined up already! Similar vibe but arguably even more educational. You'll love it

@@JTCGuitar Excellent, I can't wait! You've just made my day!

Yep! Improv master for sure.

Glad you enjoyed it and if there is anything you'd like us to take on next, let me now.

Thanks, Adam. Glad you found it helpful.

It's the notes you play also )

@@grewalparminder2003 True! I meant the way you play them is more important than what they are

What you play has to make sense. The way you play them is big part of that.

Sounds reasonable! If we keep at it I am sure we will one day. Jack is a killer player and a great guy.

So true! Best luck to this series. Kudos to you guys 👌

Well there you go haha

So with this one, he had been sent the tracks in advance but, as is common with the man, only listened to them on the journey to the session! He then improvised a couple of takes but again, as is often the case, this was the first take. He basically created a chord chart on a piece of paper in front of him and let rip!

@@JTCGuitar extraordinary!

Music history you made there...

Thanks for watching!

We'll add to the list!

That might be a challenge to organise!

Now that would be epic. He's on tour at the moment mind!

Bends on the 8th fret...not on the wood on the fret itself.

The way it works with Guthrie tends to be that he'll have a quick listen on the way to the studio, say on the train, and then have a quick look at the progression, but not always. Then he does a few takes. 9/10 the first one is the favourite. This was a first take effort I believe!

No recent why not!

Nail. Head. Redefined improv in many ways.

That's why he's the best

He's a pretty broken man in fairness.

Haha! As the guy who responds to these comments (Dan), I can confirm that we are not!

Haha! I'll wear contact lenses next time!

Hey Bob, I think a lot of people misunderstand what to expect from Guthrie tabs. We recently released the tabs/backings for the Aristocrats and this is what he had to say about Adrian (who is our main transcriber). I'm aware the following is specific to the album, but Guthrie and Adrian have worked together for years and Guthrie simply wouldn't let us put his work out if it was constantly wrong. Hope you enjoyed the video either way, and here is what Guthrie has to say! Cheers, Dan. "Having worked as a transcriber for various guitar publications over the years, I’m fully aware of the hurdles which Adrian must have encountered whilst “decoding” certain parts of the guitar content in these tracks! The band’s original goal when creating “You Know What…?” was of course simply to create a new Aristocrats album, as opposed to an educational product per se, so there are at least a couple of unapologetically “chaotic” soloing moments lurking in there which must have been virtually impossible to transcribe - and they would surely be just as difficult to memorise and replicate accurately. (I certainly wouldn’t fancy such a task if presented with JTC’s meticulous sheet music version of the rubato ending from “D Grade Fuck Movie Jam”, or the frenzied glissando lick towards the end of the clean solo in“Spanish Eddie”!) In general, I would say that the “song” parts of each track in this package were very deliberately composed and would perhaps warrant some relatively detailed study. The “solo” sections, on the other hand, were all improvised and consequently they feature the occasional stream-of-consciousness passage where I was just “going for it” - hoping to convey a kind of explosive energy rather than any specific melodic content. This being the case, I think the way to get the most out of these transcriptions is to use your discretion when tackling the solo sections: it’s probably wisest to focus on learning your favourite licks note-for-note and then trying to look for any useful patterns in terms of note choices which seem to work particularly well over each chord, rather than feeling duty-bound to replicate every minute detail of the original! In other words: some of these notes probably deserve more of your time than others ;-) The Aristocrats are actually out on the road as I type this and after playing this material at more than 50 shows - and counting! - I’ve intentionally never played exactly the same thing twice in any of those solo sections, even though the general spirit will typically remain roughly the same from one night to the next. I find that this less rigid approach to the soloing duties in this material feels creatively liberating and keeps the songs feeling fresh so… well, I just hoped that some of you might feel the same way!"

Guthrie would be so upset to hear about your burnt guitar.

OK cool! We'll bear it in mind. Thanks!