I was the guitarist on that album the noises were me... I used a cello guitar and walked backwards and forwards from the monitors to create all the long notes (and other noises). Thats what I'm good at.. Spike was given the full backing track... I know I was at the mixing stage in the studio, same with the whole album.

A lot of noises on mezzanine may have come from Mark Stent who had a sample library from the sessions of Depeche Modes songs of faith and devotion. The album is full of drums, snares, noises and textures from that album.

absolutely phenomenal song from a fantastic album. Mezzanine came out the same day as Music Has the Right to Children by Boards of Canada. Both amazing albums.

By an odd coincidence, I was present in the studio of our local campus radio station during their final broadcast in 1998. They were doing a listener-voted countdown of "Best songs of all time", were about to cue up the #1 which would be their last ever song and I distinctly remember the announcer saying (off air) "It's Teardrop", and everyone just sort of nodding like of course it is

Mezzanine is Massive Attack's masterpiece. Up there with Portishead's self-titled and Recoil's Liquid. Absolutely sublime.

Please keep going with this series these are so amazing. I'm not even a producer but I could watch these all day.

wow. i'm so moved by this and taken aback by the coincidence of coming across this. i first heard this play when i was watching Grey's Anatomy while my partner was passed out stoned. stoned because he had recently been diagnosed with cancer and was nauseated from the chemo, so i had suggested brownies to help with the nausea. i ate some brownies too so he wouldn't have to do it alone. we were lying on the sofa at opposite ends with our legs intertwined around each other. i remember this song coming up as my face was pressed against his foot. at that stoned moment, my face pressed into his foot was my entire universe and it was all the love in the world that i could muster into his foot to make him live. gosh, i was so stoned. lol. this was almost twenty years ago. well, the cancer is back and now i come across this video. so, yeah, wow. i have no words.

Very sorry, I had to pause the video and listen to the whole song because my brain couldn't handle only hearing snippets of this masterpiece. Great job as always

I first found you today via your Aphex Twin video and now this. I got to say I absolutely love your taste and content. Creators like you are why I love KZfaq.

I worked in the Music shop Music Connections just round the corner from Christchurch studio in Bristol when this was being made. Neil Davidge did an amazing job producing it but there were so many people involved from the Bristol music scene at the time which was just thriving, and I was lucky to witness some of it happening. We even got a shout out on the album cover

Gyu, you are an absolute star. Thank you once again for your terrific breakdown. First rate YT content.

Absolutely love this tune. I remember blasting this out on my JBL control 5’s in my tiny halls room at uni. Around 2002.

Another great job, I learn so much from these. I know you run into occasional trouble with KZfaq re copyright (which is nonsense - but what can you do), but PLEASE don't stop doing what you do, it's so instructional and inspiring. Understanding in detail how these pieces are constructed actually makes them MORE magical!

Ah thank you so much for the shout out, Gyu! Awesome breakdown - I can tell you love this track as I do. 🖤

I'm so fortunate to have this song tied to an amazing time of my life, and not just the intro to HOUSE MD.

the "understated bass" was a crucial part of the sound of trip hop

Hi, Newton Faulkner did a (very good) cover of this, and the lyric you are stuck on says (on his version) 'You're stumbling in the dark' - another great video - thank you!!

One of my all-time favorite songs, ever since I first heard it in the 90's. As an amateur producer, studying how my favorite songs were composed truly helps me understand how to achieve what I want to in my own music; thank you truly for this video. 👏🏾

I heard that first line as "love, love isn't fair". Great video as ever!

Another fantastic video and song breakdown. Love your choices of tracks to recreate. That end lyric is "you're stumbling in the dark".

Absolutely loved this. Took me right back to uni days and hearing it for the first time. Regarding that sound effect at the start. To me it sounds like plugging my guitar in at the body when I've forgotten to mute the amp. The jack going in suddenly vibrating the strings on an open tuning and getting connected to the amp, has a spring reverb quality to it too. Probably barking up the wrong tree, but it's what it makes me think of.

Such a seminal track. A person's absolute favourite song/track usually has a lot of meaning to them, and it's obvious from your mannerisms and expressions throughout this video that Teardrop has a lot of meaning to you. Fantastic work, Guy!

As an electronic music lover who has no idea about production techniques I find your videos fascinating.

Amazing job of recreating this!

their bass sound is much larger, thicker and noisier. Like they somehow managed to make low end rumble from samples work in the track where a lot of producers would filter it out. Like its this massive compressed slab of warm sound everything floats on. Their sound is just incredible.

