Thanks, great to hear!

Thanks - soon my 10 hour masterclass is available - if interested make sure you subscribe on my homepage (www.danieldettwiler.com) And fee free to share those free tutorials, so that more could benefit from it.

@@danieldettwiler.official Thank you! You are CRUSHING IT! I learned sooooo much, in just a few days! I'm VERY grateful!

@@thomasshugar5636 thx - btw. Masterclass on my webpage (www.danieldettwiler.com) finally available:-) It goes much deeper than the free tutorials and there is a lot of philosophy and technical examples.

thanks - feel free to push the channel a little bit..

Thx - share the tutorial!:-)=

He just shared the tutorial with me and boy oh boy, I'm learning so much from this one video than I did from the videos I've watched so far haha. Thank You for this!

Bihler 🙌

Glad you like it. Check my Bibles, if interested, for more in depth information on www.danieldettwiler.com (and as always, spread the word:-)

I have just subscribed 😊

Cool, thanks! If you buy the masterclass, let me know, how you find it! And let others know about that all. The KZfaq Channel is still somewhat small, given the fact, that we get so much positive feedback..

Great! In order to create more free stuff, the channel would need to grow - so spread the word🙂 Then, if you are interested in serious learning, check out my paid masterclass, which goes more into the depth and, obviously, is on a higher educational level... www.danieldettwiler.com/course/daniels-mixing-bible

Absolutely!

Thanks!

Thanks - share it among others, so that those, who would want such in depth information would know about it. Then: if you ever are interested in a "real" masterclass, I created a 10 hours class about mixing, that goes way more into the depth. Available on my webpage: www.danieldettwiler.com

@@danieldettwiler.official Thanks for the tip, Daniel. I signed up on your website and finished the masterclass. It was fantastic, easily the best mixing/engineer lessons I've ever watched. I've actually rewatched the lessons several times already, and will continue to do so as there is so much valuable information. I'd like to know if you are planning another Q&A session on KZfaq, or would it be best to contact you through the community section on your website? Thank you!

@@pandemic7 Thanks for liking the bible - let others know about it! Q&A: Probably I might do another one again, maybe you could try to get some other students to also take part of it, and once there are enough good questions I might do one.. Cheers, St dd

Hi, I hope you will see that - I would like to use your statement on my homepage, but there for I would need your name and a photo. Let me know, that would be great. You could just mail it on the hello@danieldettwiler.com Cheers, Daniel

Great. Yeah, you got to check the Masterclass out - there is a lot to learn:-) Also spread the word!

There’s a difference between analog and in the box processing, did you start engineering 10 months ago

Thanks, spread the word (as always). Moreover that video should really see more views...

Thanks:-)

Thanks for the sub!

Glad you liked it. Share it:-)

yaw.. spread the word:-)

Thanks, share the info's and let others know about the channel !

Thanks. Spread the word. Also check the Mixing Bible, if interested in a real masterclass. On sale till end of August. www.danieldettwiler.com

Thanks, share the channel and content if you like it:-)

Great - would be super, if you would your peers let know about it too...

Thanks, feel free to share it!

Always.. feel free to share it..

Thank you so much Amadeus !

Thanks. Let others know about it! And, if you want, check out my Mixing Bible: www.danieldettwiler.com/course/daniels-mixing-bible

Thanks - feel free to push the channel a little bit, so I am able to make more free videos. Cheers, Daniel

Thanks. Spread the word, so that the channel can grow:-)

Thanks. Btw. in case you are interested in my masterclass, it is finally available (www.danieldettwiler.com)

Thanks! Recommend it to others!

Thanks! Spread the word!

We will try. Feel free to share it, the more subscribers we will get, the more likely it is, that we will go on.

It is most likely still louder. But more important: When a human hears live music, then because of how the human ear (or more how the brain analyzes it) is very detailed and you can follow every direction, so you can hear the instruments better. Listening on LS everything shares basically 2 points. It's way more difficult to follow everything, that's why we need great mixes - or : that's why music has to be mixed at all.

thanks. No I never ever try to set "musical" time, I set the up by ear and how I like them and how I think it helps the mix best:-)

@@danieldettwiler.official Okay. Maybe some variations from channel to channel helps to make the mix more open?

Everything needs, what it needs. If they are already heavily compressed with a similar compressor, then maybe no. If they need punch and glue, then maybe yes. It's sounding worse with the tool added, then it's too much, but before, often the more the better:-)

@@danieldettwiler.official I appreciate the reply!

I just made a great recording with Jorge Rossy, using only 3 mics. I will make a video about that production. Sometimes it takes a lot of mics, sometimes it takes less - but the sources need to be miced as good as possible. Mostly the problem is the room. Music is recorded in too small rooms nowadays.

