Amazed and dumbfounded, right up to the end: when I actually smiled :)
@williammaestre93184 ай бұрын
Amazing, thank you very much, very clear
@PeteMartinMandolinАй бұрын
Great!
@cliffwhite2812 Жыл бұрын
Chaplin wrote the melody but when Parsons and Turner added the lyrics and Nat King Cole sang, they turned a pretty melody into a beautiful song. Chaplin also wrote the music to "Eternally", which was a favourite for music boxes due to its predominant use of short notes, and "My Song", reluctantly recorded by both Petula Clark and Harry Secombe, who thought it was outdated with contrived lyrics, but went on to be by far their biggest hits.
@JazzSkills Жыл бұрын
Thanks!
@mrquick677510 ай бұрын
It’s it funny how that works!
@ClipofTheDayy Жыл бұрын
Amazing stuff as always.
@goblacklist Жыл бұрын
excellent :) thx , i will try it !
@CharlesK44110 ай бұрын
Fantastic 👏🏾 👏🏾 Hopefully i can translate this to guitar 🎸
@JazzSkills10 ай бұрын
Please do!
@user-qp4lb3yb3i Жыл бұрын
Красавчик!👍🏻
@Csharpflat5 Жыл бұрын
Charlie Chaplin composed the melody for “Smile” for “Modern Times” (1936), one of six Chaplin films selected for preservation by the National Film Registry, with lyrics added in 1954 by John Turner and Geoffrey Parsons. His other well know song was Limelight
@JazzSkills Жыл бұрын
Thanks!
@geoffburton822 Жыл бұрын
Perfect marriage of words & music.
@JoeLinux2000 Жыл бұрын
I've heard while it is claimed to have been written by Chaplin, it was actually written by another person.
@robertkasper9 ай бұрын
Thanks sir Shan. I asked for this a long while ago!
@JazzSkills9 ай бұрын
Most welcome! I remember you asked for it and was looking for you to tell you. Glad you saw it :)
@peghamptons7 ай бұрын
Very inspiring. Your videos make me want to practice.
@JazzSkills7 ай бұрын
Thank you and go for it!
@PeteMartinMandolinАй бұрын
Me too!
@eekamak3 ай бұрын
I did not mind :)
@tinkertoyskeptic1454 Жыл бұрын
Really great stuff thank you!
@JazzSkills Жыл бұрын
Glad it was helpful! Thanks and I wish you good jazz.
@kaptnkirk2740 Жыл бұрын
Thank you for always great stuff! One question please. If you use the same scale on V as on i, then you *don't* alternate the V-chord (here A7) with it's dominant deminished (which would be B°). That is what you do on all other chords. This is deviating from the system. Is that right and is it the main intention? Maybe for the reason, not do weaken the effect of the main dominant? Or is it a compromise?
@JazzSkills Жыл бұрын
There are many ways to move A7 and this is only one of them that makes sense to my ear. In other circumstances it could certainly be one of the others. I don't this it's deviating from the system. It's just another way. Thanks for your kind comment and I wish you well with your playing.
@petersimms82904 ай бұрын
@kaptnkirk2740 It is my understanding that on a dominant chord, the diminished scale would be a minor6 dim scale built on the 5th degree of the dominant chord. So, in the case of the A7 chord, this system would use the Em6 diminished scale, thereby being an Em6 chord combined with a dim7 chord built on the F#. I don't understand where you are getting the B diminished on the A7 chord. Please correct me if i am wrong.