I've always completely misunderstood the lyrics for Teardrop! "Fearless are my prey" for example! Just shows we don't always associate a great song with lyrics, more the emotion and atmosphere. Mezzanine is such an incredible album. That scene emerging from Bristol around that time (including Portishead) was just amazing.

@angelobruschini4899 Love your comments Angelo, I remember seeing your live guitar rig in a magazine with the gorgeous PRS you had and the story behind it. Although your time on this earth came to and end the music you helped create will last forever...Rest In Peace

Top job as per usual. Massive one of my all time faves, seen them live on numerous occasions. When you say your song is lacking something, to my ears it just sound like your track has more high frequency. The massive song has very little high freq and is quite a dark/duller mix compared to other mezzanine tracks. If you take down the volume of your hats and roll off some of the highs on the harpsichord etc it will sound instantly the same 👍

"sigh , what is she saying !!" That my friend, is Liz Fraser all over...., don't try and find out , just embrace the vocal of anything she sings

Your videos are so good and nostalgic for me. Please keep doing these. I’m loving them. Thank you good sir

Mezzanine was such a jewel in their catalogue. Horace's Man Next Door is sublime.

Well this was unexpected. I fully expected someone to be working entirely in the box rebuilding the track with soft synths and all sorts of stuff which in my mind were probably massively untrue to the original. However here I am, welling up with emotion at a track Ive not given the airtime in a fair few years, beautifully broken down by someone that the music clearly touched. Fantastic. Looking forward to digging deeper into the channel.

As I recall, Massive Attack purposely did not publish or explain the lyrics from this album, there was nothing in the CD or Tape cover, because it was all about how it felt, not the meaning, and it has never been officially published, so all written lyrics are, in fact, taken by ear. That might be BS, because I’m using memory here, but that is what I recall.

This song is absolute magic

That was really good - thanks! It's amazing the job Massive Attack did on the mix to get even more energy into it.

Great video - AGAIN! Really appreciating these, particularly given the FSOL challenges…. Those 12 bar sections are interesting and your friend’s daughter has a great voice!

This is the first video I've seen by you and I subscribed almost instantly.

Another stunning video. I bought the album on day one and Teardrop still stops me in my tracks. Until now I had no idea what the lyrics were so thanks for that. I’d love to know what the artists think of your efforts and would like to see you and them together on a video. Huge respect to you man.

Thanks for doing this. This track is absolutely spellbinding. Beautiful in its simplicity and utterly captivating. That vocal is glorious. Another Massive Attack song I’d love to see deconstructed is Paradise Circus. Another incredible vocal over one the the most moving and yet seductive tracks I’ve ever heard. The final crescendo is mind blowing.

The "magical" part is... the crowds, the people, the time and the experience!

Thank Christ Madonna didnt get near it - this was around the same time she was trying to recruit Aphex twin and he flat told her to piss off - trying to attach herself to the latest trend - There is no way this song would have the same reverence or gravity that it has, and has had with Madonna singing - massive bullet dodge imo - it would have been a sacrilege - You, on the other hand, have done an amazing job recreating it mate - fantastic - and probably with a professional mix and master engineer it would be a solid updated and modernised arrangement - I can hear it and would definately like to listen to it

It would be so interesting to get the feedback from the artist on how they did the piece.

I would be happy just getting that beep to sound the same! Excellent job mate 👍😎👏

Back in 2003/4 I was studying music tech in Bristol and one of my tutors was a contemporary of Massive Attack from the local scene; somehow he had all the stems to Teardrop and set us the task of remixing it. I've still got the stems on a CD somewhere (but with no CD drive to open it)... though I'm pretty sure they're floating around online somewhere these days anyway!

Always been my favorite ever tune. It is everything that music should be and should achieve in the listener. Absolute perfection from Massive Attack! Amazing to see it broken down like this.

Portishead as next please. This will be a challenge for you! 🙂

Massive Attack = God Mode!🙏 Superb break down..👏👏

I haven't listened to the original really closely, but the piano sounds to me like it is playing only octaves in the low end, not chords as in your version. Good job though, you're a man after my own heart. I love to pay almost obsessive attention to detail to my backing tracks! 😊

Love this. Such an amazing track thanks for showing how it’s made

Beautiful stuff, you are very talented. Love learning to appreciate classics all over again but in more depth. I hope you can get round to doing analogue bubblebath in the future, I'd love to see it through your interpretation. Keep doing what you do.

I love music that trips up the mind. Alot of dub artists drop several bars of say kick or bass then drop them back in just when you aren't expecting even halfway through a pattern. Oddly your mind starts to fill the gaps and sometimes both your mind and the track add to each other. The last thing I want is to know what's coming. It's a mysterious journey that pulls me along always... stumbling in the dark.

