A lot of these techniques get significantly more complicated when you're left-handed. ;-)

I can't thank you and Ed enough for sharing all of this knowledge with us. I never had access to art classes in school and definitely nothing related to comics/drafting tools. You guys and the interviews at inkstuds have helped me out so much.

You guys are doing a great service to the world. Thank you so much!

Love the look of the Speedball lettering.

Great video, very informative and thorough, casual without going off topic. I'm new to hand lettering so I especially appreciated all the info about what motivates other comickers, the things they do and what prioritize in their own work. The advice about not breaking up certain phrases for example - I noticed that it bugged me whenever I broke up a phrase like that, but I figured it might just be me nitpicking. Now I know to make it a priority. Thank you for sharing!

I'm always looking to improve my lettering, but man, I sure am grateful to be able to edit everything digitally. As long as my lettering in my sketches is good enough, I can always go over my spacing and sizing later.

55 minutes just flew bye. Incredible video!

Thank you for this, Jim. Really loved to get all the books and references you gave here. Please go on and continue with this series, you have our full support.

A thousand thanks for taking the time to share your incredible expertise. With greetings from Cape Town!

One of the videos I’ve been waiting for for a long time. Thanks a lot for putting this together Jim. I bought an Ames guide earlier this year to play around with it, I’ve always messed around with lettering and this video speaks my language!

Jim the video is amazing! Always wondered how the letters were so neat and elegant.

Always wondered how the guide was used, thanks for showing us this.

Fantastic video! I never realized the nuances of lettering in comics. I enjoy calligraphy. The advantages of the dip pen you're using is in its line variation. I suggest not rotating it as you write, but keeping its angle consistent so you're making thin upstrokes and thick downstrokes. That will give you nice line variety and not a monoline.

Oh man...the old AMES LETTERING GUIDE....Reminds me of my High School Drafting Class. NEVER could master that thing!!! Nothing but respect for artists that can make it work. NO WAY I'd use this today. Lettering via computer is just so much easier.

That Monoline sample page in the Speedball practice book reminds me of the font style Xaime Hernandez uses for Love & Rockets. I think I read in his Art of book he uses a Radiograph for the lettering. I'll have to reread that again. (Just listened to that part now LOL!)

Thank you, useful and informative! I especially liked the breakdown of how different artists have very different approaches to lettering.

I've had one of these since I was a kid. I honestly had no idea what it was for or how it worked. THANK YOU!

The nib dump was BEAUTIFUL Jim!! ❤️❤️❤️

Fantastic video. Thanks, Jim!

amazing resource, thanks for making this.

This gives me a whole new respect for Uderzo’s use of multiple fonts to represent different languages (Asterix books). I mean it’s hard enough to do with one font!

This is a really great video and brought back "fond" memories of my time trying to learn Sign Painting at The Institute of Lettering and Design in Chicago.

This is a great help. Thank you.

Great tutorial, making sense of this little, but essential tool. How can I get people to STOP using “font” and “typeface” interchangeably? A typeface is designed, and every letter works in tandem with every other letter, be it upper or lower case. Helvetica, Arial, Copperplate are names of typefaces, not fonts. Each typeface is designed to look unique. The font is the way we can see the typeface in print, at different sizes, or different weights, like Bold or Italic. A typeface is like a band’s music on a record or tape or disc; the font is that physical device. Please stop using “font”, when you mean “typeface”. Thanks!

I am probably one of the fans with John Workman's autograph. He is the Dolby Digital of lettering.

