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This is one of the best and most comprehensive explanations of this subject I have seen on youtube - thanks!

I rarely find a video that just answeres ALL of my questions. This is one.

Very useful info. I found that adding a sub at just enough volume to hear what's going on down there helped me a lot. Too loud and you end up cutting too much. Thanks Justin!

i finally understand the basic of low cut!

Great advice. Very good practice

Awesome! Was literally wondering about this the other day! Always appreciate your take on concepts like this.

Thanks for the info and taking your time out of your day to do this.

Great video , very helpful

I really appreciate your time and efforts this makes sense thank you

Superb, thank you Justin.

I have some pro mixing experience but this is one area I just didn't have good information. Thanks for helping to get me started on this subject!

I appreciate your assistance and acknowledge thank you.

Wondering if a low cut filter would help when recording a podcast outdoors with two people walking side by side. No instruments. Just spoken word vocals. Hardware: Zoom F3 field recorder (w/32-bit float) and two XLR Shure MX183 omni lavs (w/optional interchangeable 185 cardioid capsules). Terrific video, btw. Masterclass stuff. Thanks for taking the time.

Shpilkes and Murk - weren't they a Catskills comedy team in the 50's? ;) Thanks Justin - as always, a very useful video!

Recording an academic presentation from the back of a meeting room, all hard surfaces. Will have an audience of about 30 -40 people. Overhead HVAC . Speaker will speak through a lavaliere through the room’s ceiling speakers. I have one shotgun mic. I am thinking I should flip to the low cut pass. Hrz are not marked, only have the straight line and the bent line options. Recording will be viewed by people who could not attend the meeting.

Most monitoring headphones like the DT990 PRO and the likes, you have frequency responses that can go up to 5Hz, my question is: is this a good way of knowing when to low cut, or it's too responsive and might make you cut too much ?

Love the show. But I feel like phase should be addressed (or at least mentioned) when discussing filters

Great video. I came looking for some insight as if I needed to use this tool for a short film that I'll work in a few weeks; but I learned a lot more. I will definetily try to boost the low cut up to 160hz while recording a violin, maybe to focalize and separate it from the background (it will be recorded at the street).

I'm a hard sell when it comes to "likes", so when you asked me to tap the like button instead of smashing the like button, I humbly obliged.

Whaaaaat, thanks.

When it comes to HPFs it seems to be pretty straightforward when you can hear the subs properly, but what about low shelf cuts? What are they used mostly on?

Telling it like it is!

感谢 明白了

can it reduce machine hum from self noise

Isn’t it better to low-cut a track via the EQ in post as opposed to flicking a switch on a mic that you may regret doing later?

Thanks for the great tutorial. I am an aviation videographer and always discover that inflight sounds of take off and reverse thrust landings, which are quite loud in reality are cut rather quiet on my videos. Is that due to Low-Cut filters set ? I can not try that out, because there is only one try, when flying.

I can hear 20hz in my JBL earphones should I mix and master with them

I have been wondering about using targeted low and high cuts in a live mix situation to reduce stagewash in the mics. I am a proponent of using the eq to see frequencies not being produced by any mic'd instrument and cutting the lows and highs accordingly, so I only get the frequencies I want instead of getting the cymbal wash in my vocals.

You ‘da man!

I use LPF to hear somethin in low end. I set LPF on 10-20hz depends on eq and increase freq range and listen on headphones (with very good low end!) to hear where some low end content I start to hear. Most of the time definitely I hear everything on 100hz. 80hz too. most of the tracks have some sounds on 50-60 too. But almost nothing exist below 50-40 on most tracks except bass/kick/low notes instruments or drums tracks. So I would say that octave below lowest hearable or playing note in the track will be ok. So if bass player play low B which is about 30hz I HPF on 15hz and so on. So it's more 10-40/50hz on every track than 60-80-100hz. Also I noticed that LSF is less invasive on sound so sometimes small cut with LSF can decrease low end but not cut off completely making problems with phase and peaking.

I just use an average sub woofer. I got it on line for $15. Hey, I'm proud of it. I choose to use that.