Always look forward to these!!

Fabulous breakdown to a wonderful song. Oddly, I remember Coronation Street using this back in 2001 as the outro to a storyline when Sarah Platt was being groomed. Very powerful.

If even an English native speaker has problems to understand the lyrics, then I can "die relieved" - ex-German here. And finally I know what this song was, they never say it when they play it on radio etc ... so, thanks in a multiple way!

They do the same unpredictable thing with the claps in paradise circus- I live for it.

Your smile at the beginning of this is so heartwarming. Way to feel the music!

This comments section has late 90's early '00's rave scene message board vibes. I love it! Mezzanine is literally the internet's official best sexitime album of all time! Lovely breakdown, there are so many key elements that come together and any one missing is so noticeable. Couldn't help recalling the haze of red wine and fine cannabis, between the sheets with the most beautiful woman in the world, cosmic divine union best sex ever stylee with this album blasting. Really takes me back, and reminds me to be making this kind of music, rather than reminiscing. Subbed, niceone bruvvah! Keep up the fantastic work. You teleported me to the happiest moments of my life while simultaneously inspiring me to get on the ball.

Great vid as usual. Do you fancy having a bash at some Underworld.... 8 Ball maybe?

Absolutely fantastic. Wowza and the guitarist even commented. Unbelievable.

Holy shit… that vocal from your track GET HER BACK IN THE STUDIO NOW 😂 Great video as always 👍🏽

Great look at this cool composition, and your video editing made it easy to listen to your comments, but also focus on the music tracks. Loved it!

Fantastic work 🙏 thanks for sharing..

This was a Joy to watch, the track is a all time favorite for me that i awlays circle bac to. I learned a bunch from your video! Thanks for the indepth video!

Every track you deconstruct just happen to be one of my all time favorites. You do such a great job man. Really nice to hear your track as well, beautiful. Damn shame you lost the project. oh well, shit happens hehe. Maybe it was the Universe telling you it is done. Anyway fantastic job all round as ever. Turns out I had most of the lyrics right, apart from the stumbling bit. I had that as "it's totally internal" lol. Anyway, have a good one and again thanks for doing these, they are so fun.

Perfect analysis of a mega super chill song of Massive Attack’s teardrop song & I do have the song in my collection! 🎵🔊🎵🔊

Great recreation. These deconstruction/recreation videos are revealing, insightful and fun!

I'm sort of creeped out by how you keep making videos about some of the most iconic songs in my mind's musical library, but keep it up!

I always heard the lyric as "Feathers on my breath".

Amazing breakdown of one of my favorite songs of all time, this way one could appreciate even more all the work that goes into such a beautiful track, also the influence that you could just gain by trying to get close as much as possible to a masterpiece, it's a very fun and didactic experience! Thanks for this amazing video

very good and solid cover, good job 👍 i would be happy to see anyone cover anything else than teardrop or angel

Jon hopkins is a master of this “don’t know where we are” feeling. He never follows any regular pattern and that makes his songs so engrossing. Coz every moment has its own unique feel

Brilliant! Mezzanine is one of my favorite albums. Brings back so many good memories.

easily my favourite song of all time.

beautiful take on the original this mate. Enjoyed watching this. Well done

brilliant work - really love these videos of yours. Thanks!

Brilliant video (as are your other breakdowns). I have a mega flex for this (apologies in advance!!), but I think you would be interested so forgive me - which is I bought a JV1080 off the lovely Neil Davidge a few years ago, which he said he was a bit sad to let go as it had sentimental value...because he said it was the source of the harpsichord sound when they recorded Teardrop. Among some other sounds apparently. So if he wasn't trying to just get a quick sale...it's the actual one. Now while this is insanely cool and significant to me to have the actual unit used, it is also a terrifying object to own as I will never in a billion years write anything nearly as good with it.

Between this video and Ixi's I've learned so much about this entrancing song. So simple in many ways yet so deep in others.

Ha yeaH nice reverseEngineering! Someday, when ‘Momentum (dubstep mix)’ is a classic, someone is going to try and figure out how you made it- just love that tune, thanks for the vibes!

Amazing breakdown! Love the song too.

Another massive vid, keep these coming please they are great to watch the breakdown and you nail it. ❤

Brilliant video, and superb work breaking down one of my favourite bands/tracks.

Just brilliant yet again. You never fail to deliver.