Absolutely: Jazz is a very wide thing, all possible. However, if I refer to traditional jazz, in 99% of all circumstances, the instruments shall sound natural, so I simplify the phrasing, to make it more understandable.

It's about the right balance. Too much again is then very bad, except if you need a lot of distortion. Basically, a lot of saturation leads to audible distortion. Some tracks need only saturation (less or more heavy), then some need audible saturation and some need distortion.

Thanks for liking it. Spread the word!!

wäre auf jeden Fall besser gewesen, da hast Du recht:-)

I love compression - but Bruce Swedien (mixed Michael Jackson) claimed, that he would mix without compression. With only Gain-Riding, at the end, why not? A great mix is a great mix, and many engineers have different methods. As long as your mix has physical integrity all is good:-)

Share the channel:-)

Yes - if that is a problem, then I would just have it on the other tracks as well with no drive..

This is covered in my Mixing Bible - (available at www.danieldettwiler.com) it is an interesting question for sure. An EQ boost would be static, and might be great if the instrument plays in the low range, but might not be appropriate anymore if the instrument plays in the high register. In Saturation however, the Harmonic's that you enhance will "move" with the Pitch of the instrument. So the "enrichment" of the instruments is not dependent of the pitch, which sometimes can be important. Also, if you boost with the EQ, it might sound great if the instrument plays soft, but it might not sound good anymore, if the instrument plays loud, as then the upper harmonics usually are louder anyway. Dynamic Equalizing is then also a good point. It's certainly something that I could most likely not cover in those free KZfaq Lessons.

@@danieldettwiler.official Thanks for the thoughtful response - those are great points. I'll check out your course!

Yes almost. Plattform to sell videos is chosen, probalby only some days to weeks now.

no

This is a great video with excellent information. Thanks!

@@ateresehouse9727 Thanks for liking it!

You showed the comparison at 5:37 (jazz mix), your mix sounds certainly great but here’s my questions: 1) The recorded material sounds pretty different. Can you make “other mix” sounds like yours without replacing the material? 2) If so, is the key to make it sound like your mix is compression and saturation that you showed in this video? 3) Do you have mix tutorial of jazz mix like the comparison one you showed in the video? Can I purchase any of your course to learn about it?

@ Hi, great questions: 1) No, I could not make it as good as it is, both the recording and the mixing quality. In my example (mixed by me) I also recorded it, in a large room and with great mics and with love. The other recording was also a cheaper recording in a not ideal room. But I could mix it fairly better for sure (but that is not said to bash colleagues, though - but I just think, without knowing who did the other production, that it clearly must have been a low-budget place.). I get in a lot of Jazz-Recordings to mix and I usually get a very cool sound. But to really go top-notch: Well, if you save money at the recording stage, well, what you mess there can't be compensated by just hire a great mixer (just as a bad mix, can't be compensated at the mastering Stage). 2) It's really to get it great at every stage. My rough sounded already better than the other mix. Proper placement of mics, instruments in a good room, that's the key to start. Then in the mix, yes, it is about getting the dynamic right. Saturation can help, also compression, but not too much. That's the difficulty in Jazz. No compression and saturation lead to small sounding mixes, but if you overdo it, then the mix is worse at the end. 3) I highly recommend my Mixing Bible, available here: www.danieldettwiler.com/course/daniels-mixing-bible There is a lot of conceptual information in there, and it does go way deeper than my free KZfaq Tutorials. It's exactly for people asking the questions you ask. (Interesting questions, as the course is probably perfect for this intermediate level. )

@@danieldettwiler.official Thanks for reply. I am a recording engineer myself for over a decade and that was exactly what I thought that it is the most essential to record it right at the source and that gives the impact in the end. However this KZfaq video was a bit confusing and surprising for me at first sight because you showed the comparison as if you are saying dynamic control (compression) and saturation is what differentiates “other mix” and your mix. That’s why I asked if you can “mix” the other mix to sound like yours, which I believed not possible. That said, I am really a fan of your mix and definitely will check out the course. I will also contact you directly later if that’s okay. Sincerely, Leiki

Finally, if something sounds bad, it even is worse, if louder. Once it has a great dynamics, it also provides more energy. But I agree, in such videos, it would be good to mix it, so that all examples would be at a level that makes it easier to compare, but I do those levels during I speak and as the videos are provided for free, I don't have the time for a perfect edit (nor do I want to spend money for someone that mixes all this later). In my paid masterclass, available at www.danieldettwiler.com everything goes much more into details, at a deeper level and there the examples are level matched:-)

@@danieldettwiler.official

Ok - then you should check my mixing bible: www.danieldettwiler.com/course/daniels-mixing-bible I created this course to improve your mixing skills. How to get a large mix is a big topic in the course.

@@danieldettwiler.official Thanx I'll check it out!

There we see how stable the good old gear is:-)