What's the point of timestamps if there already listed in the video

funny number likes

Bro i need exfiltration as a separate thing

@@auxuriour7792so you can restart at any point you want

Who also woke up inside a crate as a highly wanted criminal.

I think his son, a talented hacker who just got hired at an up-and-coming biotech firm in Detroit, should be able to help him out. (This whole map is a homage to Deus Ex.)

seems like there are 0 dislikes at the moment, hitman should have taken care of him

@@stquart bruh, KZfaq taken care of everyone, they hide the dislike number

@@CursorXH cares too much, i can say

funnily enough there actually is a funeral going on in the sgail level lol

Especially once you walk through all of the staff of the facility just outside in the alley

@@orangegrape2802 Yeah, and you're running towards the exit with the hectic music playing, with lights blaring, and as soon as you step outside, its cold, its raining, the music slows to a halt, and you know your out.

i've been known to keep walking around the level with this beautiful track in the background on loop

It’s so similar to the train theme (which I love)

@@filipmijac9328 Another man of culture I see

For me its that and the street exfiltrations

Beautifully described! I hadn't thought of this mission as such a metaphor, but when you phrase it the way you did, it makes a lot of sense. The Streets Exfiltration theme has got to be one of the most beautiful pieces that Nielsen composed for the trilogy. That, as well as the Mission Results theme, I would say, are supposed to represent hope. More specifically, the hope, optimism, and trust in a better future. In the context of the game, these pieces herald the "New Era." The crimes of Providence and the now-Providence controlled ICA have been exposed to the public--what's done in the dark always comes out in the light. 47 and Hall have dealt a major blow to Providence, allowing 47 and Diana to strike directly at its heart. Ultimately, by the end of the game, the actions of 47, Burnwood, Hall, and Grey have helped usher in this new era of hope--even if they themselves were unknown to the public. Other tracks from this level represent the future, too. "Chongqing Requiem" conveys the reluctant and sometimes sad feelings of something familiar coming to an end--the "death" of a lifestyle, you could say; the bellowing crescendo of "Severing Strings" represents the turning point of it all--a major event that irreversibly changes everything and sends you hurtling towards the unfamiliar; the Exfiltration and Results theme reassure you that though the unfamiliar can be frightening, it need not be feared.

Which Guard says that???

Probably the best comment in existence

​@njeiregaya3971 the level 3 guard. The two guards at the couch talking about the previous guard being talkative and keep questioning about Hush experiment

Not to mention it shows just how depraved and twisted Hush is as well,given he experiments homeless people to control their minds and discarding them the moment they're no longer useful to him,leaving them shells of their former selves.

Not to mention it shows just how twisted and depraved Hush is,considering his 'experiments'.

You don't have clearance to open this door! Access denied! Security protocol overruled! Access granted!

beautiful sounds like in hitman 2 miami map

I'd say it's even darker then CP 2077 soundtrack which I consider a pro :). Hitman 3 really is a masterpiece of a game, whole trilogy is.

@@Mulisak What Casimir meant by saying "Cyberpunk", he clearly made reference to the cyberpunk genre. He never mentioned the Cyberpunk game. Is Cyberpunk 2077 even Cyberpunk after all with their heavy marketing, media manipulation and corporate lies?

@@_._---. I know he made a reference to the CP genre. Does my comment contradict with his? I don't think so. I just stated it's darker than CP 2077 soundtrack. I've been playing CP games and listening to CP music way before CP 2077.

@@_._---. Go somewhere else to complain about CP2077 because no one cares

I think Argentina have better soundtracks

Not just that ...Chongqing is definitely the most amazing looking map in the game

47 likes 😅

47：Perfect.

yeah, its goog, bu in my opinion dubai sounds better

Also, the author didn't specify: 28:13 and 32:13 - exfiltration low - plays when you're not in combat 29:33 and 30:53 - exfiltration high - plays when in combat

It is more nuanced Cyberpunk, which, for me, makes it work better. I actually like CP2077, but its loud, in-your-face style can become a bit tiresome after a while.

What's the name of that soundtrack?

@@suhailbastaki4166 It's the last one that starts at 35:05 . It plays when you complete the mission

@@anubus6 yeah but wher can I find that in KZfaq?

@@suhailbastaki4166 no one has posted it yet as a stand alone.

