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Hello friends, I have seen a couple of requests for the links I mentioned to be available in another location - "Spinning Virginia": • Dr Kat and "Spinning" ... and The Monarchs Anonymous Channel: / @themonarchsanonymousc... From now on, I will also leave links from the cards in my description box.
It's a mystery that has been raging for more than 400 years... what happened to the men, women and children of the so-called "lost colony" of Roanoke?
NOTE: This topic may be due an update very soon... I believe that the excavation of relevant sites is now being planned for 2021! Very exciting!
As we await that dig, this video looks at what we know or think we know so far!
I hope you enjoy this video and find it interesting!
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Also, if you want to get in touch, please comment down below or find me on social media:
Instagram: / katrina.marchant
Twitter: / kat_marchant
Email: readingthepastwithdrkat@gmail.com
Intro / Outro song: Silent Partner, "Greenery" [ • Greenery - Silent Part... ]
Images (from Wikimedia Commons, unless otherwise stated):
Village of the Secotan in North Carolina. Watercolour painted by John White (1585-1593). Held by the British Museum.
“A chiefe Herowan” by John White (1585-1593). Held by the British Museum.
The wife of a chief or 'werowance' of Secotan by John White (1585-1593). Held by the British Museum.
A medicine man, 'The flyer'; in a dancing posture, headdress adorned with bird, tobacco pouch at his belt by John White (1585-1593). Held by the British Museum.
A wife of a 'werowance' or chief of Pomeiooc carrying a child by John White (1585-1593). Held by the British Museum.
A 'werowance', or chief, painted for a great solemn gathering by John White (1585-1593). Held by the British Museum.
A campfire ceremony; some figures waving gourd rattles, some apparently singing by John White (1585-1593). Held by the British Museum.
A festive dance; around circle of posts by John White (1585-1593). Held by the British Museum.
Map of the east coast of North America by John White (1585-1593). Held by the British Museum.
Portrait of Sir Walter Ralegh (Raleigh) by an unknown English artist (1588). Held by the National Portrait Gallery.
An artist's reconstruction of the fort built by Sir Ralph Lane for the 1585 Roanoke Colony, now known as "Fort Raleigh" (1962). From “Search for the Cittie of Ralegh” by J. C. Harrington (1962).
Theodore de Bry’s engraving of John White’s map showing the arrival of the English ships at the coast of Virginia (1590).
Abraham Ortelius’ World Map “Typvs Orbis Terrarvm” (1570). Held by The Library of Congress.
Detail from Georg Braun and Frans Hogenberg’s map of London, “Civitates Orbis Terrarum” (1572). Held by the Universitätsbibliothek Heidelberg.
“The Murder of White’s Assistant” from “Our Greater Country” by Henry Davenport Northrop (1901). Held by The Library of Congress.
William Ludwell Sheppard’s “Baptism of Virginia Dare”. From William A. Crafts “Pioneers in the settlement of America: from Florida in 1510 to California in 1849”, Boston: Samuel Walker and Company, 1876, p. 110.
The Defeat of the Spanish Armada, 8 August 1588 by Philip James de Loutherbourg (1796). Held by the National Maritime Museum, Greenwich Hospital Collection.
Portrait of Elizabeth I of England, the Armada Portrait by and unknown artist but formerly attributed to George Gower (c. 1588). This version held by Woburn Abbey.
“The Lost Colony”, design by William Ludwell Sheppard, engraving by William James Linton. From “A Popular History of the United States” by William Bryant and Sydney Gay (1876). Held by the Lincoln Financial Foundation Collection.
Kate Kovach and Alex Watson of Whitestone to try and match stones up with the translated text in October 2015. They are surrounded by the so-called “Dare Stones”. This photograph is hosted on the Brenau University Website www.brenau.edu/darestones/ (other screenshots are also taken from this site.