Wow ..I never heard of it in seconds! Thank you for the video

As a printmaking artist who is learning traditional calligraphy, this is blowing my mind right now. There MUST be a similar ruling tool based on calligraphy nibs.

thanks for this, dude

Ruling pens! What a blast from the past. We used them to draw/paint a line of consistent width. In school, we were shown to drag a brush along the side of the pen. But yeah, great tool once you got going with. Using the Speedballs give a better variety of line, I found. And if you're a real letter nerd that might be your jam. But the Hunts, wow, really nice texture to the fonts with those. I the one thing I don't like about using a computer font (it is revolutionary, don't get me wrong) but I miss the hand of the author in the lettering. I find that the lettering adds as much to the individuality of the author's voice as the art and shouldn't be an afterthought. I know I'm splitting hairs, to some, but I'm old school that way. Great video! More analogue techniques, please!

This is gold

Dope!!! I will put this to use!

That archaic writing instrument you are referring to in this video is called a “ steel ruling pen “ it looks ( very vaguely ) sort of like a dip pin if it was a solid spike that has been split down the middle and set apart with an adjusting screw. You would adjust the opening between the two nibs, then load the opening with ink via a dropper. I have heard of people lettering with them, but they are so stiff in their application, I would be very hesitant to use one for that.

Very well done…thx!

I think the archaic pen he's referring to might be a Pelikan Graphos. It's an old style drafting pen with nibs made from two metal pieces that swing against eachother on a scissor like junction. Most of the tips come to a triangular point, so you can actually get some cool scratchy line effects by using the flat edge instead of the point.

Amazing stuff Todd! I appreciate your dedication to the craft!

Great video! Any idea what Paul Pope letters with? His lettering is really expressive and unique.

Thanks for this great video.. I am unable to search part 2.

The easier way to do lettering i use index cards for my lettering and then i draw the ballons and i cut them out with sirrors and i glue them where i need to put them. Its so much easier that way. And don't forget to use your triangle and t square

Hello. How do you get the lead point so sharp? I'll spin with my lead pointer a few hundred times and it still isn't as sharp. I'm having a hard time using the Lettering Guide because I can't get a sharp point. When I use 0.05 mm lead it breaks. Thank you.

Interesting about Jamie, I just spoke to his brother, Gilbert (Beto) and asked him about his lettering, thinking that he did it by hand, but he told me that he does not do his own lettering, someone else does it digitally. Didn't give me a name, maybe someone on the Fantagraphics production team.

Great info. You should do this kind of treatment with Ralph Steadman or Gerald Scarfe...

You and Ed are so generous. I have learned so much. I draw a bit, but I’m mostly interested in visual stories broadly. How do we communicate ideas. It’s clear that Everything communicates something. Is it what we want? Sincere thanks

I read about these in Wizard - never seen one in person or in action :O

You guys are awesome!

Cool.

I'm regretting that I lettered my comic last week haha

Release the second part! (pls)

I am a watercolor artist and am having to incorporate lettering into my work, especially white lettering which makes it harder because watercolor artists don’t use white paint, so lettering must be done as a negative space. Im really struggling.

Been interested in lettering lately. Stan Sakai’s says he sets his Ames lettering Guide at 3.25. Can you help me understand how he might do this? Is it as simple as eyeballing it between 3-4??

Please interview Todd Klein. I recommend his A Lettering Sampler & Knowledge prints which are both available via his site.

One problem I always face with lettering is that I end up gripping my pen much harder than normal, to the point where it can become painful. Any advice on how to stay precise without going rigid?

HOLY HELL, That Alex Toth book, Dear John is $95. damn.

Part 2 plz

When I slide across the straight edge, the center wheel tends to move. Am I doing something incorrectly? The wheel should stay still.

Was there a part 2?

How do I obtain this book of Dave Gibbons on Lettering?

rapidograph looks the best imo thats the way to go too bad they high maintenance

Does anyone know where the Lettering Guide sells in New York?

El arq. Rafy Ramirez me robo ese instrumento en la UPR DE PR ME LO HABIA REGALADO MARY DE LA TORRE

Jim around the 21 mark are you talking about a Ruling Pen? shorturl.at/afq08

Clicked on the video to figure out how the heck an ames guide works, and ended up learning a whole lot more! Thanks for sharing all this info!