Free Voice Lessons: chrisliepe.com/free-your-voice/ My Website: chrisliepe.com Distortion & Aggressive Vocals Course: www.mymusicalvoice.com/p/the-aggressive-vocalist-s-master-plan-of-attack

It's incredible how consistent Dave's rhythmic phrasing is when doubling his vocals. If it wasn't for the small differencies, one would believe it was simply copied.

Compression is like paint. The goal is to make something a different color. You can do that by just adding all the paint needed at once to change it's color and it's a muddy (but STILL technically painted) mess or you can use the same amount of paint in multiple thin coats to change it's color AND preserve the character/detail of what you're applying it to. Or something like that.

This was such a wonderful video to make! I really appreciate your wonderful vocal!

This is exactly the type of video I've been looking for during 15 years of recording my vocals ! Please more ! (With Chester, Chris, Myles, Freddie, James, etc. etc.)

The reverb handoff is such a smart way of handling vocals without mudding things up in the mix

I listened to an early version of Tripping on A Hole by STP and Scott didn't double his vocals in the beginning. I couldn't believe how different it sounded to the final version on the record because until recently when I listened to songs like that I didn't listen critically. But now that you've pointed out the subtle doubling in this song, it made me think more about STP and how Scott Weiland used doubling as well.

I love the new series! Dave is one of my all-time favorite singers, so I'll definitely be coming back to this video regularly. Would you consider doing an episode about Adam Gontier? I love your video on his technique, but the production is so important to his sound. Thanks for the content, Chris!

You're killin it with these videos Chris. Incredible work. Thank you 🙌🏻

Loving the series ❤️

u have literally taught me so much on how to use my voice i actually learned how to sing man in the box with proper the compression and helped me get way higher notes despite having a pretty deep voice THANK U CHRIS 🙌🙌🙌🤍🤍🤍 👑 👑

Very cool! Great insight in production aspects, along with the vocal approach.

Great cover! I love your voice on this. Really really cool! Good job, Chris!

AWESOME VIDEO!! Thanks for all the tips to unleash our voice!

All really helpful Chris. Many thanks indeed. :)

This was so cool on one of my favorite bands and favorite songs of all time! Thank you for creating this!

Nice! Thx for the info…!

I love your contents🥰

Thanks a lot Chris for all the efforts and research you put in your videos. You clearly are the best I know concerning singing and mixing videos. Keep it up ! You already made me go far.

these are the BEST videos!

Loved the demo on mixing the reverbs . Just joined your singing course ! Love this video. Absolutely dig the way you approach your video. Man just got to say... I'm a fan of what you doing. liked, subbed and all the rest. I'm glad I found your channel ! Have a fantastic day !

Amazing stuff as usual. Love the little dude's cameo at 3:40 😆 Also, I just joined this most recent cohort of Discover Your Voice students and I'm LOVING it. I've done SLS stuff before, but genuinely, your course is exactly what I've needed. So thank you!

Amazing!

Yay 🥳... Dave was the first Rock singer I listened to when I was growing up in 8th grade. The first song I heard was The Pretender and I remembered knowing nothing about guitar and spending countless hours learning that song just by ear. It was the first song I ever learned on guitar.

What the,5:08.☝️☝️☝️...can i feel in here a bit anger,..deep inside anguish,..is it going to bedeath growling ,.??!!!👊👊😂👏👏🤔🤔 And at the end,.chris his charming laughing,..luv it,.

As always great. I was just wondering how to layer my vocals, so they take up more space.

I feel like every time I listen to one of your videos, it either enforces something I stumbled upon on my own, or introduces some new idea. Thanks for breaking stuff down.

Yo I appreciate these alot, my recordings/performances are pretty good, I can make guitars sound really good, but when it comes to vocals it always seems out of place... so these videos help alot, thanks man

Thank you for this video! This kind of vocal production techniques are what I find so hard to find good references on. More like this please! 🙏 Can you do Ghost next?

man, i never noticed in the record that dave practically maxed out his voice in the chorus.

I love that you use scheps omni. Im gonna try the double dry😎

Again. Thank you Chris for this, as an aspiring vocalist and producer, Videos like this are pure GOLD. I would love to see some videos on some "More " produced voices.... ie; Black Keys??

Klasse, Chris. Beste Grüße aus Deutschland 👋

Man nice work!!!!!.......I never knew how much information can be articulated and dissected and ultimately masterfully communicated thru ur ability to use language to describes the undescribable,......the transcendent nature of music and how ,like a drug, it distracts us from our own mortality and imbues us with it's romantic cultural idealogies and helps us as individuals find beauty in The MOMENT....TO LIVE AND ENJOY LIFE, NOW.........TO BE TRULY PRESENT....is to be truly alive.........also.......I REALLY LIKED your version for your vocal aptitude and raw insight and how you colored the vocals with your own little style,....TO WHICH MY EARS COULD DISCERN A SLIGHT VIBRATO ATTENUATED VERY SUBTLEY,....YET ITS ELUSIVE AND DOESNT COME off as to poppy or contrived.........LIKE Dave u have a natural raspy and vulnerable TAMBER that what it lacks in technique it makes up for with an emotionally dynamic honest intent,.....that truly cuts straight thru to the soul and bypasses all other pretenses,...cuz it sees in rock music, a voice w too much vibrato combined with mathamatical precision makes for a artificial type sound that is at odds w the core views of Rick which at it's basic is and embraces rawness, minimalist, improvisational, random type of.music and your vibrato compliments this style of music since it sounds more random and.more natural vibrato that you added in ....then if the magic is present, if u can attain a young person's undivided attention and captivate them with a epic performance within this modern, attention divided , ADHD nation of short attention spans.........then u have truly achieved a miraculous phenomenon !!!!.....lol......