I am in for a pair of barefoots 01 this month, that go down 36hz.....very expensive shipping/tax. But you know what? I do the guessing game and learning speaker game on my focal solo 6be's and I hate that. I want to mix what I hear in total agreement with you. All this with Sonarworks in a treated room ans l'm good to go. Thanks for this👍

Hey man helpful video. I've got a really monotone/baritone voice. There's a roll off on my mic which I never even considered using until I got mic envy and was looking at getting an AT4070 then I see the 80hz roll off being a lauded feature. Well my mic has it. Should I use it for vocals? My style is similar to rap and I'm aware that too much bass causes mud. I want just enough bass not too much. What say you?

Very informative…thank you. A little confused….. low pass filter let through the low end? High pass filter lets through the high end…. Is that correct?

Hi Justin, please answer me one question!! Why does every track that i download from KZfaq has the high frequencies chopped off? I tried to clipping and limiting hard, but I can't get the same high frequency chopped of? Why is that so

Sir i am recording the Audio of my motorcycle exhaust at 120hz. Is it advisable to set it to 120hz? I think im losing the crispiness of the exhaust sound because of it

So, if you are recording a live performance in a small pub with one mic what are some good rules for low cut filters and levels for that kind of scenario where you have very little control over the nuances?

I agree in mostly all that you explain using HPF, at the end it is the best tool to use when the time and the context calls for it, but as a mastering engineer we cant forget the tradeoffs that HPF create when using them, the first thing that comes is phase shift, specially if the filter is a linear phase filter, in the case of an organ recording you might consider using a HPF because church organs have more low end than any HIP HOP genre out there, so getting rid of some of the deep 20s and 40hz will improve in that case the sound, but again what are the artifacts of using a HPF ? distorion, and your peak levels will rise above +3.0db due to the shift in energy, so make sure to ancticipate leaving some margin at the top, our roll as mastering engineers is not to generate fear about HPF, it is more on explaining what happens when we use the tools that we use and what are the tradeofs, and how to manage the artifact.

Mas sobre información hig cut low cut

all good for mix time and if separate channels for stuff, but what about low cut during video recording. Specifically, i record my band's gigs on a Zoom Q2n. Just using the in cam mic, should I use no cut, 80, 120 or 160? And, if I low cut e.g. 80 and a bass guitar low E is 40, am I correct to assume that low cut doesn't cut ALL the 80hz...just attenuates it...right?

Without room treatment. How much do you think Sonarworks would help? 50% 90% Would really love to know. I know there will still be some phase issues. And the reflection cone filtering,it seems like it would help alot.

Justin, - off-topic - is this room you film your videos in your actual work-space, or is this just a 'set' for KZfaq? Thank you.

Cutting the low-end could be more of a psychological effect. Low-end, like rap may not be good for people who like rock which is why rock got so popular? Maybe it just had something to do with the vinyl records being very bad played back if the cuts didn't happen. The people who don't know the difference too much as all that stuff got fixed with digital and better audio equipment, it probably doesn't matter. Imo, cutting the low is worse but my personality is kind of more attitude and I like drama/action. Some people are the opposite so perhaps cutting the low-end out can make the song/sound/voice resonate better with their soul as that is the whole point of listening to music for some anyway otherwise they will do somehting else than buying that record and making it go viral as they want their friends to listen to it, to buy it, to monetize the record label, the studio etc.

can the sub frequencies be heard on KRK Rokit RP5 G4's?

Wow

Thank you. I'm saving for monitors and can't afford much so I will probably have to make do with the Kali cheap ones. My headphones go down to 30Hz quite well but as an older guy, my ears fail at 12.5kHz. Sad. Anyway, low cut or high pass? Let's start a holy war! 😃 Just kidding.

You kinda look like Superman lol😆 Cool video!

Hey how much to post my music on your account? I'm an engineer as well and artist

5:44 i literally said 60hz right here...

if you're not having clogged ears ;)

50aniversario

I love my NS-10Ms but without a sub I'd be fucked.

😆😊😊😊☺💦🙏🙏🙏

Dude your explanation is good but you're not even into the content at the 2 minute mark. Lost me.