I only just came across this video and it turns out you have went through the EXACT same process in trying to recreate this song! I learned the chords through Ixi, used who sampled, and even read the exact same article about the creation of the track! It truly is one of the very best tracks ever written and I too get shivers EVERY time inlisten to it, like it's my very first time hearing it 😀

Dam, just found your channel and we have very similar music tastes ... from Ray Keith, to inner city .. and now this. I use this song (among a few others) to tune speakers or rooms or what ever I happen to need to get sounding right at the time. The high end on this with them harpsichord strings and that that crackle is something else .. sends shivers every time when it sounds how it should. I put it on in the background when I was having some cuddle time with my ex, (it was the first time she came over mine), and she stopped randomly and was like "Is it raining outside WTF?!" (as it was in the middle of summer), but it was the sizzling crackle from this track played out of my studio monitors in my room lol. It really fills the air with an atmosphere this track, It never gets old either. You did a fantastic Job recreating it btw, especially the drums and low end, that's almost identical, other than some dark arts mixing magic as you describe. ;) Have you heard the Remastered version? It's really nice when the song gets going, but doesn't have the same impact when it initially builds imho. I'm currently trying to recreate Cutslo by Ed Rush, Opticle and Fierce. I wanted to do my rendition rather than a faithful reproduction. It started as I accidentally made one of the bass sounds from it and got super hyped xD. Not sure if I'll finish it though as I need to be focusing on my own music really haha. Not sure I could get the last distorted reeseish bass anywhere near right, so probably wont try lol. It's fun to mess about with however. You can learn so much from doing exercises like this.

Absolutely gutted that you didn’t get the Papa New Guinea song out. But this track was my first dance at my wedding ❤️👍🏻

goosebumps everytime..?? well who doesn't??..

Great video. Just one thought - The original is also much more mono. Specially the beat. Makes it sometimes like more impactful and makes the wide landscape more audible.

awesome breakdown! possibly my favourite album of all time

The intro sound you were unsure of is a drop-tuned guitar with a Ennio Morrocone-like efx tone (think Spaghetti Western). Considering how they put the album together, it could’ve either have been a record sample (they were major sample choppers), or even a uncredited guitar performance by Portishead’s Adrian Utely (they were all from the Bristol music scene). Also, for years I thought the “fearless on my breath” sounded like “feels like someone praying”.

really great video - attention to detail on the sound design was great and refreshing to see someone acknowledging where it's impossible to get some of the nuances. Would love to see you do some Black Sands era Bonobo

I love your videos - so in depth and informative and you dont drown the viewer in music theory and technical stuff ! fantastic !

Great Video! cant wait to get stuck into your other vids

Thank you mate! Amazing work. You really know what you’re talking about 🔥

Another great video, keep them coming please sir 😎

Another amazing breakdown, thank you, this is the nuts :) If ever you needed more workload, I'd love to hear a version with new vocal based on what YOU actually thought the lyrics were, it does not diminish the original in anyway, I never fully understood them either, but that was all part of the magic - it almost didn't matter :) Thank you again, I also enjoyed hearing a little on the history of the track itself, amazing stuff, thank you, thank you, thank you (Papua New Guinea Algorithm Police, please take note and free up that vid ) :)

THAT was so awesome!... BTW if you look back the Cocteau twins song Watchlar is the ancient (1990!) beginnings of Teardrop. Its very trip hop for them.

I actually recreated/ played this tune when I was a conservatory ensemble leader and taught it to my class which included some intense analyzation and loop creation!. I played electric bass on it, using my 5 string, I can´t say I agree with the "sine wave" bass patch Gyu chose, since I feel the original has more "edge". Likewise, The "C" is an octave lower than displayed on the above video and the piano supports the bass playing low octave roots in the verses. The choir patch was the trickiest to get, but I succeeded using a KORG 01W of all things! And on the subject of the choir: It´s not playing chords, just C, B and C# in octaves emphasizing the 5th of F and 3rds of G and A major. I never really heard much direct chording in this tune to be honest...it´s more like a fabric of 1 note elements creating the illusion of chords , which is why it sounds so magical. Sorry, just sharing , not trolling! I salut you for embracing such a task! 💪 Cheers from Finland!

God I love this song. I love the tension building in it towards the breakdown. I can't imagine what it would have been like if Madonna had provided the vocals instead of Elisabeth Frazer. If you are interested in the vocal aspects check out Beth Roars analysis of the same track, she is awesome!

The stems for Teardrop were out there at some point. I have them somewhere along with a few of their tracks, It was a remix competition or something official.

You know what, I feel like 'Dissolved Girl' is the track in which I can FEEL the group's tension the most. There is an unusual push pull effect in that track, as if I can feel Mushroom fighting with Del Naja and Daddy G. All the influences are in that track and it creates an unusual piece of art. Especially that middle act..it's so weird and then it becomes dubby