great take down

Hey Chris, I've been loving all the multi track videos, especially with MJ. Gotta say, this video is INCREDIBLY helpful! I absolutely love this, and would really like to hear some more. How about something with Michael Buble and that amazing warm vocal sound he gets on Feelin' Good for example? Or Corey Taylor on the first stone sour record, the track Take a Number -- the delay in the verses is amazing, would love to see you decompose that. Another incredible one would be Matt Holt's sound on the nothingface record skeletons. Maybe machination? Anyway, thanks Chris, this is a brilliant video!

Could you do a vocal analysis of Billy Corgan from Smashing Pumpkins

It seems so obvious now but using two separate reverbs for the short and long is an awesome idea that I had never thought of! One of my favorite mix engineers for modern heavy drums is Nolly, and he likes using a specific verb plugin on the snare that "explodes" from narrow to wide throughout the verb tail. I've wanted to get that sound but I don't want to spend the cash on that specific plugin, but now I'm gonna try using this technique with different widths on the verbs to maybe get a similar effect!

Hey chris,..awesome video,.as always,.really,.exactly my taste,.go on like that,... Maybe u can make a video of vocaling of band helmet,.song in the meantime,..page hamilton,.fabulous,..helmet is one of the big old ones,..regards

Lots of great tips here. Thanks Chris.

Thanks that helped a lot! Would you consider doing the same with the pixies?

Thank you for a great video. Question. Should I put my doubles left and right or should I leave them in centre?

The multiple takes is also kind off most of what gives chino moreno's clean vocals it's unique sound. He's obviously amazing and has its own style but yeah.

Suggestion/question. My very first song I ever wrote has a technique my dad would call “going psycho” where you move from a very slow melodic pace to a very heavy rock pace out of nowhere, (this is not the majority of the ballad, only a part of the bridge) what are ways to go about that? A fair example would be reds death of me where he repeats “I will not forget this I cannot forget this” increasingly louder, but it goes from the first one and jumps to the last one.

Can you please also do Anthony Green from Saosin/Circa Survive??😊

Hey Chris, could you do one of these videos on Mike Patton? Because, you know, you can never have too much Mike Patton.

please talk about corey taylor subliminal verses gritty and raspy and more about layne staley

Bands back in the olden days (70’s) didn’t have all this fancy stuff.

the first "breathe out" sounds like its got a whisper track in it

Great video Chris. QUESTION: I understand as a vocal coach you are in high demand. Do you know any coaches or students of yours that do one on one coaching that teaches the same methods as you. Specifically, they teach the same breathing technique as you including the act of using your poop muscles, using your false cords, using compression to manage air and whatever is involved to sing that first note with a good tone while maintaining it throughout the song. If you do know some, can you provide their website and/or business contact information. I tried using some vocal coaches via skype, but one area that they seem to really part from your teach is how they interrupt compression. When I ask about using false vocal cords their eyes turn red.

Can you please do how to sing like Dallas Green from Alexisonfire

Chris would you be interested in taking my vocal lead stem for one our original new songs and giving the effect you think is needed? I dont have mixing software. I have a tascam sd 2488 that is limited.

Fantastic breakdown, Chris. Gonna give it a try. Do you use an outboard compressor on vocals or is it all in the box?

I'm not sure if I missed it but, are the doubles hard panned LR or are they adjusted differently? Edit: I just noticed the knobs on the doubles they look like %30ish?

I’m assuming you tripled instead of doubled to keep the stereo image even left and right?

are you treating/mixing the doubles the same way you mix the lead? EQ, compression and so on

Can you do video on Courtney Love’s vocals?

Could i pull this off in audacity? Or better yet with a pedal so i dont have to spend hours editing just to practice lol

Where did you get the stems for this song?

You hear that little flip thing he does at the end of 'when I sing along with you' the yoooUUU thing. I hear that on a LOT of pro singers. What's that called, what causes it? It doesn't come naturally to me even if I hit their notes

the first verse of dave really sounds like hes not really pushing much at all ?

Close enough.

Comment for da algorithm Steak count: 153

Someone grew a beard

But if you're doubling to create textures, you will not be able to reproduce that texture live. I wouldn't want to do that.

This is cool but live Dave Grohl stil Dave Grohl. So this techniques is like spices, but not the dish itself %)

Rest in peace Taylor Hawkins❤️

3:40 :))