Sums up the whole channel, not just this video. Never change please Mr Underbelly

😂😂

I never laughed so hard at something I hated

Yep, sure was creepy! ;D

🤣🤣🤣🤣

Oh definitely. I never thought to boost the drive and equally attenuate the output to squash those transients. It's so simple!

@@thejayce I’ve done it but I overlooked the digital clip mode, I usually used analog or soft sine and sometime I wished there was a more transparent option (but there is lol)

Loud = professional unga bunga

@@Ballerkackprofessional flowers

stereo mics would be dangerous

im doing this cause i will probably have to watch this again and i need to extract the max possible from this two times cause we knew this is impossible to watch 3x

but the OTT method adds that cool tail tho

ott kills mix loudness (top secret knowledge)

How is this accomplished? I don't know of a way to separate sounds by frequency. Surely it's not just a combination of low and high pass filters is it?

@@stormblessed9455​actually, it’s exactly filtering. you can create them manually with basic filtering tools that come with your DAW, you also may use some 3rd party solutions, such as Multiband by Blue Mangoo that designed specifically for the freq splitting or use other multiband processors (saturators/compressors/etc), such as FAC’s Bandit but exclusively the part that splits audio with no actual compression/saturation applied and send the resulting signal out to 3 separate groups/auxs/buses for further processing. basically all of these options provide frequency splitting using filtering and Q-adjustments to dial in for avoiding phase-related issues. in regards of slopes and cross-points: 6db is the most phase-distortion-free slope to use for that purposes, 12db is the one that’s mostly-good-enough option with the phase shift and distortion low enough not to cause any issues, higher - such as 18db/24db and above will most likely cause problems at the frequencies of the cross-points.

@zufi422 at the same time, i’ve got a question for you - how do you treat the resulting output signal (overall master output after 3 separate limiters) clipping caused by overlapped signal at the cross-points. say, you split the audio at the premaster stage into 3 bands - filtered low/mid/high with 6db/12db slope, applied a limiter to each one of them and sent the buses to output - there’ll certainly be ovelaps in 3 signals that will cause the output to the level above digital zero. i wonder how you address this particular issue. ‘cause the overall concept makes sense judging on how multiband compressor usually adds clarity to the mastering chain, i can see why there’s a point in using “multiband limiter”, but as of now, i can see several ways to tame the resulting clipping, so i wonder what did you find to be the best practice in regards to this technique yourself?

how would you even go about accomplishing this?

wooooowwwwwwzzzzzzeeerrrssss!

Tryna figure out that too lol

time stamp?

@@artesabeats2139 7:51