I think its because at least here in the states people are use to most of the people teaching landscape in oil recommending the classic 3 color plus white palette. So a lot of painters are being taught, for better or worse, to use cad yellow light, cad red and ultramarine. I remember the first 3 workshops I took were all painters recommending that same limited palette. I have a hell of a time trying to explain to people trained this way that just because you use 3 colors doesnt mean you have more harmony in your painting. You can use 500 colors and create a far more harmonious painting than someone else using 3, it has absolutely nothing to do with your palette and more to do with the end result of your mixing, and lastly you can reach the same mixture using an almost infinite number of combinations of different palettes. Keep it up man, enjoy your videos!

Andrew thank you so much for sharing your passion,talent and your art with us you are such an amazing inspiration to me and to so many people around the world... This video was phenomenal and thank you so much for sharing your vision about color mixing with us and how limited pallet can actually get you a lot of tonal range like you demonstrated in this video.I didn't know about so much that you talked about here and it was very informational and enjoying to listen and watch. Again thank you so much for everything that you do you are phenomenal artist and human being God bless you.

Andrew, don't you mind those troles and those who insist on bringing negativity to everyone around them. I'm here because your art speaks for itself and because your helping me learn the world of painting... and thanks to your sketchendeavour hash tag, joined a community of artist. I appreciate you.

At the moment im challenging myself with a Royal Poinciana. Any tips? In not going for an extreme realistic feal. The tree im after is in hyper full bloom. I have started an under painting. Im already over thinking that.Just as a study. I havnt painted with oils for a while. I know i can do this. Im intimidating by color.

This was fun to watch, thanks for sharing it. My daughters loved it too, abs are demanding that we take them to the hardware store tomorrow so they can grab a bunch of paint cards so they can challenge mom 😂This brings up a question I’ve been struggling with a bit as I learn to mix color with opaque paints after years of focusing on watercolor work. Despite a really solid comfort level with color theory, I find I’m having so much trouble conceptually when I’m painting with oils- it feels so different from mixing watercolor. There is the fact that I’m adjusting tone by adding white instead of diluting with water, but really I think that I’m struggling to adjust hue, because with watercolor I generally never mix more than three pigments (in order to protect translucency and vibrancy), but with oils it feels as though I need to mix more different pigments in order to create certain hues- I watch artists mix pigments that would create an absolute disaster in watercolor and it looks vibrant and beautiful, so I can see I’ve got a bit more flexibility. But I can’t seem to get my brain to make the switch that will allow me to tackle certain tones and hues the way I need to in this medium. I’ve been looking for resources that tackle these differences between the two mediums but haven’t found anything helpful. Do you have any resources you could point me to about this aspect of color mixing in particular?

Lol

Dude I feel the same when I smell alizarin crimson. I always feel compelled to swallow it lol, but I don’t want to die so

Hahhahahahah♥️

it only taste like gum, it's really good though you should !!

😂

in 5 years he will be 1m+ It's a time thing, if the content is this high quality people will come.