@@anubus6 There's a 6 minute one afaik. kzfaq.info/get/bejne/pLqkd5NpxLabh5s.html

The other 4 Are from mr pritchard imogen royce jeremy Bolt and hush bodyguard

@Swamp Expert Extraordinaire I'll get that bastard Hush

Just cause they both got shot in the head??? damn

Especially considering how they actually fuckin iced the ICA after 21 stinkin years. As a Hitman veteran that was super hard to watch.

@@quinn941 feels like it's the end of an era, the new trilogy was amazing, but nothing is going to match the first four games.

Where?

AHh I love that song!! Where can we hear it in Chongqing?

@@QkeleQ10 man it been a long long while since I played H3. kzfaq.info/get/bejne/o599bLyWsarSln0.htmlsi=eKHP8aKYNyo401MN at 3:05 this percussive motif starts to play, that can be heard in Chonquing when everyone is searching for you, if I remember correctly.

metal gay solid is lame tho

same

The combat music in H2 was crap, it was the same track over and over again which was mainly loud and bombastic noises, as opposed to actual music like the combat themes of Contracts and Blood Money. Season 1's wasn't much better than 2's but at least it was different for some maps H3... haven't noticed yet because I've avoided combat a lot :P But it seems to just be similar to 2, but I wasn't expecting them to do any better

It's the same combat music as H2, and there aren't even map variations this time around.

@@Salem33 there were map variations of the combat music in Hitman 2?

@@NotChukkov yeah Hitman 2016's soundtrack wasnt anything special, but I did rather enjoy the ICA facility, Paris, and Colorado themes, and the ICA and Colorado maps by far had the best combat tracks. I guess with the budget cuts in Hitman 2 they figured you won't be in combat often so they focused their resources elsewhere. Similarly for Hitman 3, but I think Berlin and Chongqing have very good tracks at least. Berlin's exterior and club rave, and Chongqing's ambient and exfiltration themes are really good. At least the final mission has something for combat since it's basically encouraged to be a kill everyone challenge.

Sneaking around the vents for Royce and climbing to Hust... Man this mission has the most fun "SASO+NO/KO+FIBERWIRE ONLY on master difficult with default loadout" challenge. And the exfiltration music for street when you accomplished feels you like a real hitman.

If you start your mission anywhere but the train station (only possible after completing the mission once) then Olivia will suggest that she hacks the core instead of 47 after you have killed the targets. You are then free to ex filtrate or enter the core anyway, which will start the alarm sequence regardless of what you do.

@@retro2103 Yeah, but there's a track 'Exfiltration without Alarm' which implies you can do it safely.

Oh nvm, its said in the description that Salem just made two versions of the theme.

The alarm will always trigger as far as I know. The raw music files don't have alarm sounds in them obviously (like in the official soundtrack version). But in my opinion the alarm fits perfectly that sequence when you play it in-game, so I made two versions.

Now however, with the new The Pride Profusion escalation (from the Seven Deadly Sins DLC), you can now hear the no alarm facility exfiltration version after eliminating all targets in a level (although if you have chosen the easy option, it will sound a bit distorted). EDIT: And now it is also possible to hear it if playing this map in Freelancer as well.

It has only two dynamic area tracks, comparable to Whittleton Creek. And you have to keep in mind that I repeated the exfiltration theme twice just to include alarm sounds. That said you are correct to say that it's about the same length as some H2 maps.

@@Salem33 To be fair, you have to give credit for the two different Exfiltration themes(Streets and Underground), so I'd say it has more music than Sgail, Whittleton and Hawke's Bay.

@@iemeralds7349 I guess I probably was spoiled by the other H3 locations soundtracks.

i guess because there isn't a lot to explore in the surface or the block. the facilty was very big and cool to explore but the city part wss too small and the block wasnt that interesting

Well, as long as there's demand for the kind of services ICA offered, there will probably be another organization taking over.

The franchise is nearly three decades old, as long as 47 continues to kill people for money I’ll be okay lol

There will always be individuals and government agencies demanding targets to be assassinated. Power is always craved and sought after. Thus, I'm sure 47 and Diana will be needed sooner or later.

I remembered PrivateRyan65 commented here, saying that the beat in the second half of Hush's theme reminded him of lion dance, maybe that counts...?

@@EdwardNavu Maybe but something was missing in the soundtrack.

Yeah it should have had some in the restaurant at least. But apart from that the soundtrack fitted so well with the whole sci-fi-cyberpunk vibe of the map